{"id":3437,"date":"2015-02-26T16:46:06","date_gmt":"2015-02-26T15:46:06","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/musikabrechnung\/"},"modified":"2023-12-19T16:39:14","modified_gmt":"2023-12-19T15:39:14","slug":"musikabrechnung","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/02\/musikabrechnung\/","title":{"rendered":"Musikabrechnung"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musikabrechnung https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F02%2Fmusikabrechnung%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Musikabrechnung https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F02%2Fmusikabrechnung%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" 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0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F02%2Fmusikabrechnung%2F\" title=\"Bei 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xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Avantgarde &lt;&gt; Avantgurke<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musikabrechnung https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F02%2Fmusikabrechnung%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener 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Wenn die Avantgarde immer nur die T\u00f6ne neue macht, aber ihre institutionelle Verankerung die gleiche bleibt, wird das auf Dauer nix werden. \u00a0","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"Ensemble Nikel in der Centralstation. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/08\/sp-nikel-8130048-1024x767.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8520,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/12\/phantomdiskussion-oder-was-man-von-der-avantgarde-lernen-koennte\/","url_meta":{"origin":3437,"position":3},"title":"Phantomdiskussion oder: Was man von der \u201eAvantgarde\u201c lernen k\u00f6nnte","author":"der huflaikhan","date":"2. Dezember 2014","format":false,"excerpt":"\u2026 und vor allem, was nicht! Schon seit Jahren geh\u00f6rt das Gezeter um die Zukunft des klassischen Konzertes zum Betrieb. Daf\u00fcr orientiert man sich auf Kongressen, daf\u00fcr bringt man gro\u00dfe empirische Studien auf den Weg. Publikumsforschung auf der einen Seite wird gepaart mit Musikvermittlungsversuchen auf der anderen Seite. Immer unter\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8897,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/12\/groessenwahn-label-kann-musikunterricht-nicht-kompensieren\/","url_meta":{"origin":3437,"position":4},"title":"Gr\u00f6\u00dfenwahn? Label kann Musikunterricht nicht kompensieren","author":"der huflaikhan","date":"6. Dezember 2023","format":false,"excerpt":"Ach was? Den einen oder die andere wird es vielleicht \u00fcberraschen, aber manchmal erstaunt doch eine gewisse Einsichtsf\u00e4higkeit auf Seiten der Musikindustrie. DG-Chef Clemens Trautmann wird in einer dpa-Meldung so zitiert: Die klassische Musikindustrie sieht sich als Baustein in der Ann\u00e4herung junger Menschen an Kulturwelten. \u201eAuch als marktf\u00fchrendes Label k\u00f6nnen\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Deutsche Grammophon Der offizielle Shop The Avantgarde Series Various Artists CD Box 840x525","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/12\/Deutsche-Grammophon-Der-offizielle-Shop-The-Avantgarde-Series-Various-Artists-CD-Box-840x525-1.png?fit=840%2C525&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/12\/Deutsche-Grammophon-Der-offizielle-Shop-The-Avantgarde-Series-Various-Artists-CD-Box-840x525-1.png?fit=840%2C525&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/12\/Deutsche-Grammophon-Der-offizielle-Shop-The-Avantgarde-Series-Various-Artists-CD-Box-840x525-1.png?fit=840%2C525&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/12\/Deutsche-Grammophon-Der-offizielle-Shop-The-Avantgarde-Series-Various-Artists-CD-Box-840x525-1.png?fit=840%2C525&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8648,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/05\/unmusikalische-diebe\/","url_meta":{"origin":3437,"position":5},"title":"Das Krenek-Genom \u2013 Die Erfindung der Musik von Phil Glass im Jahr 1923","author":"der huflaikhan","date":"4. Mai 2016","format":false,"excerpt":"Es ist ein paar Jahre her, da hat mir Reinhard Schulz eine CD-Kassette mit den Streichquartetten von Ernst Krenek \u00fcberlassen. Man muss dazu wissen, ich war in den 90er Jahren in Folge bestimmter Texte Adornos zum Fan der Musik Kreneks geworden. Die beiden ersten Streichquartette kannte ich schon recht gut,\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/9lPIDRvyYjM\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3437"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3437\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/3438"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}