{"id":3481,"date":"2015-06-20T18:10:51","date_gmt":"2015-06-20T17:10:51","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/qualternative\/"},"modified":"2023-12-19T10:02:19","modified_gmt":"2023-12-19T09:02:19","slug":"qualternative","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/06\/qualternative\/","title":{"rendered":"Qualternative"},"content":{"rendered":"<p><em>die<\/em><\/p>\n<ul>\n<li>steht im Programmheft<\/li>\n<li>liest man im Programmheft<\/li>\n<li>kann man im Programmheft nachlesen<\/li>\n<\/ul>\n<p>Mit der Sprache vor einer Mauer der M\u00f6glichkeiten stehen &#8230;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Qualternative https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F06%2Fqualternative%2F\" 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4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Qualternative 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0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button mailto shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"mailto:?body=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F06%2Fqualternative%2F&subject=Qualternative\" title=\"Per E-Mail versenden\" aria-label=\"Per E-Mail 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der M\u00f6glichkeiten stehen &#8230;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Qualternative https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F06%2Fqualternative%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 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Musikkritikerinnenkritikerinnen","author":"der huflaikhan","date":"25. 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Januar 2004","format":false,"excerpt":"Auf diese Idee kam das phantastische ensemble resonanz und ruft damit \"zur privaten Subventionierung der Konzertreihe \"Resonanzen\"\u201d auf: Kaufen Sie einen Musiker! Wir freuen uns, dass wir in unserem ersten Jahr in Hamburg nicht nur unsere Konzertreihe \"Resonanzen\" erfolgreich etablieren konnten, sondern auch in der Musikhalle oder der Palmerstiftung verl\u00e4ssliche\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8569,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/06\/geschichte-ist-grausam\/","url_meta":{"origin":3481,"position":2},"title":"Geschichte ist grausam","author":"der huflaikhan","date":"10. Juni 2015","format":"quote","excerpt":"Gestern gestorben, zwei Exponenten der Musik der letzten Jahrzehnte, die unterschiedlicher nicht sein k\u00f6nnten. Rainer Riehn (* 12. November 1941 in Danzig; \u2020 9. Juni 2015) https:\/\/youtu.be\/EceRgiae_zQ James Last (* 17. April 1929 in Bremen; \u2020 9. Juni 2015 in Florida, Vereinigte Staaten[1]; mit b\u00fcrgerlichem Namen Hans Last) https:\/\/youtu.be\/KrHr6MLUnrs Rainer\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/EceRgiae_zQ\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":59,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/dr-hufner-analysiert-richard-wagner-vorspiel-zu-die-meistersinger-von-nuernberg\/","url_meta":{"origin":3481,"position":3},"title":"Dr. Hufner analysiert: Richard Wagner, Vorspiel zu \u0084Die Meistersinger von N\u00fcrnberg\u0093","author":"huflaikhan","date":"19. September 2004","format":false,"excerpt":"Vorauszuschicken ist: Mit Wagner verbindet mich nicht viel. Vorauszuschicken ist: Mit Wagner verbindet mich nicht viel. Als Student musste (durfte \u2014 wie auch immer) ich in Philosophie referieren \u00fcber Wagner Schriften \u201eDas Kunsterwerk der Zukunft\u201c und \u201eOper und Drama\u201c \u2014 zwei fette B\u00fccher (eines auch noch in Frakturausgabe \u2014 gut\u2026","rel":"","context":"In &quot;Programmhefte&quot;","block_context":{"text":"Programmhefte","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/programmhefte\/"},"img":{"alt_text":"Russische Briefmarke mit Wagner vornedrauf von 1963","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/09\/20040919-wagner.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2249,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/07\/x-sounds-berlin\/","url_meta":{"origin":3481,"position":4},"title":"x-sounds in berlin","author":"hufi","date":"25. Juli 2007","format":false,"excerpt":"Pepa hat sich dazu schon ganz famos ge\u00e4u\u00dfert. 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