{"id":3625,"date":"2016-10-14T09:16:18","date_gmt":"2016-10-14T08:16:18","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/bob-dylan\/"},"modified":"2023-12-19T09:23:16","modified_gmt":"2023-12-19T08:23:16","slug":"bob-dylan","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/bob-dylan\/","title":{"rendered":"Bob Dylan"},"content":{"rendered":"<p>Der Literaturnobelpreis 2016 geht an den Songtexter und S\u00e4nger Bob Dylan. Manche Literaturkennerinnen finden das nicht so gut. Ich auch nicht, obwohl ich nur wenig Literatur kenne. Aber der Grund ist auch nicht literarischer Natur. Der Fehler ist vielmehr, dass der Nobelpreis unbedingt an Bob Dylan gehen muss, aber die Kategorie stimmt nicht.<br \/>\n<!--more--><\/p>\n<p>Der Literaturnobelpreis 2016 geht an den <span style=\"text-decoration: line-through;\">Lyriker<\/span> Songtexter und S\u00e4nger Bob Dylan. Manche Literaturkennerinnen finden das nicht so gut. Ich auch nicht, obwohl ich nur wenig Literatur kenne. Aber der Grund ist auch nicht literarischer Natur. Der Fehler ist vielmehr, dass der Nobelpreis unbedingt an Bob Dylan gehen muss, aber die Kategorie stimmt nicht. Er h\u00e4tte ihn sinnvollerweise erhalten m\u00fcssen in Medizin oder Wirtschaft. Dann h\u00e4tte die Jury richtig entschieden. Denn was Dylan durch seine Texte analysiert und aufdeckt und damit auch die Wirtschaft der Gesellschaft zur Darstellung bringt, ist in vielen Punkten einfach viel ertragreicher als das, was zahllose Wirtschaftswissenschaftlerinnen an Forschung betreiben. Aber vielleicht kommt das ja auch noch.<\/p>\n<p>Hier mal der <a href=\"http:\/\/www.ardmediathek.de\/radio\/Kultur-heute-Beitr%C3%A4ge-Deutschlandfunk\/Hubert-Winkels-im-Gespr%C3%A4ch-%C3%BCber-Bob-Dyla\/Deutschlandfunk\/Audio-Podcast?bcastId=21554344&amp;documentId=38299360\" target=\"_blank\" rel=\"noopener\">Deutschlandfunk<\/a> dazu, Hubert Winkels, und im O-Ton die Sigrid L\u00f6ffler mit ihrem bl\u00f6den Einspruch. Und seit heute auch die aufschlussreiche <a href=\"http:\/\/www.deutschlandfunk.de\/internationale-presseschau.435.de.html\" target=\"_blank\" rel=\"noopener\">Internationale Presseschau<\/a>.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/dApNz2LmuxU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Bob%20Dylan https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbob-dylan%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Manche Literaturkennerinnen finden das nicht so gut. Ich auch nicht, obwohl ich nur wenig Literatur kenne. Aber der Grund ist auch nicht literarischer Natur. Der Fehler ist vielmehr, dass der Nobelpreis unbedingt an Bob Dylan gehen muss, aber die Kategorie stimmt nicht.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Bob%20Dylan https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbob-dylan%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Dezember 1998","format":false,"excerpt":"Denn wie man sich erinnert, so lebt man. Und wir alle leben in einer Erinnerungskultur. Todestage und Geburtstage, Jubil\u00e4en und historische Ereignisse werden ans Tageslicht gezerrt (Schubert-, Mozart-, Eisler-, Gershwin, Peter-und-der-Wolf-Jahr). Es werden Mahnungen ausgesprochen und Aktualit\u00e4ten beschworen. Kurzum: Es wird an alles erinnert. Doch wie man auf die Geschichte\u2026","rel":"","context":"In &quot;nmz&quot;","block_context":{"text":"nmz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/nmz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2622,"url":"https:\/\/www.kritische-masse.de\/logbuch\/am-ende-kommt-soch-sowieso-alles-heraus\/","url_meta":{"origin":3625,"position":1},"title":"Am Ende kommt soch sowieso alles heraus","author":"huflaikhan","date":"10. Oktober 2009","format":false,"excerpt":"1. Grass zum Beispiel ist ein echter Verlierertyp. Er h\u00e4tte sich jemand anderes vrogestellt als Heiner M\u00fcller, der den Nobelpreis beklommen habe. Aber man kenne ja nicht die Art und Weise wie das Kommitee diese Dinge ermittle. Das habe ich mich vor zehn Jahren gefragt, als dieser Typ, Grass den\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1381,"url":"https:\/\/www.kritische-masse.de\/logbuch\/dm-bob-country-jam-burn-steer\/","url_meta":{"origin":3625,"position":2},"title":"DM Bob &#038; Country Jam: Burn Steer","author":"huflaikhan","date":"25. August 2005","format":false,"excerpt":"Ganz anders als Madi Gras.bb aus dem Hause Hazelwood, aber mindestens so garagig. Eine Musik f\u00fcr Menschen, die gerne abtauchen, also jetzt so mal ganz richtig, nicht so metaphysisch \u2014 abtauchen in den Dunst der hintersten Kneipe und die sich dann trauen, was sie nur mit mindestens 2,2 Promille auf\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/rezension\/"},"img":{"alt_text":"DM Bob","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/08\/20050823-dmbob.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3276,"url":"https:\/\/www.kritische-masse.de\/logbuch\/erster-zweiter-drittter-letzter\/","url_meta":{"origin":3625,"position":3},"title":"Erster, zweitter, drittter, lettztter","author":"huflaikhan","date":"30. November 2013","format":false,"excerpt":"Ein kurzer Blick auf den Sinn des musikalischen Wettbewerbs. Es gibt keinen Sinn in Wettbewerben. Der Wettbewerb, das sich vergleichen mit, das geh\u00f6rt, wie man gerne h\u00f6rt, zum Dasein dazu. Kinder w\u00fcnschen sich zu vergleichen und ihre Kr\u00e4ft zu messen. Wettbewerbe sind ein Kinderwunsch. Jugend musiziert ist eben auch so\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Sieg, Sieg Sieg. 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Ich sage: Ja.","author":"huflaikhan","date":"13. August 2003","format":false,"excerpt":"Sie kann einem schon auch leid tun, die Gema. Niemand mag sie richtig, alle hauen auf sie drauf. Dabei hat diese Organisation um die 60.000 Berechtigte, eine h\u00fcbsche Kleinstadt nur von Musik- und Musiktext-Urhebern und allerlei Verlagen. Eine Kleinsstadt, die aber gerade mal 812 Millionen EURO aus Gemaertr\u00e4gen bilanzieren w\u00fcrde.\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/mitleid-mit-der-gema-ich-sage-ja\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":602,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-ist-fein\/","url_meta":{"origin":3625,"position":5},"title":"Das ist fein!","author":"huflaikhan","date":"26. Juli 2004","format":false,"excerpt":"Das ist fein, wenn man merkt, man ist nicht allein. Ich sage Dank denen, bei deren Lekt\u00fcre mir es gut geht: Semmelmann, Quirinus, Juliane Teege, Joshua, dem wahren Dicki, dem Haltungsturner, der Kaltmamsell. Das ist fein, wenn man merkt, man ist nicht allein. 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