{"id":3664,"date":"2017-05-07T10:16:33","date_gmt":"2017-05-07T09:16:33","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/viel-hans-heinz-holz\/"},"modified":"2023-12-20T19:05:14","modified_gmt":"2023-12-20T18:05:14","slug":"viel-hans-heinz-holz","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/05\/viel-hans-heinz-holz\/","title":{"rendered":"Viel Hans Heinz Holz"},"content":{"rendered":"<p>\u201eDas Taditionsbewu\u00dftsein von Revolution\u00e4ren steht im Plusquamperfekt.\u201c<sup id=\"mfn-content-0000000000004d4a0000000000000000_3664-1\" class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000004d4a0000000000000000_3664\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004d4a0000000000000000_3664-1\">1<\/a><\/sup><span role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Hans Heinz Holz: Vom Kunstwerk zur Ware, Darmstadt und Neuwied 1973, S. 84.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Viel%20Hans%20Heinz%20Holz https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2017%2F05%2Fviel-hans-heinz-holz%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div><h3 class=\"modern-footnotes-list-heading \">Fussnoten:<\/h3><ul class=\"modern-footnotes-list \"><li id=\"footnote-0000000000004d4a0000000000000000_3664-1\"><span>1<\/span><div>Hans Heinz Holz: Vom Kunstwerk zur Ware, Darmstadt und Neuwied 1973, S. 84. <a href=\"#mfn-content-0000000000004d4a0000000000000000_3664-1\" class=\"modern-footnotes-scroll-to-footnote\" aria-label=\"Back to reference 1 in text\">\u21a9\ufe0e<\/a><\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>\u201eDas Taditionsbewu\u00dftsein von Revolution\u00e4ren steht im Plusquamperfekt.\u201c &nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Viel%20Hans%20Heinz%20Holz https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2017%2F05%2Fviel-hans-heinz-holz%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8347,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/09\/kork-caudwell\/","url_meta":{"origin":3664,"position":0},"title":"Kork [Caudwell]","author":"der huflaikhan","date":"21. September 2007","format":false,"excerpt":"Und noch ein Korken, der blogt. Wei\u00df jetzt auch nicht, was schlimmer ist. Aber ich will das Kapitel nicht schlie\u00dfen ohne den Hinweis darauf, dass es mir nun nach etlichen Jahren wieder einmal verg\u00f6nnt war, ein Buchantiquariat zu besuchen. Regensburg ist da nicht so gut best\u00fcckt wie fr\u00fcher einmal Wien\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2291,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/09\/kork\/","url_meta":{"origin":3664,"position":1},"title":"Kork","author":"hufi","date":"21. September 2007","format":false,"excerpt":"Und noch ein Korken, der blogt. Wei\u00df jetzt auch nicht, was schlimmer ist. Aber ich will das Kapitel nicht schlie\u00dfen ohne den Hinweis darauf, dass es mir nun nach etlichen Jahren wieder einmal verg\u00f6nnt war, ein Buchantiquariat zu besuchen. Regensburg ist da nicht so gut best\u00fcckt wie fr\u00fcher einmal Wien\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8520,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/12\/phantomdiskussion-oder-was-man-von-der-avantgarde-lernen-koennte\/","url_meta":{"origin":3664,"position":2},"title":"Phantomdiskussion oder: Was man von der \u201eAvantgarde\u201c lernen k\u00f6nnte","author":"der huflaikhan","date":"2. Dezember 2014","format":false,"excerpt":"\u2026 und vor allem, was nicht! Schon seit Jahren geh\u00f6rt das Gezeter um die Zukunft des klassischen Konzertes zum Betrieb. Daf\u00fcr orientiert man sich auf Kongressen, daf\u00fcr bringt man gro\u00dfe empirische Studien auf den Weg. Publikumsforschung auf der einen Seite wird gepaart mit Musikvermittlungsversuchen auf der anderen Seite. Immer unter\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3428,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/01\/1991-der-austritt\/","url_meta":{"origin":3664,"position":3},"title":"1991 &#8211; der Austritt","author":"huflaikhan","date":"15. Januar 2015","format":false,"excerpt":"Pl\u00f6tzlich rief ein Vertreter einer Kirchengemeinde aus M\u00fcnster\/Westfalen im becheidenen D\u00f6rfchen Steinbach bei Gie\u00dfen an [als Telefonnummern noch Charakter hatten: 5251!]. Ich sei aus der Kirche ausgetreten und sie w\u00e4ren meine Taufgemeinde. 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Ren\u00e9 Magritte","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/pfeife.jpg?fit=1200%2C829&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/pfeife.jpg?fit=1200%2C829&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/pfeife.jpg?fit=1200%2C829&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/pfeife.jpg?fit=1200%2C829&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/pfeife.jpg?fit=1200%2C829&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3656,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/02\/ursache-und-wirkung-nietzsche\/","url_meta":{"origin":3664,"position":4},"title":"Ursache und Wirkung \u2013 Nietzsche","author":"huflaikhan","date":"12. Februar 2017","format":false,"excerpt":"Ursache und Wirkung. \u2013 Vor der Wirkung glaubt man an andere Ursachen als nach der Wirkung.\u201c Ich bin mir noch nicht sicher, wie man das zu verstehen hat, au\u00dfer einfach. Vor allem stimmt es aber auch anders herum. Was auf das Gleiche hinausl\u00e4uft.","rel":"","context":"In &quot;Zettelkasten&quot;","block_context":{"text":"Zettelkasten","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/zettelkasten\/"},"img":{"alt_text":"Im botanischen Vorgarten von Regensburg. Kunstblume der Sonne. 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Musikvermittlung \u2014 Ein Kurz-Schluss? \u201eAu\u00dfen Hui \u0096 innen Pfui?\u201c \u0096 Musik-Vermittlung zwischen PISA und F\u00f6deralismus-Reform. Die Ganztags-Schule solls bringen: Viel Zeit f\u00fcr Musisches am Nachmittag. Aber: Wo kommen die qualifizierten Angebote her? Wo die qualifizierten Lehrkr\u00e4fte? 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