{"id":3664,"date":"2017-05-07T10:16:33","date_gmt":"2017-05-07T09:16:33","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/viel-hans-heinz-holz\/"},"modified":"2023-12-20T19:05:14","modified_gmt":"2023-12-20T18:05:14","slug":"viel-hans-heinz-holz","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/05\/viel-hans-heinz-holz\/","title":{"rendered":"Viel Hans Heinz Holz"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Viel%20Hans%20Heinz%20Holz https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2017%2F05%2Fviel-hans-heinz-holz%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" 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height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>\u201eDas Taditionsbewu\u00dftsein von Revolution\u00e4ren steht im Plusquamperfekt.\u201c<sup class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000003e110000000000000000_3664\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000003e110000000000000000_3664-1\">1<\/a><\/sup><span id=\"mfn-content-0000000000003e110000000000000000_3664-1\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Hans Heinz Holz: Vom Kunstwerk zur Ware, Darmstadt und Neuwied 1973, S. 84.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Viel%20Hans%20Heinz%20Holz https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2017%2F05%2Fviel-hans-heinz-holz%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 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0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><h3 class=\"modern-footnotes-list-heading \">Fussnoten:<\/h3><ul class=\"modern-footnotes-list \"><li><span>1<\/span><div>Hans Heinz Holz: Vom Kunstwerk zur Ware, Darmstadt und Neuwied 1973, S. 84.<\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>\u201eDas Taditionsbewu\u00dftsein von Revolution\u00e4ren steht im Plusquamperfekt.\u201c &nbsp;<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Viel%20Hans%20Heinz%20Holz https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2017%2F05%2Fviel-hans-heinz-holz%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" 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Mai 2006","format":false,"excerpt":"Heute, Bayern2Radio, 21:30 bis 22:30. Oder im Internet streamen. Musikvermittlung \u2014 Ein Kurz-Schluss? \u201eAu\u00dfen Hui \u0096 innen Pfui?\u201c \u0096 Musik-Vermittlung zwischen PISA und F\u00f6deralismus-Reform. Die Ganztags-Schule solls bringen: Viel Zeit f\u00fcr Musisches am Nachmittag. Aber: Wo kommen die qualifizierten Angebote her? Wo die qualifizierten Lehrkr\u00e4fte? Vielleicht von den Musikschulen, die\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3664"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3664\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/3665"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}