{"id":388,"date":"2004-03-18T17:51:42","date_gmt":"2004-03-18T16:51:42","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/2004-norah-jones-sunrise\/"},"modified":"2023-12-18T08:49:50","modified_gmt":"2023-12-18T07:49:50","slug":"2004-norah-jones-sunrise","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004-norah-jones-sunrise\/","title":{"rendered":"2004 \u0096 Norah Jones: Sunrise"},"content":{"rendered":"<p>Das St\u00fcck ist ja nun wirklich nett. Das Oooo Ooooo Ooooo ist wirklich nett gesetzt. Doch irgendwas ist beunruhigend an dieser Gesellschaft im Video. Die Teletubbie-Sonne, diese undurchsichtige Gem\u00fctlichkeit, die Leichtigkeit des Tages. Es ist alles so unb\u00f6se, dass ein unglaubw\u00fcrdige Szenerie entsteht. Tanzendes im Teich, mit Birnchen behangene Instrumente &#8211; und diese absurde Babyface-Sonne. Der Titel legt die F\u00e4hrte ohnehin falsch. Sunrise und surprise.<br \/>\n<cite>And now the night<br \/>\nWill throw its cover down on me again<br \/>\nAnd if I&#8217;m right<br \/>\nIt&#8217;s the only way to bring me back <\/cite><br \/>\nhei\u00dft es am Ende. Ooooo Ooooo Ooooo To You &#8211; Planetengesang?<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=2004%20%C2%96%20Norah%20Jones%3A%20Sunrise https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004-norah-jones-sunrise%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=2004%20%C2%96%20Norah%20Jones%3A%20Sunrise https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004-norah-jones-sunrise%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Das Oooo Ooooo Ooooo ist wirklich nett gesetzt. Doch irgendwas ist beunruhigend an dieser Gesellschaft im Video. Die Teletubbie-Sonne, diese undurchsichtige Gem\u00fctlichkeit, die Leichtigkeit des Tages. Es ist alles so unb\u00f6se, dass ein unglaubw\u00fcrdige Szenerie entsteht. Tanzendes im Teich, mit Birnchen behangene Instrumente &#8211; und diese absurde Babyface-Sonne. [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=2004%20%C2%96%20Norah%20Jones%3A%20Sunrise https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004-norah-jones-sunrise%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop 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Juli 2003","format":false,"excerpt":"Martial Solal (Piano), Francois Moutin (Bass) und Bill Stewart (Drums) spielen hier geschichtstr\u00e4chtig vom 21 bis 23 September 2001 in einem durch Terror schwerst besch\u00e4digten New York, den ersten Tagen, da das Village Vanguard wieder ge\u00f6ffnet hatte \u2013 live! Jazz in unsicherer Zeit, allerdings mit einer Intensit\u00e4t und Triodichte, wie\u2026","rel":"","context":"In &quot;Tontr\u00e4ger&quot;","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Solal, gesch\u00fctzt","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030723-masse-cd-solal.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":328,"url":"https:\/\/www.kritische-masse.de\/logbuch\/verdi-als-strafe\/","url_meta":{"origin":388,"position":1},"title":"Verdi als Strafe","author":"huflaikhan","date":"9. Februar 2004","format":false,"excerpt":"Dass das H\u00f6ren \u201cKlassischer Musik\u201d als Sanktion gelten kann, hat ein amerikanischer Richter nahegelegt. Er verdonnerte einen Autofahrer zum Anh\u00f6ren von zwei Stunden Musik aus Verdis La Traviata; alternativ 500 US-Dollar Bu\u00dfgeld. Der verurteilte Autofahrer wurde zuvor von einer Polizeistreife nahe South-Beach Miami angehalten, weil er bei offenem Sonnendach und\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":844,"url":"https:\/\/www.kritische-masse.de\/logbuch\/henrietta-collins-and-wifebeating-childhaters\/","url_meta":{"origin":388,"position":2},"title":"Henrietta Collins and the Wifebeating Childhaters","author":"huflaikhan","date":"19. Oktober 2004","format":false,"excerpt":"Ich bin Quirinus noch was schuldig. Es mag gut passen zur Zeit. 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M\u00e4rz 2008","format":false,"excerpt":"Watching smoke rise,cloud in my eyes I see your face, forming out of the blue Sad and lonely all on my own With smoke dreams of you In reverie, sweet memory Takes me again to the days that we knew We were happy, now I\u0092m alone With smoke dreams of\u2026","rel":"","context":"In \"Jazz\"","block_context":{"text":"Jazz","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/jazz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2232,"url":"https:\/\/www.kritische-masse.de\/logbuch\/delete-who-hell-loves-me-flickr\/","url_meta":{"origin":388,"position":4},"title":"delete, who the hell loves me? flickr?","author":"hufi","date":"30. Juni 2007","format":false,"excerpt":"flickr-account gel\u00f6scht. Love sieht f\u00fcr mich anders aus. Das war jetzt nicht der Hammer. Die paar Bilder, die wenigen Kontakte dort. Ich fand es dort ja schon bequem, aber so richtig genutzt habe ich das alles nicht. 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