{"id":394,"date":"2004-03-20T20:09:59","date_gmt":"2004-03-20T19:09:59","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/ach-schlage-doch-bald\/"},"modified":"2026-03-20T16:06:11","modified_gmt":"2026-03-20T15:06:11","slug":"ach-schlage-doch-bald","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/03\/ach-schlage-doch-bald\/","title":{"rendered":"Ach, schlage doch bald \u2026"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ach%2C%20schlage%20doch%20bald%20%E2%80%A6 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F03%2Fach-schlage-doch-bald%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Wieder so eine unglaubliche Kantate: Christus, der ist mein Leben (BWV 95). Man darf die Musik nur nicht zu leise h\u00f6ren.<\/p>\n<blockquote><p>Ach, schlage doch bald, selge Stunde.<br \/>\nDen allerletzten Glockenschlag!<br \/>\nKomm, komm, ich reiche dir die H\u00e4nde,<br \/>\nKomm, mache meiner Not ein Ende,<br \/>\nDu l\u00e4ngst erseufzter Sterbenstag.<\/p><\/blockquote>\n<p>Die Musik dazu ist anders, als ich es erwarten w\u00fcrde. Eine Art Serenadenton, hervorgerufen durch das Pizzicato der Streicher und die beiden sich umschmeichelnd musizierenden Oboi d&#8217;amore &#8211; die sich melodisch umranken wie bei einm Weinstock. 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Man darf die Musik nur nicht zu leise h\u00f6ren. Ach, schlage doch bald, selge Stunde. Den allerletzten Glockenschlag! Komm, komm, ich reiche dir die H\u00e4nde, Komm, mache meiner Not ein Ende, Du l\u00e4ngst erseufzter Sterbenstag. 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November 2004","format":false,"excerpt":"Ich vermute, Du findest das zwar auch doof und dumm und tumb und \u00fcberfl\u00fcssig und schei\u00dfe und bl\u00f6de. Und ich habe mich selbst immer im Verdacht, dass Du nur wegen meines bekloppten Journals (tempor\u00e4r) aufgegeben hast. Ich glaube aber auch nicht, dass du gar so lange deine laute Klappe halten\u2026","rel":"","context":"Mit 8 Kommentaren","block_context":{"text":"Mit 8 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/ach-semmel\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8814,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2019\/09\/naehe-und-distanz-moment-und-dauer-technik-und-sinn\/","url_meta":{"origin":394,"position":1},"title":"N\u00e4he und Distanz | Moment und Dauer | Technik und Sinn","author":"der huflaikhan","date":"24. September 2019","format":false,"excerpt":"In seinem Beitrag f\u00fcr die September-Ausgabe der nmz geht unser Autor Hans-J\u00fcrgen Schaal der Frage nach, wie die Art und Weise der Musikdarbietung durch technische Hilfsmittel die Art und Weise des insgesamt H\u00f6rens ver\u00e4ndert. Welche Folgen hat das Streaming von Musik f\u00fcr das H\u00f6ren von Musik. \u201eDie Wahrnehmung von Musik\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":380,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/03\/zwangsbeschallert\/","url_meta":{"origin":394,"position":2},"title":"Zwangsbeschallert","author":"huflaikhan","date":"11. M\u00e4rz 2004","format":false,"excerpt":"Musik kann schon ein richtiger Weichmacher sein. Blinde werden sehend, Taube h\u00f6rend und Menschen brav, vor allem aber Letzteres. Da werben die auf der Abschussliste des Berliner Senats stehenden Berliner Symphoniker in U-Bahnen mit dem Slogan \u0084Kinder, die musizieren, kommen nicht auf dumme Gedanken\u0093 (wie zum Beispiel in einen Gurkentransporter\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":323,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/notengeruch-und-modernisierung\/","url_meta":{"origin":394,"position":3},"title":"Notengeruch und Modernisierung","author":"huflaikhan","date":"7. Februar 2004","format":false,"excerpt":"Musik: Johann Sebastian Bach: Nun komm\u0091 der Heiden Heiland (Lipatti 1950) Autor: Es ist so sch\u00f6n, dass sich manches nicht \u00e4ndert. Der modrige Geruch von zerfallendem Papier, langsames Nachdunkeln, das Absplittern von Altkopien neuer Musik. Kurz das Leben von Notentexten in allen Formaten und in allen Preislagen. Ach Faksimile, oh\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":166,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/05\/achse-des-bloeden\/","url_meta":{"origin":394,"position":4},"title":"Achse des Bl\u00f6den","author":"huflaikhan","date":"10. Mai 2003","format":false,"excerpt":"Die Katzen pfeifen es vom Dach: Hier sind ein paar Schrauben locker. Nein, es geht nicht um die Hobbyheimwerker mit staatlicher Zulassung beim Deutschen Musikrat. Denn das Musikleben ist medientr\u00e4chtig l\u00e4ngst den Kinderschuhen amtlicher Musikr\u00e4te entwachsen. Mindestens acht Millionen Menschen suchen eben nicht den Deutschen Musikrat sondern Deutschlands Superstar. Freilich\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":335,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/werte-paedagogik-der-musik\/","url_meta":{"origin":394,"position":5},"title":"Werte-P\u00e4dagogik in der Musik","author":"huflaikhan","date":"12. Februar 2004","format":false,"excerpt":"Die Nachricht hat eingeschlagen wie ein nasses Handtuch in einem Hotelbadezimmer. GEMA, Phonoverb\u00e4nde zusammen mit dem Deutschen Kulturrat und dem Musikverlag Schott International starten eine Initiative zum Wert von Kreativit\u00e4t. Unterrichtsmaterialien und weitere Informationen werden der Zeitschrift \u0084Musik & Bildung\u0093 beigelegt. 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