{"id":395,"date":"2004-03-20T23:15:00","date_gmt":"2004-03-20T22:15:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/kein-wort-zum-film-der-die-gemueter-erhitzt\/"},"modified":"2023-12-18T08:49:50","modified_gmt":"2023-12-18T07:49:50","slug":"kein-wort-zum-film-der-die-gemueter-erhitzt","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/03\/kein-wort-zum-film-der-die-gemueter-erhitzt\/","title":{"rendered":"Kein Wort zum Film, der die Gem\u00fcter erhitzt \u2026"},"content":{"rendered":"<p>&#8230; denn er ist es nicht wert. Keine Namen, kein Titel, keine Analyse angeblicher Authentizit\u00e4t von Zeitlupeneffekten. Film ist Film, Oper ist Oper. Langweilig.<\/p>\n<p>Dagegen einmal wieder in eine Bach-Kantate hineingeh\u00f6rt und folgenden Text gefunden &#8220;Ich hatte viel Bek\u00fcmmernis&#8221; BWV 21.<br \/>\n<br \/>\n<cite><i>Tenor<\/i><br \/>\n<br \/>\nWas helfen uns die schweren Sorgen,<br \/>\n<br \/>\nWas hilft uns unser Weh und Ach!<br \/>\n<br \/>\nWas hilft es, dass wir alle Morgen<br \/>\n<br \/>\nBeseufzen unser Ungemach?<br \/>\n<br \/>\nWir machen unser Kreuz und Leid<br \/>\n<br \/>\nNur gr\u00f6\u00dfer durch die Traurigkeit.<\/cite><br \/>\n<br \/>\nEtwas sp\u00e4ter folgt eine Tenorarie, die an Deutlichkeit nichts zu w\u00fcnschen \u00fcbrig l\u00e4sst.<br \/>\n<br \/>\n<cite>Erfreue dich, Seele, erfreue dich, Herze.<br \/>\n<br \/>\nEntweiche nun, Kummer, verschwinde, du Schmerze!<br \/>\n<br \/>\nVerwandle dich, Weinen, in lauteren Wein,<br \/>\n<br \/>\nEs wird nun mein \u00c4chzen ein Jauchzen mir sein!<br \/>\n<br \/>\nEs brennet und sammet die reinste Kerze<br \/>\n<br \/>\nDer Liebe, des Trostes in Seele und Brust,<br \/>\n<br \/>\nWeil Jesus mich tr\u00f6stet mit himmlischer Lust.<\/cite><br \/>\n<br \/>\nVerwandle dich, Weinen, in lauteren Wein &#8230; das ist stark und ich h\u00e4tte es nicht in einer geistlichen Kantate erwartet. So wenig wie Trost mit himmlischer Lust.<\/p>\n<p>Die Musik dazu ist wirklich lustig, fast witzig in den ruckelnden P\u00e4uschen am Ende der musikalischen Strophen. Das ist gar glucksend, hoppelnd. Die Begleitung des Tenors mit  mit Orgel und Violoncello (klingt bei mir arg nach Kontraba\u00df) wird synkopisch konterkariert durch den Tenor. Es ist wie ein Kinderspiel, dass man kurz unterbricht und Aufmerksamkeit erheischt, ehe sich die Kinder wieder wie selbstverst\u00e4ndlich in ihr Spiel versenken. 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Keine Namen, kein Titel, keine Analyse angeblicher Authentizit\u00e4t von Zeitlupeneffekten. Film ist Film, Oper ist Oper. Langweilig. Dagegen einmal wieder in eine Bach-Kantate hineingeh\u00f6rt und folgenden Text gefunden &#8220;Ich hatte viel Bek\u00fcmmernis&#8221; BWV 21. Tenor Was helfen uns die schweren Sorgen, Was hilft uns unser Weh und Ach! [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kein%20Wort%20zum%20Film%2C%20der%20die%20Gem%C3%BCter%20erhitzt%20%E2%80%A6 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F03%2Fkein-wort-zum-film-der-die-gemueter-erhitzt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":62,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/10\/taktlos-82-operette-land-des-schwaechelns\/","url_meta":{"origin":395,"position":0},"title":"taktlos #82: Operette, Land des Schw\u00e4chelns","author":"huflaikhan","date":"7. Oktober 2004","format":false,"excerpt":"Gestern abend um diese Zeit ging taktlos 82 \u00fcber die B\u00fchne, besser gesagt \u00fcber den Sender. Ein wieder ganz lebendige Sendung mit mindestens zwei Gespr\u00e4chspartnern, die sch\u00f6n reden konnten (einer davon zumal ein Bariton). Operette? Das habe ich mir auch gesagt und meinen Teil gedacht. Mottenkiste mit zuviel Schminke (aber\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/taktlos\/"},"img":{"alt_text":"Blick aus dem Studio ins Studio","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041007-takt82.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":430,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/ich-steh-mit-einem-fuss-im-grabe\/","url_meta":{"origin":395,"position":1},"title":"Ich steh mit einem Fu\u00df im Grabe \u2026","author":"huflaikhan","date":"7. Mai 2004","format":false,"excerpt":"Finster, sehr finster, der Beginn dieser Tenor-Aria mit eingebautem Choral, vom Sopran eingeflochten (Fettdruck), der eine ganz originelles musikalisches Licht eingie\u00dft. In der Kombination kommt es durchaus zu ganz kuriosen rhythmischen Verwicklungen. Ich steh mit einem Fu\u00df im Grabe, Machs mit mir, Gott, nach deiner G\u00fct, Bald f\u00e4llt der kranke\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2718,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/01\/vorspeisenplatte-blog-archive-missverst-ndnis\/","url_meta":{"origin":395,"position":2},"title":"Vorspeisenplatte \u00bb Blog Archive \u00bb Missverst\u00e4ndnis","author":"hufi","date":"17. Januar 2010","format":false,"excerpt":"Robert Basic hatte ein M\u00fcnchner Bloggertreffen angek\u00fcndigt, also dachte ich mir: \u201aW\u00e4re ein erstes f\u00fcr mich, warum nicht?\u2019 Worein ich dann gestern Abend schneite, war statt dessen ein berufliches DLD-Blogbusinesstreffen: Anzugtr\u00e4ger, heftiges Visitenkartengetausche, f\u00fcr das gesponserte (keine Ahnung, von wem) Buffet und Getr\u00e4nke musste man sich einzeln offiziell fotografieren und\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9278,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/illegale-autorenrennen-baritone-discounter-tenoere-der-rohde\/","url_meta":{"origin":395,"position":3},"title":"Illegale Autorenrennen \/ Baritone &#038; Discounter(-Ten\u00f6re) \/ Der Rohde","author":"der huflaikhan","date":"26. Februar 2024","format":false,"excerpt":"Illegale Autorenrennen ++ Baritone & Discounter(-Ten\u00f6re) ++++ Der Rohde +++ Gurdjieff in der H\u00f6rBar +++ Was hat die Welt mit mir zu tun +++ Die Menschheit und das Kulturversagen +++ Das Kulturversprechen als Bullshit +++","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"Aufr\u00e4um-Vogel in Teltow. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_24_kraehe.jpg?fit=1008%2C1008&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_24_kraehe.jpg?fit=1008%2C1008&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_24_kraehe.jpg?fit=1008%2C1008&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_24_kraehe.jpg?fit=1008%2C1008&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8671,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/06\/meisterwerke-des-musikvideos-i-pagare-please-zentralkapelle-berlin\/","url_meta":{"origin":395,"position":4},"title":"Meisterwerke des Musikvideos I \u2013 \u201ePagare Please\u201c (Zentralkapelle Berlin)","author":"der huflaikhan","date":"30. 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Juni 2005","format":false,"excerpt":"\u201eAlle Arbeit des Menschen ist f\u00fcr seinen Mund; aber doch wird die Seele nicht davon satt. \u2013 So gehe hin und i\u00df dein Brot mit Freuden, trink deinen Wein mit gutem Mut; denn dein Werk gef\u00e4llt Gott. \u2013 Es ist alles ganz eitel, sprach der Prediger, ganz eitel.\u201c Und ein\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"Zu lang","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050621-gitarrist.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=395"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/395\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}