{"id":405,"date":"2004-04-11T08:11:00","date_gmt":"2004-04-11T07:11:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/omar-sosa-a-new-life\/"},"modified":"2023-12-18T08:49:50","modified_gmt":"2023-12-18T07:49:50","slug":"omar-sosa-a-new-life","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/omar-sosa-a-new-life\/","title":{"rendered":"Omar Sosa: A New Life"},"content":{"rendered":"<div class=\"rightbox\"><%image(20040112-2004-sosa-life.jpg|150|135|Omar Sosa: A New Life)%><\/div>\n<p>Auf 18 Tracks packt Omar Sosa seine neueste Quintessenz seines Pianospiels. Die Platte ist nicht leicht einzusch\u00e4tzen &#8211; der Klang des Klaviers ist sehr pr\u00e4sent und die musikalischen Strukturen wirken vielleicht auch etwas kalt. Klar, Sosa kann nat\u00fcrlich Klavier spielen an den Tasten wie im Innern und ganz viele Details wirken verbl\u00fcffend. Die K\u00fchle r\u00fchrt vielleicht aus dem Fehlen begleitender Musiker her &#8220;Crash De La Tierra&#8221; (Track 4). Das paart sich mit einem melancholischen Tonfall wie in &#8220;Vuelvo Iyawo&#8221; (Track 5) oder gar extrem d\u00fcster &#8220;Ofrenda&#8221; (Track 12).<\/p>\n<p>Die Musik wirkt daher ein bisschen vereinsamt im sch\u00f6nen Sinne und unrund im schlechten Sinn. Uns so fragt man sich h\u00f6rend, ist das jetzt nur d\u00fcnn oder vielleicht sogar substantiell gemeint. Die Musik pendelt einfach zwischen Schwung und Statik auf ungew\u00f6hnliche Weise. Damit passt diese Sosasche Klangwelt aber wieder recht gut zum Ort der Aufnahme: n\u00e4mlich in dem Hidden Bar Studio Big Sur, Kalifornien.<\/p>\n<p><cite><i>Omar Sosa: A New Life<\/i><br \/>\n<br \/>\nSkip records, SKP 9041-2<\/cite><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Omar%20Sosa%3A%20A%20New%20Life https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fomar-sosa-a-new-life%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Omar%20Sosa%3A%20A%20New%20Life https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fomar-sosa-a-new-life%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Die Platte ist nicht leicht einzusch\u00e4tzen &#8211; der Klang des Klaviers ist sehr pr\u00e4sent und die musikalischen Strukturen wirken vielleicht auch etwas kalt. Klar, Sosa kann nat\u00fcrlich Klavier spielen an den Tasten wie im Innern und ganz viele Details wirken verbl\u00fcffend. Die K\u00fchle r\u00fchrt [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Omar%20Sosa%3A%20A%20New%20Life https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fomar-sosa-a-new-life%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop 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M\u00e4rz 2004","format":false,"excerpt":"Ganz frisch heute aus dem Briefkasten gefischt, das neueste Produkt aus dem Hause metarecords. Diese kleine umtriebige Label begann ja mit fantastisch gestalteten Verpackungen und riskanter Musik. Mittlerweile sind die CDs im Jewel-Case verpackt. Schade, aber der dort ver\u00f6ffentlichten Musik h\u00f6rt man das ja schlie\u00dflich auch nicht an. \"AMP Stringency\u201d\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":366,"url":"https:\/\/www.kritische-masse.de\/logbuch\/rez-house-williams-revolutionist\/","url_meta":{"origin":405,"position":1},"title":"[Rez] House Williams: Revolutionist","author":"huflaikhan","date":"3. M\u00e4rz 2004","format":false,"excerpt":"F\u00e4ngt an wie ein St\u00fcck von Lou Reed und John Cale. Hometown ist wie Smalltown in den Songs for Drella. 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