{"id":429,"date":"2004-05-06T22:02:00","date_gmt":"2004-05-06T21:02:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/musiker-im-fahrstuhl\/"},"modified":"2023-12-18T08:49:50","modified_gmt":"2023-12-18T07:49:50","slug":"musiker-im-fahrstuhl","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/musiker-im-fahrstuhl\/","title":{"rendered":"Musiker im Fahrstuhl"},"content":{"rendered":"<p><%image(20040506-musiker-fahrstuhl.jpg|350|288|Musiker im Fahrstuhl)%><br \/>\nSo sieht ein Ensemble von Musikern aus, das sich im Fahrstuhl befindet. Gespielt haben sie bei <a href=\"http:\/\/www.nmz.de\/taktlos\/2004\/takt77.shtml\" target=\"_blank\" rel=\"noopener\">taktlos 77 &#8211; neue musik f\u00fcr kinder<\/a> &#8211; in der Hochschule f\u00fcr Musik und darstellende Kunst Stuttgart ein paar Werke hochbegabter Komponisten aus der Stuttgarter Musikschule. <\/p>\n<p>Die Kompositionen: Sehr sch\u00f6n und wirklich besser als ich jemals komponiert habe. Aber im <a href=\"http:\/\/www.nmz.de\/nmz2\/mpeg\/2004\/77\/77musik1.ram\" target=\"_blank\" rel=\"noopener\">ersten Fall<\/a> nicht mal so un\u00e4hnlich. Die Musik haben selbstverst\u00e4ndlich auch Namen. Simon Zimmermann (Klavier &#8211; vorne mit Bewegungsunsch\u00e4rfe), Isabela Wisa (Violine, rechts und die einzige Frau auf dem Bild), Barnab\u00e1 Poprawski (Bratsche, links halb sinnierend) und Slava Kiselev (Cello, hinten in der Ecke, sehr nachdenklich, im schlimmsten Fall gelangweilt).<\/p>\n<p>Die Sendung verlief ziemlich ruhig, wie immer, wenn sich viele Menschen einig sind. Ist ja auch nicht wirklich so schlimm. Meinen Beitrag kann man wohl anh\u00f6ren als <a href=\"http:\/\/www.nmz.de\/nmz2\/mpeg\/2004\/77\/77hufner.ram\" target=\"blank\" rel=\"noopener\">Real-Audio<\/a>, lesen dann sp\u00e4ter, hier im Lesebuch des Huflaikhan.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musiker%20im%20Fahrstuhl https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusiker-im-fahrstuhl%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Musiker%20im%20Fahrstuhl https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusiker-im-fahrstuhl%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Gespielt haben sie bei taktlos 77 &#8211; neue musik f\u00fcr kinder &#8211; in der Hochschule f\u00fcr Musik und darstellende Kunst Stuttgart ein paar Werke hochbegabter Komponisten aus der Stuttgarter Musikschule. Die Kompositionen: Sehr sch\u00f6n und wirklich besser als ich jemals komponiert habe. Aber [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musiker%20im%20Fahrstuhl https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusiker-im-fahrstuhl%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":426,"url":"https:\/\/www.kritische-masse.de\/logbuch\/nmz-mai-2004-jetzt-online\/","url_meta":{"origin":429,"position":0},"title":"nmz Mai 2004 &#8211; jetzt online","author":"huflaikhan","date":"4. Mai 2004","format":false,"excerpt":"Die aktuelle Ausgabe der neuen musikzeitung ist gerade online gestellt worden. Heute daher besonders zu empfehlen: Nachschlag: Das Ende vom Wehklagen Janko R\u00f6ttgers \u00fcber das Wehe am Klagen der Phonoverb\u00e4nde Cluster: Erfolgsdruck Ich selbst \u00fcber Musik als Kunst unter Zuhilfenahme Kants St\u00fcckwerk. Hymne auf das Ende eines tragischen Tages Charles\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":472,"url":"https:\/\/www.kritische-masse.de\/logbuch\/erstes-verfahren-gegen-illegale-musikanbieter-abgeschlossen\/","url_meta":{"origin":429,"position":1},"title":"Erstes Verfahren gegen illegale Musikanbieter abgeschlossen","author":"huflaikhan","date":"8. Juni 2004","format":false,"excerpt":"Die rechtliche Duftmarke ist gesetzt, jetzt auch in Deutschland. Das lief alles irgendwie unbeobachtet. Mir ist jedenfalls nichts bekannt geworden. Zwei Monate d\u00fcrfte es insgesamt gedauert haben. F\u00fcr einen Kommentar habe ich leider keine Zeit mehr. Pressemitteilung: Berlin, 08.06.2004 Erste erfolgreiche Verfahren gegen illegale Musikanbieter in \u201eTauschb\u00f6rsen\u201d: Auszubildender aus Cottbus\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":714,"url":"https:\/\/www.kritische-masse.de\/logbuch\/anspruch-und-gegenanspruch\/","url_meta":{"origin":429,"position":2},"title":"Anspruch und Gegenanspruch","author":"huflaikhan","date":"27. August 2004","format":false,"excerpt":"Bei Kaltmamsell (Haltungsschaden - Tante Prusseliese) und pepa (Anspruch) bin ich der der Diskussion einigerma\u00dfen stecken geblieben. Da gings \u2014 kurz gesagt \u2014 ums Verh\u00e4ltnis zwischen B\u00fcrger und Staat. Nun wollte ich das gleiche Ph\u00e4nomen einmal anhand der Anspr\u00fcche von B\u00fcrgern gegen Unternehmen ein wenig nach lesen. Eine hochrenommierte Musikzeitung\u2026","rel":"","context":"Mit 11 Kommentaren","block_context":{"text":"Mit 11 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/anspruch-und-gegenanspruch\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8620,"url":"https:\/\/www.kritische-masse.de\/logbuch\/nicht-nur-e-und-u-musik-sondern-auch-g-musik\/","url_meta":{"origin":429,"position":3},"title":"Nicht nur E- und U-Musik, sondern auch G-Musik","author":"der huflaikhan","date":"17. Dezember 2015","format":false,"excerpt":"Deutschland ist gut in Sachen B\u00fcrokratie. F\u00fcr den ganzen \u00c4rger, den man sich damit einhandelt, sollte man auch die Vorteile sehen. Alles l\u00e4sst sich regeln. F\u00fcr fast alles gibt es ein Gesetz. 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November 2025","format":false,"excerpt":"Stuttgarter Kompositionspreis \u201epausiert\u201c +++ \u201eTempo\u201c geht von Cambridge nach Berlin +++ Wo bleibt \u201eSeiltanz\u201c? +++ Das Durcheinander hat System +++","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Kompositionspreis Landeshauptstadt Stuttgart","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/11\/Kompositionspreis-Landeshauptstadt-Stuttgart.png?fit=1200%2C462&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/11\/Kompositionspreis-Landeshauptstadt-Stuttgart.png?fit=1200%2C462&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/11\/Kompositionspreis-Landeshauptstadt-Stuttgart.png?fit=1200%2C462&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/11\/Kompositionspreis-Landeshauptstadt-Stuttgart.png?fit=1200%2C462&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/11\/Kompositionspreis-Landeshauptstadt-Stuttgart.png?fit=1200%2C462&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8714,"url":"https:\/\/www.kritische-masse.de\/logbuch\/intelligenter-schulranzen-erfunden-jugend-forscht-2005\/","url_meta":{"origin":429,"position":5},"title":"Intelligenter Schulranzen erfunden [Jugend forscht 2005]","author":"der huflaikhan","date":"13. Juni 2017","format":false,"excerpt":"Ein Blick zur\u00fcck in das Jahr 2005 ist ganz erstaunlich. Damals gab es noch die Rubrik \"Forum Pisa\" im Deutschlandfunk. Man hat sich \u00fcber die Entwicklungen im Bereich der schulischen Bildung jeden Freitag vormittag befasst. Schuld daran war der sogenannte PISA-Schock, der dem deutschen Schulsystem ein gewisses Versagen bescheinigt hatte.\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kultur\/"},"img":{"alt_text":"Die Tasche der Kritischen Masse. 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