{"id":473,"date":"2004-06-09T07:44:00","date_gmt":"2004-06-09T06:44:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/taktlos-news-entwicklung-neuer-musik-optimiert\/"},"modified":"2023-12-18T08:49:49","modified_gmt":"2023-12-18T07:49:49","slug":"taktlos-news-entwicklung-neuer-musik-optimiert","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/taktlos-news-entwicklung-neuer-musik-optimiert\/","title":{"rendered":"taktlos-news: Entwicklung neuer Musik optimiert"},"content":{"rendered":"<p>M\u00fcnchen. Die Gesellschaft f\u00fcr neue Musik, Sektion Deutschland, hat die Hitvoraussage-Software des Spaniers Mike McCready f\u00fcr die Entwicklung neuer Musik optimiert. Damit soll die Antwort auf die Frage m\u00f6glich sein, ob die zur Frage stehende Komposition m\u00f6glichst unkonventionell, einzigartig ist und gleichwohl dem Geschmack der Neue-Musik-Szene entspricht. \u0084Die wollen n\u00e4mlich das h\u00f6ren, was sie nicht h\u00f6ren wollen\u0093, sagte GNM-Pr\u00e4sident Jens Cording in einem Gespr\u00e4ch gegen\u00fcber taktlos. Die Umarbeitung der urspr\u00fcnglichen Hiterkennungs-Software soll denkbar einfach gewesen sein. \u0084Wir mussten nur Plus- und Minuspol der Batterie de Ger\u00e4tes vertauschen\u0093, meinten die Beauftragten Enwickler des Zentrums f\u00fcr kybernetische Kunst in Karlsruhe.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=taktlos-news%3A%20Entwicklung%20neuer%20Musik%20optimiert https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F06%2Ftaktlos-news-entwicklung-neuer-musik-optimiert%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=taktlos-news%3A%20Entwicklung%20neuer%20Musik%20optimiert https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F06%2Ftaktlos-news-entwicklung-neuer-musik-optimiert%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Die Gesellschaft f\u00fcr neue Musik, Sektion Deutschland, hat die Hitvoraussage-Software des Spaniers Mike McCready f\u00fcr die Entwicklung neuer Musik optimiert. Damit soll die Antwort auf die Frage m\u00f6glich sein, ob die zur Frage stehende Komposition m\u00f6glichst unkonventionell, einzigartig ist und gleichwohl dem Geschmack der Neue-Musik-Szene entspricht. \u0084Die wollen n\u00e4mlich das h\u00f6ren, was sie nicht [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=taktlos-news%3A%20Entwicklung%20neuer%20Musik%20optimiert https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F06%2Ftaktlos-news-entwicklung-neuer-musik-optimiert%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1409,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/09\/radio-tip-kini-contra-kini\/","url_meta":{"origin":473,"position":0},"title":"Radio-Tip: Kini contra Kini","author":"huflaikhan","date":"6. September 2005","format":false,"excerpt":"In der Reihe \u201etaktlos. das musikmagazin des bayerischen rundfunks und der neuen musikzeitung\u201c geht es heute abend (7.9.2005) um den \u201eKini\u201c, nicht wahr. 21:30 bis 22:30, Bayern2Radio on air, Satellit und per Internet-Stream. In der Reihe \u201etaktlos. das musikmagazin des bayerischen rundfunks und der neuen musikzeitung\u201c geht es heute abend\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/09\/radio-tip-kini-contra-kini\/#comments"},"img":{"alt_text":"Kampf der Froschk\u00f6nige","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/09\/20050906-titel.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":56,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/01\/ein-kleiner-beitrag-zur-soziologie-des-hoerens\/","url_meta":{"origin":473,"position":1},"title":"Ein kleiner Beitrag zur Soziologie des H\u00f6rens","author":"huflaikhan","date":"8. Januar 2004","format":false,"excerpt":"Nachfolgend mein Beitrag zur Ausgabe 73 der Sendung \"taktlos\" des Bayerischen Rundfunks und der neuen musikzeitung. Im Studio dabei: Rita Beulker (Projektcoach \/ Herausgeberin des Online Wirtschaftsmagazin infoquelle), Marion Gl\u00fcck-Levi (Stiftung Zuh\u00f6ren), Michael Quast (Kabarettist, Regisseur), Karl Karst (Wellenchef WDR3, Initiative H\u00f6ren e.V.) und das Duo Courage. Musik: Morton Feldman:\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/taktlos\/"},"img":{"alt_text":"Hufi vor 42 Sendungen","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/01\/20031217-30huffi2-50.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":71,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/05\/taktlos-111-schnelle-brueter\/","url_meta":{"origin":473,"position":2},"title":"taktlos 111: Schnelle Br\u00fcter","author":"huflaikhan","date":"3. Mai 2007","format":false,"excerpt":"Die Reformen im Zeichen von Bologna haben auch den Kunsthochschulbereich erreicht. Wenn man sich so die Meinungen der Rektoren und Pr\u00e4sidenten anh\u00f6rt, war dies eine gute Entwicklung. In der Tat sind die Tanker der Hochschulen in Bewegung geraten. Aber wenn man es sich genau anh\u00f6rt, dann wirkt es, als w\u00e4re\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/taktlos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1268,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/06\/100-jahre-musikbibliothek-muenchen\/","url_meta":{"origin":473,"position":3},"title":"100 Jahre Musikbibliothek M\u00fcnchen","author":"huflaikhan","date":"8. Juni 2005","format":false,"excerpt":"taktlos. Das Musikmagazin der neuen musikzeitung und des Bayerischen Rundfunks Ausgabe 90 - 100 Jahre Musikbibliothek M\u00fcnchen [jetzt online] 8.6.2005 \/ Bayern2Radio, 21:30 bis 22:30 Uhr Live aus der Musikbibliothek M\u00fcnchen Der Trugschluss: Welke Notenbl\u00e4tter, verstaubte Folianten, finstre Kammern, schrullige Kunden. Musikbibliotheken stehen nicht gerade im Ruf extremen Innovationspotentials. Die\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8357,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/12\/vermitteln-vermitteln-vermitteln-2\/","url_meta":{"origin":473,"position":4},"title":"Vermitteln, vermitteln, vermitteln","author":"der huflaikhan","date":"7. Dezember 2007","format":false,"excerpt":"In zwei aufeinanderfolgenden Sendungen hat sich taktlos, das musikmagazin der neuen musikzeitung und des Bayerischen Rundfunks mit der Situation der Neuen Musik in Deutschland besch\u00e4ftigt. Im November ging es in Karlsruhe um die Frage: \"Neue Musik im Off?\" - welche Rolle spielt neue Musik im Konzertleben und in der \u00d6ffentlichkeit.\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Herr Eschmann spielt. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/12\/eschmann05.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/12\/eschmann05.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/12\/eschmann05.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/12\/eschmann05.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":292,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/12\/taktlos-72-bricht-der-klassikmarkt-zusammen\/","url_meta":{"origin":473,"position":5},"title":"taktlos 72: Bricht der Klassikmarkt zusammen?","author":"huflaikhan","date":"17. Dezember 2003","format":false,"excerpt":"Nachfolgend mein Beitrag zur Ausgabe 72 der Sendung \u0084taktlos\u0093 des Bayerischen Rundfunks und der neuen musikzeitung. Zu Gast waren Stefan Piendl (BMG Classics), Stefan F. Winter (Winter & Winter), Thimo Br\u00fcll (Leiter der CD-Abteilung des partiellen Kulturkaufhauses Ludwig Beck) und Gregor Wilmes (Chefredakteur der Fachzeitschrift Fono-Forum). Die Diskussionen, die man\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=473"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/473\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}