{"id":515,"date":"2004-07-06T22:01:00","date_gmt":"2004-07-06T21:01:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/taktlos-79-zukunftsmusik-ii-musikstudium-fuer-taxifahrer\/"},"modified":"2023-12-18T08:49:49","modified_gmt":"2023-12-18T07:49:49","slug":"taktlos-79-zukunftsmusik-ii-musikstudium-fuer-taxifahrer","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/taktlos-79-zukunftsmusik-ii-musikstudium-fuer-taxifahrer\/","title":{"rendered":"taktlos # 79 &#8211; Zukunftsmusik II: Musikstudium f\u00fcr Taxifahrer?"},"content":{"rendered":"<div class=\"rightbox\"><%image(20040706-titel.jpg|150|220|taktlos 79)%><\/div>\n<p>\u0084Reifepr\u00fcfung = Taxifahrer\u0093 so lautet ein gefl\u00fcgeltes Wort unter Musikhochschulstudierenden in Deutschland. Dahinter steht eine allgemeine Ratlosigkeit der Studierenden, bez\u00fcglich ihrer Perspektiven und der beruflichen Zukunft von Musikern und Musikp\u00e4dagogen. Bilden die Musikhochschulen tats\u00e4chlich blindlings aus, in einen vollkommen \u00fcberf\u00fcllten Arbeitsmarkt? Entsprechen die Studieng\u00e4nge den Anforderungen einer ver\u00e4nderten kulturellen Landschaft? Sind solche Fragestellungen \u00fcberhaupt angemessen angesichts der k\u00fcnstlerischen Ausrichtung der Hochschulen?<\/p>\n<p>\u0084taktlos\u0093-Moderator Theo Gei\u00dfler diskutiert diese Fragen mit: Gitta Connemann (MdB), Thomas Rietschel (Pr\u00e4sident der Frankfurter Musikhochschule), Martin Ostertag (Musikhochschule Karlsruhe) und Andreas Schulze-Florey (Solofagottist der Staatsoper Hannover und Orchestervorstand).<\/p>\n<p><cite>Heute im Radio und als Stream:<br \/>\n7. Juli 2004 \/ 21:30 bis 22:30 Uhr &#8211; Bayern2Radio<br \/>\nLive aus dem Lernradio Karlsruhe<br \/>\nInformationen: <a href=\"http:\/\/www.nmz.de\/taktlos\/frequenz.shtml\" target=\"_blank\" rel=\"noopener\">Rundfunkempfang<\/a> || <a href=\"http:\/\/www.br-online.de\/bayern2radio\/live.shtml\" target=\"_blank\" rel=\"noopener\">Audio-Stream<\/a> || <a href=\"http:\/\/www.nmz.de\/taktlos\/\" target=\"_blank\" rel=\"noopener\">Website taktlos<\/a><\/cite><br \/>\n<tt><b>Update 9.7.2004:<\/b> Jetzt online mit <a href=\"http:\/\/www.nmz.de\/taktlos\/2004\/takt79.shtml\" target=\"_blank\" rel=\"noopener\">Fotos und der Sendung als Real-Audio-Streams zum Nachh\u00f6ren<\/a>.<\/tt><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0084Reifepr\u00fcfung = Taxifahrer\u0093 so lautet ein gefl\u00fcgeltes Wort unter Musikhochschulstudierenden in Deutschland. Dahinter steht eine allgemeine Ratlosigkeit der Studierenden, bez\u00fcglich ihrer Perspektiven und der beruflichen Zukunft von Musikern und Musikp\u00e4dagogen. Bilden die Musikhochschulen tats\u00e4chlich blindlings aus, in einen vollkommen \u00fcberf\u00fcllten Arbeitsmarkt? Entsprechen die Studieng\u00e4nge den Anforderungen einer ver\u00e4nderten kulturellen Landschaft? Sind solche Fragestellungen \u00fcberhaupt angemessen [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_metis_text_type":"","_metis_text_length":1119,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[],"class_list":["post-515","post","type-post","status-publish","format-standard","hentry","entry"],"desktop_mode_lock":null,"desktop_mode_contributors":[],"desktop_mode_attached_media":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","categor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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":71,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/05\/taktlos-111-schnelle-brueter\/","url_meta":{"origin":515,"position":0},"title":"taktlos 111: Schnelle Br\u00fcter","author":"huflaikhan","date":"3. Mai 2007","format":false,"excerpt":"Die Reformen im Zeichen von Bologna haben auch den Kunsthochschulbereich erreicht. Wenn man sich so die Meinungen der Rektoren und Pr\u00e4sidenten anh\u00f6rt, war dies eine gute Entwicklung. In der Tat sind die Tanker der Hochschulen in Bewegung geraten. Aber wenn man es sich genau anh\u00f6rt, dann wirkt es, als w\u00e4re\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/taktlos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":521,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/musiker-aktion-jan-tian-wa\/","url_meta":{"origin":515,"position":1},"title":"Musiker in Aktion (Jan Tian Wa)","author":"huflaikhan","date":"10. Juli 2004","format":false,"excerpt":"Jan Tian Wa (Geige) von der Musikhochschule Karlsruhe: Live bei taktlos 79 mit einem Satz aus der Violinsonate in A-Dur von Cesar Franck.","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8575,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/06\/komponieren-an-deutschen-musikhochschulen\/","url_meta":{"origin":515,"position":2},"title":"Komponieren an deutschen Musikhochschulen","author":"der huflaikhan","date":"30. Juni 2015","format":false,"excerpt":"Was macht man eigentlich so im Kompositionsunterricht an einer deutschen Musikhochschule? Mit Kanons auf Spatzen schie\u00dfen. https:\/\/youtu.be\/HA7n2VHdoe4 https:\/\/youtu.be\/_Oaqh-mGnkE Oder aber so? https:\/\/youtu.be\/z4L59UsFL2I \u00a0","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/HA7n2VHdoe4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":426,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/nmz-mai-2004-jetzt-online\/","url_meta":{"origin":515,"position":3},"title":"nmz Mai 2004 &#8211; jetzt online","author":"huflaikhan","date":"4. Mai 2004","format":false,"excerpt":"Die aktuelle Ausgabe der neuen musikzeitung ist gerade online gestellt worden. Heute daher besonders zu empfehlen: Nachschlag: Das Ende vom Wehklagen Janko R\u00f6ttgers \u00fcber das Wehe am Klagen der Phonoverb\u00e4nde Cluster: Erfolgsdruck Ich selbst \u00fcber Musik als Kunst unter Zuhilfenahme Kants St\u00fcckwerk. Hymne auf das Ende eines tragischen Tages Charles\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":525,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/thomas-rietschel\/","url_meta":{"origin":515,"position":4},"title":"Thomas Rietschel","author":"huflaikhan","date":"12. Juli 2004","format":false,"excerpt":"Vor dem Schloss Gottesaue \u0096 der Musikhochschule Karlsruhe \u0096 und vor der Sendung taktlos: Thomas Rietschel (derzeitig Pr\u00e4sident der Hochschule f\u00fcr Musik und darstellende Kunst, Frankfurt) Rietschel hat eine bewegte Vergangenheit. Unter anderem war er Generalsekret\u00e4r der Jeunesses musicales und Generalsekret\u00e4r des Deutschen Musikrates. Ansonsten ist er aber vor allem\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/thomas-rietschel\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8652,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/04\/musikhochschulen-im-vergleich-das-ranking-ist-kranking\/","url_meta":{"origin":515,"position":5},"title":"Musikhochschulen im Vergleich \u00b7 Das ranking ist kranking","author":"der huflaikhan","date":"1. April 2016","format":false,"excerpt":"Da hat man sich offenbar verrankt. Erst vor ein paar Momenten ist ein Hochschulranking ans Tageslicht getreten. Es ging weltweit um \"Performing Arts\" und das lassen wir mal als Musikhochschule durchgehen. Im Ranking spielen auch die deutschen Universit\u00e4ten\/Hochschulen eine gewisse Rolle. Jedenfalls ab Platz 16. 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