{"id":521,"date":"2004-07-10T21:53:47","date_gmt":"2004-07-10T20:53:47","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/musiker-aktion-jan-tian-wa\/"},"modified":"2023-12-18T08:49:48","modified_gmt":"2023-12-18T07:49:48","slug":"musiker-aktion-jan-tian-wa","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/musiker-aktion-jan-tian-wa\/","title":{"rendered":"Musiker in Aktion (Jan Tian Wa)"},"content":{"rendered":"<p>Jan Tian Wa (Geige) von der Musikhochschule Karlsruhe:<\/p>\n<p><%image(20040710-klassik-geige.jpg|500|375|Jan Tian Wa (Geige<\/fn>%><\/p>\n<p>Live bei <a href=\"http:\/\/www.nmz.de\/taktlos\/2004\/takt79.shtml\" target=\"_blank\" rel=\"noopener\">taktlos 79<\/a> mit einem Satz aus der Violinsonate in A-Dur von Cesar Franck.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" 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1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Jan Tian Wa (Geige) von der Musikhochschule Karlsruhe: Live bei taktlos 79 mit einem Satz aus der Violinsonate in A-Dur von Cesar Franck.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musiker%20in%20Aktion%20%28Jan%20Tian%20Wa%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusiker-aktion-jan-tian-wa%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 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Und f\u00fcr die Freiheit: die des Komponisten und jene, die entsteht, wenn Musik durch die richtige T\u00fcr zu uns\u2026","rel":"","context":"In &quot;Tipp&quot;","block_context":{"text":"Tipp","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/tipp\/"},"img":{"alt_text":"nmz 2026 0708 Page3 Image1","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2418,"url":"https:\/\/www.kritische-masse.de\/logbuch\/auferstehung-der-musikindustrie\/","url_meta":{"origin":521,"position":1},"title":"Auferstehung der Musikindustrie","author":"hufi","date":"13. Mai 2008","format":false,"excerpt":"Musikindustrie. Kein Anschluss unter dieser Nummer. Sie sendet nur. Vor wenigen Tagen habe ich eine CD nach Bestellung erhalten, die den Titel \"Starke Stimmen gegen Rechts - DEMO TAPE\" tr\u00e4gt. Diese CD wird nicht verkauft, sondern verteilt. Man sie bestellen und bekommt sie gegebenenfalls im Klassensatz geliefert. Unter den vertretenen\u2026","rel":"","context":"In \"Bl\u00f6dsinn\"","block_context":{"text":"Bl\u00f6dsinn","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bldsinn\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2250,"url":"https:\/\/www.kritische-masse.de\/logbuch\/rez-punkt-crime-scenes\/","url_meta":{"origin":521,"position":2},"title":"[Rez] PUNKT: Crime Scenes","author":"hufi","date":"26. 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Juli 2024","format":false,"excerpt":"Wolfgang Rihm ist gestorben. Das ganze musikalische Weltnetz ist voll von Nachrufen und Erinnerungen in den sozialen Medien. Selbst in den Nachrichten von ARD und ZDF hat er einen kleinen Meldungsplatz bekommen. 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