{"id":525,"date":"2004-07-12T10:03:03","date_gmt":"2004-07-12T09:03:03","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/thomas-rietschel\/"},"modified":"2023-12-18T08:49:48","modified_gmt":"2023-12-18T07:49:48","slug":"thomas-rietschel","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/thomas-rietschel\/","title":{"rendered":"Thomas Rietschel"},"content":{"rendered":"<p>Vor dem Schloss Gottesaue \u0096 der Musikhochschule Karlsruhe \u0096 und vor der Sendung taktlos: Thomas Rietschel (derzeitig Pr\u00e4sident der Hochschule f\u00fcr Musik und darstellende Kunst, Frankfurt)<\/p>\n<p><%image(20040712-rietschel01.jpg|500|375|Thomas Rietschel (Pr\u00e4sident der Hochschule f\u00fcr Musik und darstellende Kunst, Frankfurt<\/fn>%><\/p>\n<p>Rietschel hat eine bewegte Vergangenheit. Unter anderem war er Generalsekret\u00e4r der <a href=\"http:\/\/www.jeunessesmusicales.de\" target=\"_blank\" rel=\"noopener\">Jeunesses musicales<\/a> und Generalsekret\u00e4r des <a href=\"http:\/\/www.musirat.de\" target=\"_blank\" rel=\"noopener\">Deutschen Musikrates<\/a>. Ansonsten ist er aber vor allem eine von mir sehr gesch\u00e4tzte Person, sowohl in menschlicher wie fachlicher Hinsicht. Mit ihm Probleme zu diskutieren ist \u00e4u\u00dferst wohltuend &#8211; gerade und vor allem auch, weil es Streitpunkte gibt. Aber mit jemandem zu diskutieren, der eine so hohe kommunikative Kompetenz besitzt, ist besonders sch\u00f6n.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Thomas%20Rietschel https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fthomas-rietschel%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Thomas%20Rietschel https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fthomas-rietschel%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Unter anderem war er Generalsekret\u00e4r der Jeunesses musicales und Generalsekret\u00e4r des Deutschen Musikrates. Ansonsten ist er aber vor allem eine von mir sehr gesch\u00e4tzte [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Thomas%20Rietschel https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fthomas-rietschel%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 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Mai 2001","format":false,"excerpt":"\u201eKonzerte f\u00fcr Kinder\u201c nennt sich eine Initiative der Jeunesses Musicales Deutschland. Dieser Initiative geht es um bessere Konzerte f\u00fcr Kinder. Das ist sch\u00f6n, das ist nett. Denn in der Tat ist allzumal das deutsche Konzertleben gekennzeichnet durch alte eingeschworene Rituale einer verglimmenden b\u00fcrgerlichen Musikkultur. Dass eine derartige Musiktradition f\u00fcr das\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/taktlos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":515,"url":"https:\/\/www.kritische-masse.de\/logbuch\/taktlos-79-zukunftsmusik-ii-musikstudium-fuer-taxifahrer\/","url_meta":{"origin":525,"position":1},"title":"taktlos # 79 &#8211; Zukunftsmusik II: Musikstudium f\u00fcr Taxifahrer?","author":"huflaikhan","date":"6. Juli 2004","format":false,"excerpt":"\u0084Reifepr\u00fcfung = Taxifahrer\u0093 so lautet ein gefl\u00fcgeltes Wort unter Musikhochschulstudierenden in Deutschland. Dahinter steht eine allgemeine Ratlosigkeit der Studierenden, bez\u00fcglich ihrer Perspektiven und der beruflichen Zukunft von Musikern und Musikp\u00e4dagogen. Bilden die Musikhochschulen tats\u00e4chlich blindlings aus, in einen vollkommen \u00fcberf\u00fcllten Arbeitsmarkt? Entsprechen die Studieng\u00e4nge den Anforderungen einer ver\u00e4nderten kulturellen Landschaft?\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":71,"url":"https:\/\/www.kritische-masse.de\/logbuch\/taktlos-111-schnelle-brueter\/","url_meta":{"origin":525,"position":2},"title":"taktlos 111: Schnelle Br\u00fcter","author":"huflaikhan","date":"3. Mai 2007","format":false,"excerpt":"Die Reformen im Zeichen von Bologna haben auch den Kunsthochschulbereich erreicht. Wenn man sich so die Meinungen der Rektoren und Pr\u00e4sidenten anh\u00f6rt, war dies eine gute Entwicklung. In der Tat sind die Tanker der Hochschulen in Bewegung geraten. Aber wenn man es sich genau anh\u00f6rt, dann wirkt es, als w\u00e4re\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/taktlos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8869,"url":"https:\/\/www.kritische-masse.de\/logbuch\/musikunrat-fordert-nachdenkpause-fuer-den-deutschen-musikrat\/","url_meta":{"origin":525,"position":3},"title":"Musikunrat fordert Nachdenkpause f\u00fcr den Deutschen Musikrat","author":"der huflaikhan","date":"16. Mai 2023","format":false,"excerpt":"Wenn Thomas Deutschland Gottschalk das schon sagt: \u201eEs bringt auch nix, die Regenbogenfahne zu schwenken, aber die ARD muss nach diesen ganzen Pleiten einfach den Geldhahn zudrehen. Ohne Gold kein Glitter!\u201c Hei\u00dft: Wir Also die Berufenen m\u00fcssen uns also den Sieg beim European Song Contest erpressen. Wenn man schon Geld\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Computer. 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November 2003","format":false,"excerpt":"Einen l\u00e4sst der Eindruck nicht los, dass der neue Musikrat so weiter macht, wo der alte unter Thomas Rietschel gerade begann aufzur\u00e4umen; also davor. Das deutsche Musikleben scheint verfilzt und zugen\u00e4ht. Nach DMR intern nun das MusikFORUM, welches wie das alte im Schott Musikverlag in Mainz erscheint. Und man dankt\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1799,"url":"https:\/\/www.kritische-masse.de\/logbuch\/scheisse-ist-das-heiss-und-schwuel\/","url_meta":{"origin":525,"position":5},"title":"Schei\u00dfe ist das hei\u00df und schw\u00fcl","author":"huflaikhan","date":"6. Juli 2006","format":false,"excerpt":"Oje. Der Deutsche Musikschrrrat hat wieder was zu melden. Einen Appell, einen zweiten, einen zweiten Berliner Appell. Das melden jedenfalls der Deutsche Musikschrrrat und das KIZ. 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