{"id":546,"date":"2004-07-14T20:04:12","date_gmt":"2004-07-14T19:04:12","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/tadeusz-sudnik-realtime-electronics-sampler\/"},"modified":"2023-12-18T08:49:48","modified_gmt":"2023-12-18T07:49:48","slug":"tadeusz-sudnik-realtime-electronics-sampler","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/tadeusz-sudnik-realtime-electronics-sampler\/","title":{"rendered":"Tadeusz Sudnik (realtime electronics, sampler)"},"content":{"rendered":"<p>Es scheint zu sein wie bei den Schwimmern die Disziplin Delphin. Die H&auml;nde m&uuml;ssen jedes R&auml;dchen am Rande erreichen und den gew&uuml;nschten Klang zu stimulieren. <\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"545\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-tadeusz-sudnik-realtime-electronics-sampler\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040714-geraete.jpg?fit=500%2C375&amp;ssl=1\" data-orig-size=\"500,375\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Tadeusz Sudnik &amp;#8211; realtime electronics, sampler\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040714-geraete.jpg?fit=500%2C375&amp;ssl=1\" class=\" size-full wp-image-545\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040714-geraete.jpg?resize=500%2C375&#038;ssl=1\" alt=\"Tadeusz Sudnik - realtime electronics, sampler\" width=\"500\" height=\"375\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040714-geraete.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040714-geraete.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040714-geraete.jpg?resize=440%2C330&amp;ssl=1 440w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p> Hier Tadeusz Sudnik bei der Probe zu seinem Aufritt mit DIGIVOOCO bei t<a target=\"_blank\" href=\"http:\/\/www.nmz.de\/taktlos\/2002\/takt60.shtml\" rel=\"noopener\">aktlos 60 &#8211; Jazz, zwischen Chaos und Charisma<\/a>. Ausschnitte aus dem Auftritt von DIGIVOOCO kann man da auch h&ouml;ren (als Real-Audio). <\/p>\n<p>Was der Technische &Uuml;berwachungsverein zu dieser Kabelitis wohl gesagt h&auml;tte? <\/p>\n<p>Zu bedauern ist, dass ich leider die rechte Hand von Tadeusz Sudnik nicht mehr aufs Bild bekam.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Tadeusz%20Sudnik%20%28realtime%20electronics%2C%20sampler%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F07%2Ftadeusz-sudnik-realtime-electronics-sampler%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Tadeusz%20Sudnik%20%28realtime%20electronics%2C%20sampler%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F07%2Ftadeusz-sudnik-realtime-electronics-sampler%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Die H&auml;nde m&uuml;ssen jedes R&auml;dchen am Rande erreichen und den gew&uuml;nschten Klang zu stimulieren. Hier Tadeusz Sudnik bei der Probe zu seinem Aufritt mit DIGIVOOCO bei taktlos 60 &#8211; Jazz, zwischen Chaos und Charisma. Ausschnitte aus dem Auftritt von DIGIVOOCO kann man da auch [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Tadeusz%20Sudnik%20%28realtime%20electronics%2C%20sampler%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F07%2Ftadeusz-sudnik-realtime-electronics-sampler%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" 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Mai 2004","format":false,"excerpt":"Auweia, mein Nachbar informierte mich gerade \u00fcber diese geniala Dada-\u00dcbersetzung. It's real. # blockieren knallen-pop-ups und knallen-unter ADS # blockieren Blitz Animation ADS # blockieren jen neu Kurier Service ADS. (da\u00df sein jen grau, \"erpressen\" ADS) # blockieren nicht-Datenbanksuchroutine ADS spawned durch ander Programm wie MS Aussicht. # st\u00fctzen mehrfach\u2026","rel":"","context":"Mit 11 Kommentaren","block_context":{"text":"Mit 11 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/knallen-oben-kein-kein-d-welt-einfach-anzeige-blocker-vorhanden-frei\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":948,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/12\/rtl-beratung\/","url_meta":{"origin":546,"position":1},"title":"RTL-Beratung","author":"huflaikhan","date":"12. 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Eine sehr lebendige Sendung mit Daniela Zimmer (Musikalienh\u00e4ndlerin), Tobias PM Schneid (Komponist), Reinhard Flender (Peer Musik Verlag) und Wolf-Dieter Seiffert (Henle Verlag M\u00fcnchen). Ich kann - obwohl beteiligt (dazu sp\u00e4ter) - das\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3536,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/03\/beleglose-argumentation\/","url_meta":{"origin":546,"position":4},"title":"Beleglose Argumentation","author":"huflaikhan","date":"1. M\u00e4rz 2016","format":false,"excerpt":"die Eigentlich nicht m\u00f6glich, ohne Beleg, zu argumentieren. Eine Argumentation braucht Argumente, wenigstens mindestens eines. Im Moment, ander als das papierlose B\u00fcro, das nie Realit\u00e4t wurde, boomt die beleglose Argumentation (\u00fcbrigens nicht nur im Internet). 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Wem\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=546"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/546\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}