{"id":561,"date":"2004-07-17T09:40:05","date_gmt":"2004-07-17T08:40:05","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/red-garland-red-alone\/"},"modified":"2023-12-18T08:49:48","modified_gmt":"2023-12-18T07:49:48","slug":"red-garland-red-alone","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/red-garland-red-alone\/","title":{"rendered":"Red Garland: Red Alone"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Red%20Garland%3A%20Red%20Alone https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F07%2Fred-garland-red-alone%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Red Alone\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040717-cd-garland.jpg?fit=150%2C148&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040717-cd-garland.jpg?fit=150%2C148&amp;ssl=1\" class=\" alignright size-full wp-image-560\" align=\"right\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040717-cd-garland.jpg?resize=150%2C148&#038;ssl=1\" alt=\"Red Garland - Red Alone\" width=\"150\" height=\"148\" \/>Jetzt wiedererschienen, eine Aufnahme vom 2. April 1960 in New York, genauer in dem legend&auml;ren Studio Rob van Gelders: Red Alone. Der Pianist Red Garland allein am Klavier mit acht Balladen. Von &ldquo;When your lover has gone&rdquo; bis &ldquo;When I fall in love&rdquo;.<br \/> <br \/>\n<!--more--><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"560\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-red-garland-red-alone\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040717-cd-garland.jpg?fit=150%2C148&amp;ssl=1\" data-orig-size=\"150,148\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Red Garland &amp;#8211; Red Alone\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040717-cd-garland.jpg?fit=150%2C148&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040717-cd-garland.jpg?fit=150%2C148&amp;ssl=1\" class=\" alignright size-full wp-image-560\" align=\"right\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040717-cd-garland.jpg?resize=150%2C148&#038;ssl=1\" alt=\"Red Garland - Red Alone\" width=\"150\" height=\"148\" \/>Jetzt wiedererschienen, eine Aufnahme vom 2. April 1960 in New York, genauer in dem legend&auml;ren Studio Rob van Gelders: Red Alone. Der Pianist Red Garland allein am Klavier mit acht Balladen. Von &ldquo;When your lover has gone&rdquo; bis &ldquo;When I fall in love&rdquo;.<\/p>\n<p> Kein, im alten Stil, pianistisch virtuoses Spiel am Klavier, sondern entspannte Paraphrasen &uuml;ber sogenannte Jazz-Standards. Allerdings nicht im eigentlichen Sinne Hotelbar-Musik, wenngleich man sich so etwas auch vorstellen k&ouml;nnte. Nein, intime musikalische Liebeserkl&auml;rungen, die den harmonischen Reichtum ausloten. Intim, wie erw&auml;hnt, konzis und reich an musikalischer Substanz umkreisen diese St&uuml;cke den Mood  ihrer Herkunft mit ihren harmonischen Reicht&uuml;mern. Virtuos sind diese St&uuml;cke n&auml;mlich doch: In der Art und Weise h&ouml;chst differenzierter Artikulation, des Anschlags, der rhythmischen Lebendigkeit in Verz&ouml;gerungen und Beschleunigungen. Zwar &ldquo;stimmt&rdquo; nicht immer jeder Ton, die Aufnahme ist nicht in diesem Sinne perfekt, aber das macht sie nur umso reichhaltiger: die &ldquo;falschen&rdquo; T&ouml;ne machen diese Musik zur Musik eines Menschen.<\/p>\n<p> <b>Pers&ouml;nliche Notiz:<\/b> Mir erscheint es nur schwer vorstellbar, wie man an einem zweiten April im Jahr 1960 nachmittags sich einfach in ein Studio setzen kann und dann ein paar St&uuml;cke einspielt, die von so feiner Zartheit gepr&auml;gt sind. So abzuschalten, sich so zu entspannen und das in acht St&uuml;cken umzusetzen, ohne dass Langeweile aufkommt, aber auch so, dass man keine Entwicklung von St&uuml;ck zu St&uuml;ck sp&uuml;rt. Da ist keine Abnutzung in Sachen Konzentration zu merken. Ein langer Fluss, der immer wieder mal eine ungew&ouml;hnliche Biegung macht, mal breiter str&ouml;mt, mal wie ein Rinnsal ausd&uuml;nnt. Eindrucksvoll und immer wieder h&ouml;renswert.<\/p>\n<p><i>Einen &auml;hnlichen Tonfall trifft man auch bei Keith Jarretts Standards dann an, wenn er Solo-Einleitungen spielt.<\/i> <b>Ende der Notiz.<\/b><\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Red%20Garland%3A%20Red%20Alone https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F07%2Fred-garland-red-alone%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Red%20Garland%3A%20Red%20Alone https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F07%2Fred-garland-red-alone%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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April 1960 in New York, genauer in dem legend&auml;ren Studio Rob van Gelders: Red Alone. Der Pianist Red Garland allein am Klavier mit acht Balladen. Von &ldquo;When your lover has gone&rdquo; bis &ldquo;When I fall in love&rdquo;.<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Red%20Garland%3A%20Red%20Alone https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F07%2Fred-garland-red-alone%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 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