{"id":564,"date":"2004-07-18T10:34:42","date_gmt":"2004-07-18T09:34:42","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/wenn-du-erst-einmal-so-alt-bist\/"},"modified":"2023-12-18T08:49:48","modified_gmt":"2023-12-18T07:49:48","slug":"wenn-du-erst-einmal-so-alt-bist","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/wenn-du-erst-einmal-so-alt-bist\/","title":{"rendered":"\u201cWenn du erst einmal so alt bist \u2026"},"content":{"rendered":"<p>&#8230; wie ich, dann wirst du schon sehen.&quot;<\/p>\n<p> Jetzt bin ich so alt und ich habe nichts gesehen.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=%E2%80%9CWenn%20du%20erst%20einmal%20so%20alt%20bist%20%E2%80%A6 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Mai 2005","format":false,"excerpt":"Ein Beispiel f\u00fcr moderne Logik und Benutzerinnnenf\u00fchrung. Made bei Commerz-Banking. Ohne Worte. Vielleicht dann doch mit etwas Worten. Ich habe gerade gesehen, dass sich bei Moe eine sch\u00f6ne Debatte \u00fcber die Verwendung von, wie sagt man, geschlechtsspezifischen Dingens hintendran ergeben hat. Grund: wohl die Abfassung einer akademischen Arbeit. Ich musste\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8259,"url":"https:\/\/www.kritische-masse.de\/logbuch\/alte-geister-meister-musikindustrie-bei-bernhard\/","url_meta":{"origin":564,"position":1},"title":"Alte Geister Meister &#8211; Musikindustrie bei Bernhard","author":"der huflaikhan","date":"2. 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April 2012","format":false,"excerpt":"Alte Geister Meister - Musikindustrie bei Bernhard Joshua von Brain farts empfahl mir doch die Lekt\u00fcre von Thomas Bernhards \u201cAlte Geister Meister\u201d \u2013 mein erstes Bernhard-Werk. Darin wunderbare Zeilen \u00fcber die Musikindustrie, die einen mit Musik zum\u00fclle und einen \u201ckrankhaften Musikkonsumatismus\u201d erzeuge. 1985 wurde der Text verfasst \u2013 vision\u00e4r. \"Den\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2102,"url":"https:\/\/www.kritische-masse.de\/logbuch\/xing\/","url_meta":{"origin":564,"position":3},"title":"Xing","author":"huflaikhan","date":"19. November 2007","format":false,"excerpt":"Soeben geschwind Mitglied bei Xing geworden. So ein Quatsch. Meine ganzen Kollegen kann ich nur sehen, wenn ich upgrade. Da gehe doch einfach lieber vor die T\u00fcr. Xing erst neulich wieder gesehen, weil ein alter Blogger so wenig schreibt und nach XING nun Community Marketing Manager ist. Habe viel dr\u00fcber\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/xing\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2949,"url":"https:\/\/www.kritische-masse.de\/logbuch\/aesthetik-und-verstehen\/","url_meta":{"origin":564,"position":4},"title":"\u00c4sthetik und Verstehen","author":"huflaikhan","date":"3. M\u00e4rz 2010","format":false,"excerpt":"Adornos Vorlesungen zur \u00c4sthetik 1958\/59 weiter gelesen. Hat den Vorteil der einfacheren Sprache und einiger anschaulicher Beitr\u00e4ge. An einer Stelle geht es um das Verstehen von Kunst, mit dem Tenor, dass uns die aktuelle Kunst verst\u00e4ndlicher ist als die alte. Das sehe ich ein, das sehe ich \u00e4hnlich. Und es\u2026","rel":"","context":"In \"Adorno\"","block_context":{"text":"Adorno","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/adorno\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":946,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kinder-musik-schau-i-sepp-depp-hennadreck\/","url_meta":{"origin":564,"position":5},"title":"Kinder-Musik-Schau I \u0096 Sepp, Depp Hennadreck","author":"huflaikhan","date":"10. Dezember 2004","format":false,"excerpt":"Es geht ja auch anders. Vor Jahren legten die Bierm\u00f6sl Blosn eine Scheibe mit lutigen bayerischen Kinderliedern auf. Die hie\u00df \u201eSepp, Depp, Hennadreck.\u201c Reinh\u00f6ren und schmunzeln Was unterscheidet diese Art des Musizierens von den andern Horror-Bildern der Musik? Erstens, es handelt sich um die richtige Besetzung mit den richtigen Instrumenten.\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=564"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/564\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}