{"id":571,"date":"2004-07-20T09:21:33","date_gmt":"2004-07-20T08:21:33","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/russian-armenian-music-for-2-pianos-duo-reine-elisabeth\/"},"modified":"2023-12-18T08:49:48","modified_gmt":"2023-12-18T07:49:48","slug":"russian-armenian-music-for-2-pianos-duo-reine-elisabeth","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/russian-armenian-music-for-2-pianos-duo-reine-elisabeth\/","title":{"rendered":"Russian &#038; Armenian Music For 2 Pianos &#8211; Duo Reine Elisabeth"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Russian%20%26%20Armenian%20Music%20For%202%20Pianos%20%E2%80%93%20Duo%20Reine%20Elisabeth https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F07%2Frussian-armenian-music-for-2-pianos-duo-reine-elisabeth%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Armenian Music\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040720-cd-duo-reine-elisabeth.jpg?fit=150%2C151&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040720-cd-duo-reine-elisabeth.jpg?fit=150%2C151&amp;ssl=1\" class=\" alignright size-full wp-image-570\" hspace=\"5\" align=\"right\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040720-cd-duo-reine-elisabeth.jpg?resize=150%2C151&#038;ssl=1\" alt=\"Russian &amp; Armenian Music\" width=\"150\" height=\"151\" \/>Es haben sich wirklich viele CDs angesammelt und so langsam m&uuml;ssen die abgearbeitet werden. Dazu geh&ouml;rt auch die des Klavierduos Reine Elisabeth mit den Pianisten Rolf Plagge und Wolfgang Manz. Sie spielen hier St&uuml;cke ein, die bis auf eines nicht zum &uuml;blichen Repertoire geh&ouml;ren. Zu den Komponisten z&auml;hlen Aram Khatschturian (T&auml;nze aus dem Ballett &bdquo;Spartak, T&auml;nze aus dem Ballett &rdquo;Gayaneh&ldquo; und drei Klavierst&uuml;cke f&uuml;r zwei Fl&uuml;gel), Alexander Tscherepnin (Fantasie f&uuml;r 2 Fl&uuml;gel) und schlie&szlig;lich Alexander Arutjunjan \/ Arno Babadschanjan (Armenische Rhapsodie f&uuml;r 2 Fl&uuml;gel).<\/p>\n<p><!--break--><\/p>\n<p>Die St&uuml;cke von Aram Khatschturian sind virtuose Spielwerke. Deren musikalische Orientierung ist mit dem S&auml;beltanz aus dem Ballett Gayaneh hinreichend durch Funk und Fernsehen bekannt. Khatschturian ist kein Komponist f&uuml;r tiefseeische Erkundungen, die Musik ist kr&auml;ftig gemalt und dick aufgetragen. Anders bei Alexander Tscherepnins Fantasie, die auch Zwischent&ouml;ne kennt, eher &#8211; wenn man den Vergleich akzeptiert &#8211; die Farben auftupft und selbst in den kr&auml;ftigen T&ouml;nen noch durchgezeichnet erscheint. Gleichwohl wird man attestieren m&uuml;ssen, dass umgekehrt all das, was bei Khatschturian Tanz ist, bei Tscherepnin stampft. Da scheinen einige formale Probleme nicht bew&auml;ltigt (Track 11: Easter Chamber Dream). Gut, ein Traum ist selten stringent, k&ouml;nnte man einwenden, auch passt die Musik zu seinem Multikulturalismus, der hier Japan streift, harmonische Fortschreitungen amerikanischer Musik streift sowie klangzauberische T&ouml;ne franz&ouml;sischer Provenienz kennt, also im besten Sinne des Wortes rhapsodisch, fantastisch daherkommt. Das ist da ebenso wirkungsvoll wie wirkungslos &#8211; n&auml;mlich zu lose.<\/p>\n<p> Die &rdquo;Armenische Rhapsodie&quot; Alexander Arutjunjan &amp; Arno Babadschanjan ist das eigentliche Highlight der CD. Dies St&uuml;ck vereinigt die besten Seiten von Tscherepnin und Khatschturian. Es ist brillant (auch brillant gespielt) aber nicht so flach wie bei Khatschturian und nicht so unartikuliert geklebt wie bei Tscherepnin. <\/p>\n<p> Das Duo Reine Elisabeth spielt all das untadelig, lebhaft mitreissend. 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Dazu geh&ouml;rt auch die des Klavierduos Reine Elisabeth mit den Pianisten Rolf Plagge und Wolfgang Manz. Sie spielen hier St&uuml;cke ein, die bis auf eines nicht zum &uuml;blichen Repertoire geh&ouml;ren. Zu den Komponisten z&auml;hlen Aram Khatschturian (T&auml;nze aus dem Ballett &bdquo;Spartak, [&hellip;]<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Russian%20%26%20Armenian%20Music%20For%202%20Pianos%20%E2%80%93%20Duo%20Reine%20Elisabeth https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F07%2Frussian-armenian-music-for-2-pianos-duo-reine-elisabeth%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path 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