{"id":590,"date":"2004-07-23T20:58:37","date_gmt":"2004-07-23T19:58:37","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/ueberproduktion\/"},"modified":"2023-12-18T08:49:48","modified_gmt":"2023-12-18T07:49:48","slug":"ueberproduktion","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/ueberproduktion\/","title":{"rendered":"\u00dcberproduktion"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=%C3%9Cberproduktion https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F07%2Fueberproduktion%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; 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von Brecht sinniert, WordPress-Testinstallation. Zu viel, alles zu viel, diverse Internetseiten besichtigt. Gewitter. &Uuml;brig bleibt ein R&auml;tsel:<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"589\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-rtsel\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040723-satie-vexation.gif?fit=500%2C367&amp;ssl=1\" data-orig-size=\"500,367\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"R&amp;auml;tsel\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040723-satie-vexation.gif?fit=500%2C367&amp;ssl=1\" class=\" size-full wp-image-589\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040723-satie-vexation.gif?resize=500%2C367&#038;ssl=1\" alt=\"R&auml;tsel\" width=\"500\" height=\"367\" \/><\/p>\n<p><cite>&ldquo;I influence the past.&rdquo; 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Ungl\u00fccklich, aber fast taub.","sameAs":["https:\/\/www.kritische-masse.de\/logbuch\/","https:\/\/www.facebook.com\/hufner"]},{"@type":"Person","@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/68ba534ff428038503fc5320a3c8f932","name":"huflaikhan","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","caption":"huflaikhan"},"description":"Musikwissenschaftler, Ideologiekritiker seit 1964.","sameAs":["https:\/\/kritische-masse.de"],"url":"https:\/\/www.kritische-masse.de\/logbuch\/author\/huflaikhan\/"}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","categories_names":[],"post_class":[["post-590","post","type-post","status-publish","format-standard","hentry","entry"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8554,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/musikvermittlung-1966-ehrwuerdiges-publikum-wird-massgeregelt\/","url_meta":{"origin":590,"position":0},"title":"Musikvermittlung 1966 \u2013 Ehrw\u00fcrdiges Publikum wird ma\u00dfgeregelt","author":"der huflaikhan","date":"17. 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Aber bitte Achtung zwischen den S\u00e4tzen 1 und 2. lange Pause \u2013 die WIENER PHILHARMONIKER sind ja sogar in den Pausen extrem gut und m\u00e4nnlich \u2013\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/ojWQwdFwI3c\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":420,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/umsetzung-des-neuen-urhebervertragsrecht-schwierig-und-zaeh\/","url_meta":{"origin":590,"position":1},"title":"Umsetzung des neuen Urhebervertragsrecht \u201cschwierig und z\u00e4h\u201d","author":"huflaikhan","date":"29. April 2004","format":false,"excerpt":"Der Streit ging lange hin und her. Eigentlich sollten besonders \u00dcbersetzer profitieren. 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