{"id":802,"date":"2004-09-30T05:20:00","date_gmt":"2004-09-30T04:20:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/1963-paul-nizan-canto\/"},"modified":"2023-12-18T08:49:45","modified_gmt":"2023-12-18T07:49:45","slug":"1963-paul-nizan-canto","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/1963-paul-nizan-canto\/","title":{"rendered":"1963 \u0096 Paul Nizan, Canto"},"content":{"rendered":"<p><cite>Grimmig h\u00e4lt ein Rotlicht die Autos in Schranken. Die Pflastersteine r\u00fctteln. Die Br\u00fccke ist breit und hell der Stein in der Sonne. Ein Tiefwasser treibt durch die Bogen, dem die B\u00e4ume ihre Bl\u00e4tter spenden. Das Rotlicht zittert, die angehaltene Meute dr\u00f6hnt; es sch\u00fcttern die Steine.<\/p>\n<p><i>Paul Nizan, Canto, Frankfurt\/M. 1993, S. 211.<\/i><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=1963%20%C2%96%20Paul%20Nizan%2C%20Canto https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F1963-paul-nizan-canto%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=1963%20%C2%96%20Paul%20Nizan%2C%20Canto https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F1963-paul-nizan-canto%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Die Pflastersteine r\u00fctteln. Die Br\u00fccke ist breit und hell der Stein in der Sonne. Ein Tiefwasser treibt durch die Bogen, dem die B\u00e4ume ihre Bl\u00e4tter spenden. Das Rotlicht zittert, die angehaltene Meute dr\u00f6hnt; es sch\u00fcttern die Steine. Paul Nizan, Canto, Frankfurt\/M. 1993, S. 211.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=1963%20%C2%96%20Paul%20Nizan%2C%20Canto https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F1963-paul-nizan-canto%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 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Juni 2017","format":false,"excerpt":"Fasching und Sterben. Das st\u00f6\u00dft aufeinander in einem lyrischen Bild von Lichtenstein. Damit verbunden ein \u00e4sthetisches Ansinnen. In der Lungenheilst\u00e4tte Viele kranke Leute gehen in den G\u00e4rten Her und hin und liegen in den Hallen. Die die Kr\u00e4nksten sind, verfiebern Alle armen Tage in dem hei\u00dfen Grab der Betten. Ach,\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"Die Angst des Klaviers vor dem Auftritt. 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