{"id":811,"date":"2004-10-02T10:53:09","date_gmt":"2004-10-02T09:53:09","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/1992-le-quan-ninh-fingertanz-auf-dem-becken\/"},"modified":"2023-12-18T08:49:45","modified_gmt":"2023-12-18T07:49:45","slug":"1992-le-quan-ninh-fingertanz-auf-dem-becken","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/1992-le-quan-ninh-fingertanz-auf-dem-becken\/","title":{"rendered":"1992 \u0096 Le Quan Ninh: Fingertanz auf dem Becken"},"content":{"rendered":"<p>Ein au&szlig;erordentliches Konzert damals in der Akademie der K&uuml;nste Berlin. Zusammen mit Peter Kowald, der letztes Jahr leider verstarb. Le Quan Ninh, ein Schlagzeuger, ein Perkussionist voller Aufmerksamkeit und Ruhe; einer, der nicht unter dem permanenten Schlagzwang steht sondern noch im Schweigen Musik macht.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"810\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/wittgenstein-noch-einmal\/attachment-le-quan-ninh\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041002-le-quan-ausschnitt.jpg?fit=500%2C482&amp;ssl=1\" data-orig-size=\"500,482\" data-comments-opened=\"0\" data-image-title=\"Le Quan Ninh\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041002-le-quan-ausschnitt.jpg?fit=500%2C482&amp;ssl=1\" class=\" size-full wp-image-810\" width=\"500\" height=\"482\" align=\"top\" alt=\"Le Quan Ninh\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041002-le-quan-ausschnitt.jpg?resize=500%2C482&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041002-le-quan-ausschnitt.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041002-le-quan-ausschnitt.jpg?resize=300%2C289&amp;ssl=1 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=1992%20%C2%96%20Le%20Quan%20Ninh%3A%20Fingertanz%20auf%20dem%20Becken https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F1992-le-quan-ninh-fingertanz-auf-dem-becken%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Zusammen mit Peter Kowald, der letztes Jahr leider verstarb. Le Quan Ninh, ein Schlagzeuger, ein Perkussionist voller Aufmerksamkeit und Ruhe; einer, der nicht unter dem permanenten Schlagzwang steht sondern noch im Schweigen Musik macht.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=1992%20%C2%96%20Le%20Quan%20Ninh%3A%20Fingertanz%20auf%20dem%20Becken https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F1992-le-quan-ninh-fingertanz-auf-dem-becken%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=1992%20%C2%96%20Le%20Quan%20Ninh%3A%20Fingertanz%20auf%20dem%20Becken https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F1992-le-quan-ninh-fingertanz-auf-dem-becken%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":2173,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-wunder-von-baden-baden\/","url_meta":{"origin":811,"position":0},"title":"Das Wunder von Baden-Baden","author":"huflaikhan","date":"11. April 2007","format":false,"excerpt":"Um den Schlager scheint es nicht gut bestellt zu sein. Vor allem nicht um seine einzige noch real existierende Form, den deutschen. Wir brauchen wieder einmal jemanden, der sich dazu bekennt, \u00f6ffentlich, l\u00e4chelnd. Ja zum deutschen Schlager \u2013 mit dieser aufregenden Werbekampangne versucht sich der SWR in Baden-Baden und treibt\u2026","rel":"","context":"Mit 6 Kommentaren","block_context":{"text":"Mit 6 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/das-wunder-von-baden-baden\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1636,"url":"https:\/\/www.kritische-masse.de\/logbuch\/le-monde\/","url_meta":{"origin":811,"position":1},"title":"Le monde","author":"huflaikhan","date":"14. Februar 2006","format":false,"excerpt":"Ich wandre aus. Es reicht! Auch eine Art, Valentinstag (was der K\u00e4se soll? \u2014 jetzt wei\u00df ichs, bei Tchibo ist der Kaffee komplett auf 4 \u0080 runtergesetzt, da greif ich doch mal beherzt beim Brazil zu, der ist so stark und so mild, wie die Tchibo-M\u00e4nner aus der Werbemail und\u2026","rel":"","context":"Mit 20 Kommentaren","block_context":{"text":"Mit 20 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/le-monde\/#comments"},"img":{"alt_text":"monde.jpg","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/02\/monde.jpg?fit=500%2C375&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3081,"url":"https:\/\/www.kritische-masse.de\/logbuch\/em-2012-frankreich-vs-ukraine-21\/","url_meta":{"origin":811,"position":2},"title":"EM 2012: Frankreich vs. Ukraine 2:1","author":"huflaikhan","date":"15. 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