{"id":8230,"date":"2003-09-16T12:04:22","date_gmt":"2003-09-16T10:04:22","guid":{"rendered":"https:\/\/musikunrat.de\/?p=1236"},"modified":"2003-09-16T12:04:22","modified_gmt":"2003-09-16T10:04:22","slug":"kluges-apotheose-des-tausches-und-die-emanzipation-der-gefuehle","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/kluges-apotheose-des-tausches-und-die-emanzipation-der-gefuehle\/","title":{"rendered":"Kluges Apotheose des Tausches und die Emanzipation der Gef\u00fchle"},"content":{"rendered":"<p>Ich habe jetzt endlich in das etwas \u00e4ltere Buch \u201eDie Kunst, Unterschiede zu machen\u201d von Alexander Kluge hineingelugt. Da geht es viel um Sehnsucht und unausbrennbare Gef\u00fchle. Es ist ja mal wieder sch\u00f6n, etwas zu lesen, was nicht direkt mit den neuen Medien zu tun hat. Dennoch steht da ein hoffnungsvoller Satz, den man herausrei\u00dfen kann. Im Abschnitt \u201cKopf der Leidenschaften \u0096 \u2013 Fu\u00df der Leidenschaften\u201d:<\/p>\n<blockquote><p>Der Einfallsreichtum der Menschheit, Mi\u00dfbrauch mit Gef\u00fchlen zu treiben, mi\u00dfbrauchen, um Herrschaft zu errichten, steht in keinem Verh\u00e4ltnis zur <i>Emanzipation der Gef\u00fchle, die doch daliegen wie Sch\u00e4tze.<\/i> &#8230; <b>Wenn wir alles, was Menschen k\u00f6nnen, zusammenf\u00fcgten und wenn wir das untereinander austauschten, entst\u00fcnde von selbst ein emazipatorischer Proze\u00df, selbstreguliert und ernsthaft nicht aufzuhalten. <\/b><sup id=\"mfn-content-0000000000004d4a0000000000000000_8230-1\" class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000004d4a0000000000000000_8230\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004d4a0000000000000000_8230-1\">1<\/a><\/sup><span role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Alexander Kluge, Die Kunst Unterschiede zu machen, Frankfurt\/M. 2003, Seite 49 f. [Fette Hervorhebung von mir.]<\/span><\/p><\/blockquote>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kluges%20Apotheose%20des%20Tausches%20und%20die%20Emanzipation%20der%20Gef%C3%BChle https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fkluges-apotheose-des-tausches-und-die-emanzipation-der-gefuehle%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Kluges%20Apotheose%20des%20Tausches%20und%20die%20Emanzipation%20der%20Gef%C3%BChle https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fkluges-apotheose-des-tausches-und-die-emanzipation-der-gefuehle%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div><h3 class=\"modern-footnotes-list-heading \">Fussnoten:<\/h3><ul class=\"modern-footnotes-list \"><li id=\"footnote-0000000000004d4a0000000000000000_8230-1\"><span>1<\/span><div>Alexander Kluge, Die Kunst Unterschiede zu machen, Frankfurt\/M. 2003, Seite 49 f. [Fette Hervorhebung von mir.] <a href=\"#mfn-content-0000000000004d4a0000000000000000_8230-1\" class=\"modern-footnotes-scroll-to-footnote\" aria-label=\"Back to reference 1 in text\">\u21a9\ufe0e<\/a><\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Ich habe jetzt endlich in das etwas \u00e4ltere Buch \u201eDie Kunst, Unterschiede zu machen\u201d von Alexander Kluge hineingelugt. Da geht es viel um Sehnsucht und unausbrennbare Gef\u00fchle. Es ist ja mal wieder sch\u00f6n, etwas zu lesen, was nicht direkt mit den neuen Medien zu tun hat. Dennoch steht da ein hoffnungsvoller Satz, den man herausrei\u00dfen [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kluges%20Apotheose%20des%20Tausches%20und%20die%20Emanzipation%20der%20Gef%C3%BChle https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fkluges-apotheose-des-tausches-und-die-emanzipation-der-gefuehle%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 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September 2003","format":false,"excerpt":"Ich habe jetzt endlich in das etwas \u00e4ltere Buch \u201eDie Kunst, Unterschiede zu machen\u201d von Alexander Kluge hineingelugt. Da geht es viel um Sehnsucht und unausbrennbare Gef\u00fchle. Es ist ja mal wieder sch\u00f6n, etwas zu lesen, was nicht direkt mit den neuen Medien zu tun hat. Dennoch steht da ein\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":116,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/02\/emanzipation-der-dissonanz\/","url_meta":{"origin":8230,"position":1},"title":"La Emanzipation der Dissonanz","author":"der huflaikhan","date":"11. Februar 2016","format":false,"excerpt":"Wie man sich so vorstellt, wie man so Klavier zu spielen pflegt. Kopf-, Herz- und Basisnote \u2013 oder doch eher alles Chemisch-Gemisch. Eher oberes Register. Besser w\u00e4re vierh\u00e4ndig. Aber das kann noch werden. Ich ziehe es ja vor, im Bademantel das Klavier zu traktieren. https:\/\/youtu.be\/cN7gcNXhf8k Schnelle Autos, flinke Pianistinnenfinger, flottierendes\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/cN7gcNXhf8k\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":15913,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/03\/alexander-kluge-gesundung\/","url_meta":{"origin":8230,"position":2},"title":"Alexander Kluge \u2013 Gesundung","author":"der huflaikhan","date":"29. M\u00e4rz 2026","format":false,"excerpt":"Die letzten drei Tage war es gar nicht gut um mich bestellt. Hart an der Grenze zur Verzweiflung \u00fcber diese Welt und das, was in ihr geschieht, was sie mit mir und mit den anderen macht. Ein Spaziergang im Wald mit Hunden und Mitmenschen war voller Begegnungen mit Mitmenschen, die\u2026","rel":"","context":"In &quot;Kurz vor Zw\u00f6lf&quot;","block_context":{"text":"Kurz vor Zw\u00f6lf","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/kurz-vor-zwoelf\/"},"img":{"alt_text":"gras","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/03\/gras.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/03\/gras.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/03\/gras.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/03\/gras.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/03\/gras.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/03\/gras.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3388,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/11\/emanzipatives-internet-oder-auslastung-der-demokratie\/","url_meta":{"origin":8230,"position":3},"title":"Emanzipatives Internet oder Auslastung der Demokratie","author":"huflaikhan","date":"11. November 2014","format":false,"excerpt":"Beim Blick auf das Besondere verliert man aus den Augen, was nebenbei automatisch auch passiert.\u00a0 Beim Internet und seinen zugeh\u00f6rigen M\u00f6glichkeiten, Dinge auf einfache und schnelle Art zu ver\u00f6ffentlichen (im Gegensatz zur Organisation einer Druckmaschine und dem Vertrieb der Erzeugnisse), ist immer der emanzpipative Charakter bei Vertretern der Gegen\u00f6ffentlchkeit herausgestellt\u2026","rel":"","context":"In \"Aufkl\u00e4rung\"","block_context":{"text":"Aufkl\u00e4rung","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/aufklrung\/"},"img":{"alt_text":"Musikerin in der \u00d6ffentlichkeit. 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November 2014","format":false,"excerpt":"Beim Blick auf das Besondere verliert man aus den Augen, was nebenbei automatisch auch passiert.\u00a0 Beim Internet und seinen zugeh\u00f6rigen M\u00f6glichkeiten, Dinge auf einfache und schnelle Art zu ver\u00f6ffentlichen (im Gegensatz zur Organisation einer Druckmaschine und dem Vertrieb der Erzeugnisse), ist immer der emanzpipative Charakter bei Vertretern der Gegen\u00f6ffentlichkeit herausgestellt\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"Postmeister","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/09\/20050905-postmeister.png?fit=500%2C360&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1166,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/04\/anhalten\/","url_meta":{"origin":8230,"position":5},"title":"Anhalten: Beethoven, Schubert, Wagner \u2013 Emanzipation des Stillstands","author":"huflaikhan","date":"29. April 2005","format":false,"excerpt":"Manchmal ger\u00e4t Musik an Stellen, da sie anh\u00e4lt. Aus dem Fluss heraus, manchmal auch, um eine Ende anzudeuten. Sie steht scheinbar auf der Stelle und muss haushalten mit wenig. Bei des vorgestrigen H\u00f6rlekt\u00fcre fiel mir eine Stelle in Beethovens Klaviersonate op. 110 auf. Der letzte Satz besteht aus rezitativischen Teilen\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"Stille. 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