{"id":8295,"date":"2004-11-30T18:50:06","date_gmt":"2004-11-30T17:50:06","guid":{"rendered":"https:\/\/musikunrat.de\/?p=1558"},"modified":"2004-11-30T18:50:06","modified_gmt":"2004-11-30T17:50:06","slug":"hochbetonik-ii-westhagen-2","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/hochbetonik-ii-westhagen-2\/","title":{"rendered":"Hochbetonik II (Westhagen)"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Hochbetonik%20II%20%28Westhagen%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F11%2Fhochbetonik-ii-westhagen-2%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; 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Sie war innen, ich stelle etwas anderes von au\u00dfen dar.<\/p>\n<figure id=\"attachment_1559\" aria-describedby=\"caption-attachment-1559\" style=\"width: 860px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/12\/20041128-hochbetonik1a.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1559\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/12\/20041128-hochbetonik1a.jpg?resize=860%2C561&#038;ssl=1\" alt=\"Westhagen. Foto: Hufner\" width=\"860\" height=\"561\" \/><\/a><figcaption id=\"caption-attachment-1559\" class=\"wp-caption-text\">Westhagen. Foto: Hufner<\/figcaption><\/figure>\n<p>Auch ein Foddo aus lang vergangenen Tagen, als es noch g\u00fcnstiger schien mit Dias zu operieren. Ein Film mit Entwicklung kam auf um die 10 Mark. Ich sch\u00e4tze mal, es handelte sich beim Apparat um eine Rollei 35, ausgemustert aus dem Inventar meines Herrn Papa. Nachf\u00fchrzeugs, aber mit ganz ausgezeichneten Objetiven (Sonnar 85mm etc., aber vor allem jenes Portraitobjektiv).<\/p>\n<p>Ein Bild auf die linke H\u00e4lfte der Integrierten Gesamtschule Wolfsburg, mit Westhagen und Detmerode das Dreieck bildend. Sp\u00e4te Bauphase, denn das Br\u00fcckenelement aus rotem Backstein ist schon fertig gebaut. Als Sch\u00fcler empfand man diese Schule als relativ bequem und sachdienlich. Das Foddo entstand am s\u00fcd\u00f6stlichen Ende des Stadtteils Westhagen, vermutlich Eisenacher Stra\u00dfe. 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November 2014","format":false,"excerpt":"Gerade beim Weiterh\u00f6ren durch die digitalen B\u00e4uche der Musikgeschchte wieder bei Franz Schubert gelandet. Und auch hier ein St\u00fcck ausgemacht, der direkt ins vegetative System einschie\u00dft ohne Umweg ber\u00fchrt. Ein Impromptu. Erinnerung an die Samstage bei meiner Tante in Westhagen (Cola und Kaugummi frei, Fernsehen, Steak und Gurkensalat). Auch meine\u2026","rel":"","context":"In &quot;die St\u00e4dte&quot;","block_context":{"text":"die St\u00e4dte","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diestdte\/"},"img":{"alt_text":"Auto mit Augen. 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M\u00e4rz 2021","format":false,"excerpt":"Er war einmal, so beginnen alle M\u00e4rchen, sagt das M\u00e4rchen. Es war einmal eine Zeit, da gab es im Fernsehen und im Radio so etwas wie \"Nichts\". Wenn \"Nichts\" war, war Sendepause. Wenn Sendepause war, musste an und zu das \"Nichts\" gekennzeichnet werden. Durch Sendezeichen beispielsweise. Auf YouTube hat jemand\u2026","rel":"","context":"In &quot;den Rundfunk&quot;","block_context":{"text":"den Rundfunk","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/denrundfunk\/"},"img":{"alt_text":"Deutsche Fahne 2014. 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