{"id":833,"date":"2004-10-16T12:11:29","date_gmt":"2004-10-16T11:11:29","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/der-pickel\/"},"modified":"2023-12-18T08:49:30","modified_gmt":"2023-12-18T07:49:30","slug":"der-pickel","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/10\/der-pickel\/","title":{"rendered":"Der Pickel"},"content":{"rendered":"<p><cite>Hallali und Hallalo,<br \/>\nmir w\u00e4chst ein Pickel auf dem Po.<\/p>\n<p>Und, das ist in Bayern <stike>eben<\/strike> Brauch,<br \/>\nauf dem Halse w\u00e4chst er auch.<\/p>\n<p>Platzt er dann mit lautem Knalle,<br \/>\nf\u00fchl&#8217; ich mich matsch und ziemlich alle.<\/cite><\/p>\n<p>Serie GEZ &#8212; Gef\u00fchlsEinzugsZentrale<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Der%20Pickel https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F10%2Fder-pickel%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Und, das ist in Bayern eben Brauch, auf dem Halse w\u00e4chst er auch. Platzt er dann mit lautem Knalle, f\u00fchl&#8217; ich mich matsch und ziemlich alle. Serie GEZ &#8212; 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8682,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/09\/das-trojanische-orchester-und-die-deutsche-orchesterverweigerung\/","url_meta":{"origin":833,"position":0},"title":"Das trojanische Orchester und die Deutsche Orchesterverweigerung","author":"der huflaikhan","date":"28. September 2016","format":false,"excerpt":"Der Clou mit dem trojanischen Pferd war ein l\u00e4cherlicher Trick dagegen. Mit dem SWR Symphonieorchester hat Deutschland endlich seine eierlegende Wollmilchsau gefunden. Es ist besser als anderen deutschen Rundfunkorchester zusammen, weil auch gr\u00f6\u00dfer und aus zwei hervorragenden Orchestern zusammengesetzt \u2013 die einen nennen es noch wehm\u00fctig fusioniert, die anderen ganz\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"opfer m\u00fcssen begracht werden. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8679,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/08\/mysterien-der-musikgeschichte-darmstadt-und-die-zwoelftontechnik\/","url_meta":{"origin":833,"position":1},"title":"Mysterien der Musikgeschichte: Darmstadt und die Zw\u00f6lftontechnik","author":"der huflaikhan","date":"3. August 2016","format":false,"excerpt":"Es ist in der bisherigen Musikwissenschaft noch gar nicht so recht beachtet worden, man hat es schlicht bislang \u00fcbersehen, aber die Zw\u00f6lftontechnik ist definitiv in Darmstadt\/Hessen \"erfunden\" worden. Und das war so: Im Jahr 1917 hat der junge Arnold Sch\u00f6nberg einmal die Stadt Darmstadt besucht. Er war Mitglied des Begleittrosses\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Achtung, Animation","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/08\/12tontechnik.gif?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":9974,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/07\/leseinkompetenzkompetenz-joe-cool-podcastlove-jenny-lind\/","url_meta":{"origin":833,"position":2},"title":"Leseinkompetenzkompetenz \u2013 Joe Cool \u2013 Podcastlove \u2013 Jenny Lind","author":"der huflaikhan","date":"21. Juli 2024","format":false,"excerpt":"Biden geht +++ DIe Meinung der Kritischen Masse kommt mit Podlove +++ Lesenk\u00f6nnen, nicht leicht +++ Ein stabiles Selfie +++ Rechner wandern in den Sonderm\u00fcll +++ Lesekompetenzinkompetenz","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Abendessen in Regensburg Regen in Regensburg \u00a9 MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/Abendessen-in-Regensburg-Regen-in-Regensburg-%C2%A9-MH.jpg?fit=1200%2C563&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/Abendessen-in-Regensburg-Regen-in-Regensburg-%C2%A9-MH.jpg?fit=1200%2C563&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/Abendessen-in-Regensburg-Regen-in-Regensburg-%C2%A9-MH.jpg?fit=1200%2C563&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/Abendessen-in-Regensburg-Regen-in-Regensburg-%C2%A9-MH.jpg?fit=1200%2C563&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/Abendessen-in-Regensburg-Regen-in-Regensburg-%C2%A9-MH.jpg?fit=1200%2C563&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2960,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/06\/hallelujah\/","url_meta":{"origin":833,"position":3},"title":"Hallelujah","author":"huflaikhan","date":"1. Juni 2010","format":false,"excerpt":"Yes, in der Tat. Schlie\u00dflich hat meine Mutter heute Geburtstag. 85 Jahre jetzt. Hallelujah.","rel":"","context":"In \"Musik\"","block_context":{"text":"Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/musik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":66,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2002\/01\/keine-gnade-fuer-berlin\/","url_meta":{"origin":833,"position":4},"title":"Keine Gnade f\u00fcr Berlin","author":"huflaikhan","date":"31. Januar 2002","format":false,"excerpt":"\u00a0\u00a0\u00a0 Sprecher: Das waren noch Zeiten. Bonn war Bonn und Bonn war die Hauptstadt der Bundesrepublik Deutschland. Niemand h\u00e4tte von diesem ausgewachsenen Provinznest am Rhein erwartet, ein kulturelles Zentrum zu sein. Die Bonner Subkultur artikulierte sich durch das Trinken von K\u00f6lsch nebst karnevalistischem Treiben. Ein paar Museen packte man drauf,\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/taktlos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":581,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/freunde-iii-kunze-schleiermacher\/","url_meta":{"origin":833,"position":5},"title":"Freunde III (Kunze &#038; Schleiermacher)","author":"huflaikhan","date":"22. Juli 2004","format":false,"excerpt":"Fortsetzung der Doppelportraits. Hier links Heinz Rudolf Kunze und rechts Steffen Schleiermacher, nach der Sendung contrapunkt 4: protestmusik - widerstand .\/. wohlstandDas war vor zwei Jahren. Steffen Schleiermacher ist ein ausgezeichneter Pianist, der auch komponiert. Er hat das komplette Klavierwerk von John Cage eingespielt. Als ich ihn dazu befragte war\u2026","rel":"","context":"In \"Heinz-Rudolf Kunze\"","block_context":{"text":"Heinz-Rudolf Kunze","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/heinz-rudolfkunze\/"},"img":{"alt_text":"Kunze - Schleiermacher","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040722-kunze-schleiermacher.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=833"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/833\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}