{"id":8354,"date":"2007-11-20T21:22:23","date_gmt":"2007-11-20T20:22:23","guid":{"rendered":"https:\/\/musikunrat.de\/?p=1474"},"modified":"2007-11-20T21:22:23","modified_gmt":"2007-11-20T20:22:23","slug":"das-mittelding-nach-w-a-mozart","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/11\/das-mittelding-nach-w-a-mozart\/","title":{"rendered":"Das Mittelding [nach W. A. Mozart]"},"content":{"rendered":"<p>Mozart und das Mittelding. \ud83d\ude42<\/p>\n<blockquote><p>das mittelding \u2013 das wahre in allen sachen kennt und sch\u00e4tzt man izt nimmer \u2013 um beyfall zu erhalten mu\u00df man sachen schreiben die so verst\u00e4ndlich sind, da\u00df es ein fiacre nachsingen k\u00f6nnte, oder so unverst\u00e4ndlich \u2013 da\u00df [durchstrichen: sie] es ihnen, eben weil es kein vern\u00fcnftiger Mensch verstehen kann, gerade eben deswegen gef\u00e4llt; \u2026 ich h\u00e4tte lust ein Buch \u2013 eine kleine Musicalische kritick mit Exemplen zu schreiben \u2013 aber NB: nicht unter meinem Namen. \u2013 <sup id=\"mfn-content-0000000000004cf00000000000000000_8354-1\" class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000004cf00000000000000000_8354\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004cf00000000000000000_8354-1\">1<\/a><\/sup><span role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Briefe: Erich H. M\u00fcller von Asow: Familienbriefwechsel aus dem Jahren 1780-1791. Wolfgang Amadeus Mozart: Leben und Werk, S. 29598 (vgl. Asow-FamilienBW 2, S. 189)<\/span><\/p><\/blockquote>\n<p>Schade, dass es dazu nicht gekommen ist.<\/p>\n<figure id=\"attachment_1475\" aria-describedby=\"caption-attachment-1475\" style=\"width: 860px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/11\/mozartsohr.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1475\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/11\/mozartsohr.jpg?resize=860%2C614&#038;ssl=1\" alt=\"Mozarts Ohr - Gew\u00f6hnliches Ohr.\" width=\"860\" height=\"614\" \/><\/a><figcaption id=\"caption-attachment-1475\" class=\"wp-caption-text\">Mozarts Ohr &#8211; Gew\u00f6hnliches Ohr.<\/figcaption><\/figure>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Das%20Mittelding%20%5Bnach%20W.%20A.%20Mozart%5D https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F11%2Fdas-mittelding-nach-w-a-mozart%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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M\u00fcller von Asow: Familienbriefwechsel aus dem Jahren 1780-1791. Wolfgang Amadeus Mozart: Leben und Werk, S. 29598 (vgl. Asow-FamilienBW 2, S. 189) <a href=\"#mfn-content-0000000000004cf00000000000000000_8354-1\" class=\"modern-footnotes-scroll-to-footnote\" aria-label=\"Back to reference 1 in text\">\u21a9\ufe0e<\/a><\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Mozart und das Mittelding. \ud83d\ude42 das mittelding \u2013 das wahre in allen sachen kennt und sch\u00e4tzt man izt nimmer \u2013 um beyfall zu erhalten mu\u00df man sachen schreiben die so verst\u00e4ndlich sind, da\u00df es ein fiacre nachsingen k\u00f6nnte, oder so unverst\u00e4ndlich \u2013 da\u00df [durchstrichen: sie] es ihnen, eben weil es kein vern\u00fcnftiger Mensch verstehen kann, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Das%20Mittelding%20%5Bnach%20W.%20A.%20Mozart%5D 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November 2007","format":false,"excerpt":"Mozart und das Mittelding. :-) das mittelding \u2013 das wahre in allen sachen kennt und sch\u00e4tzt man izt nimmer \u2013 um beyfall zu erhalten mu\u00df man sachen schreiben die so verst\u00e4ndlich sind, da\u00df es ein fiacre nachsingen k\u00f6nnte, oder so unverst\u00e4ndlich \u2013 da\u00df [durchstrichen: sie] es ihnen, eben weil es\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1606,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/mozart-heute\/","url_meta":{"origin":8354,"position":1},"title":"Mozart, heute!","author":"huflaikhan","date":"27. Januar 2006","format":false,"excerpt":"Heute Mozart! Mozart-Disko!! Die Musik von LET\u00b4S MOZART ist auf den Kammerton 442,5 Hz gestimmt - entsprechend der 32. Oktave des VENUS-Sonnenumlaufs. Das ist eben entschieden zu hoch.","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/mozart-heute\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":22560,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/06\/regierungsignoranz-und-journalistische-arroganz\/","url_meta":{"origin":8354,"position":2},"title":"Regierungsignoranz und journalistische Arroganz","author":"der huflaikhan","date":"19. Juni 2026","format":false,"excerpt":"\u201eDie Zweifel des Wissenschaftlichen Diensts hinsichtlich der Rechtsgrundlage f\u00fcr die Datenabfrage seitens der anfragenden Beh\u00f6rde teilt die Bundesregierung nicht.\u201c Bundestag Drucksache 21\/6312 Eine typische Antwort auf eine Anfrage der Fraktion der LINKEN im Bundestag zum Verfahren bei der Vergabe des Buchhandlungspreises in diesem Jahr. Leider wird das zur Gewohnheit, zu\u2026","rel":"","context":"In &quot;es geht auch schlechter&quot;","block_context":{"text":"es geht auch schlechter","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/es-geht-auch-schlechter\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1593,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/mozart-irrtuemer-oder-mozarts-irrtuemer\/","url_meta":{"origin":8354,"position":3},"title":"Mozart Irrt\u00fcmer; oder: Mozarts Irrt\u00fcmer","author":"huflaikhan","date":"20. Januar 2006","format":false,"excerpt":"Volker Hagedorn will in der ZEIT popul\u00e4ren Irrt\u00fcmern begegnen, die mit Mozart verbunden seien. Zum Beispiel: Mozarts Musik sei einfach: Mozart sei doch \u00bbeinfach\u00ab, meinen viele und pfeifen dazu die Kleine Nachtmusik. Dabei f\u00e4ngt die schon ziemlich durchtrieben an. 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Verschobene Betonungen, Kreiselbewegungen, Fragezeichen \u2013 man muss diese Musik nicht erst\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"Reinigung. 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