{"id":8361,"date":"2009-05-23T19:15:37","date_gmt":"2009-05-23T17:15:37","guid":{"rendered":"https:\/\/musikunrat.de\/?p=982"},"modified":"2009-05-23T19:15:37","modified_gmt":"2009-05-23T17:15:37","slug":"du-bist-kempertrautmann-2","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/du-bist-kempertrautmann-2\/","title":{"rendered":"Du bist KemperTrautmann"},"content":{"rendered":"<p>Seit einiger Zeit geistert hier ein wunderbares Video durch die Lande. Ein Uni-Abschlussarbeit, die mehr ist als eine marktgerechte Designstudie. <a href=\"http:\/\/vimeo.com\/4631958\" target=\"_blank\" rel=\"noopener\">Du bist Terrorist<\/a> from <a href=\"http:\/\/vimeo.com\/user221974\" target=\"_blank\" rel=\"noopener\">lexela<\/a> on <a href=\"http:\/\/vimeo.com\" target=\"_blank\" rel=\"noopener\">Vimeo<\/a>.<\/p>\n<p class=\"responsive-video-wrap clr\"><iframe loading=\"lazy\" title=\"Du bist Terrorist\" src=\"https:\/\/player.vimeo.com\/video\/4631958?dnt=1&amp;app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/p>\n<p>Netzpolitik.Org berichtet nun, <a href=\"http:\/\/netzpolitik.org\/2009\/du-wirst-abgemahnt-de\/\" target=\"_blank\" rel=\"noopener\">dass der Macher des Filmes die Androhung einer Abmahnung erhalten hat<\/a>. Ich glaub, ich spinne. Die &#8220;Du bist Deutschland&#8221; &#8211; Hanseln machen jetzt auf Markenrecht. Wie viel K\u00e4se muss eigentlich noch das Internet runterflie\u00dfen, bis Leute begreifen, dass das Markenrecht noch nicht das Mittel der Zensur ist. KemperTrautmann, seid ihr eigentlich so dumm wie ihr euch jetzt anstellt? Oder bin ich einfach nur zu doof, zu kapieren, welche begnadete Werbestrategie hinter diesem Vorgehen steckt. Denn so lenkt ihr erst Recht die Aufmerksamkeit auf das, was ihr behindern wollt. Nehmt doch besser Kontakt mit dem Studenten auf und dankt ihm daf\u00fcr, dass er die wirkliche Botschaft hinter dubistdeutschland aufgedeckt hat. Seid dankbar, nicht bl\u00f6de! Rechtlich ist da ohnehin nichts zu wollen.<\/p>\n<p>Eigentlich m\u00fcsste man eure Kunden mal \u00fcber das Vorgehen informieren: Beate Uhse, Edding, Media Markt, MTV.Aber vielleicht wird man irgendwann nur noch einmal sagen: Da gab es eine Agentur, deren vorletzter Auftrag lautete: &#8220;Du bist pleite.&#8221; Mann, gehen mir solche Strolche auf den Sack, aber wie.<\/p>\n<ul>\n<li>PS: Gibt es eigentlich schon Adressen wie <a href=\"http:\/\/www.ichbinich.de\" target=\"_blank\" rel=\"noopener\">www.ichbinich.de<\/a> <a href=\"http:\/\/www.ichbinkempertrautmann.de\" target=\"_blank\" rel=\"noopener\">www.ichbinkempertrautmann.de<\/a> oder so was?<\/li>\n<li>PPS: Leider ist sowas ja auch eine Form von Terrorismus &#8211; Werbeterror in Form von Gehirnw\u00e4sche etc.<\/li>\n<li>PPPS: Merkw\u00fcrdig, dass da keine Urheberrechtsklage wegen der Musik mit drin ist.<\/li>\n<\/ul>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Du%20bist%20KemperTrautmann https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fdu-bist-kempertrautmann-2%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Ein Uni-Abschlussarbeit, die mehr ist als eine marktgerechte Designstudie. Du bist Terrorist from lexela on Vimeo. Netzpolitik.Org berichtet nun, dass der Macher des Filmes die Androhung einer Abmahnung erhalten hat. Ich glaub, ich spinne. Die &#8220;Du bist Deutschland&#8221; &#8211; Hanseln machen jetzt auf Markenrecht. 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August 2013","format":false,"excerpt":"Werbung, wenn sie nicht mehr wei\u00df wohin, geht manchen Weg, der ins Nichts oder in die Peinlichkeit f\u00fchrt. So bei einer Firma, die etwas mit Faxnummern macht. Und wie der ZEITGEIST in der Netzzeitschrift zuschl\u00e4gt, das wei\u00df man jetzt besser. Die selbstzugeschriebene Provokation ist nur besonders bl\u00f6de Verklemmtheit. Ich schlage\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Francisco de Goya y Lucientes: Tagebuch-Album : \u00bbGehst du sehr weit?\u00ab 1803\u20131824, Pinsel in schwarzer Tusche, laviert, auf wei\u00dfem Papier, 20,5 \u00d7 14,1 cm, Madrid, Museo del Prado","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/08\/goya.jpg?fit=843%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/08\/goya.jpg?fit=843%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/08\/goya.jpg?fit=843%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/08\/goya.jpg?fit=843%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8384,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kontinuitaet-jazz-echot-es-zzaj\/","url_meta":{"origin":8361,"position":1},"title":"Kontinuit\u00e4t &#8211; Jazz echot es zzaJ","author":"der huflaikhan","date":"5. Juni 2012","format":false,"excerpt":"Jetzt hei\u00dft es: Nicht nachlassen, Hufi. Das Blog muss verzettelt werden. Es w\u00e4r da auch was zu erz\u00e4hlen, zum Beispiel \u00fcber den Echo Jazz, der\u00a0gestern in Dreden\u00a0\u00fcber die B\u00fchne gegangen ist. 1000 Preistr\u00e4ger - gef\u00fchlt. F\u00fcr\u00a0eben\u00a0so was wie Aufnahmen. Ausnahmen? Musikindustrie soll ruhig machen. Mich wundert\u00a0nur die neue Liebe\u00a0des Jazzverbandes\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3055,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kontinuit-t-jazz-echot-es-zzaj\/","url_meta":{"origin":8361,"position":2},"title":"Kontinuit\u00e4t &#8211; Jazz echot es zzaJ","author":"huflaikhan","date":"4. Juni 2012","format":false,"excerpt":"Jetzt hei\u00dft es: Nicht nachlassen, Hufi. Das Blog muss verzettelt werden. Es w\u00e4r da auch was zu erz\u00e4hlen, zum Beispiel \u00fcber den Echo Jazz, der\u00a0gestern in Dreden\u00a0\u00fcber die B\u00fchne gegangen ist. 1000 Preistr\u00e4ger - gef\u00fchlt. F\u00fcr\u00a0eben\u00a0so was wie Aufnahmen. Ausnahmen?\u00a0 Musikindustrie soll ruhig machen. Mich wundert\u00a0nur die neue Liebe\u00a0des Jazzverbandes\u2026","rel":"","context":"In \"Bildung\"","block_context":{"text":"Bildung","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bildung\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8708,"url":"https:\/\/www.kritische-masse.de\/logbuch\/wegwerfaesthetik-traenen-und-rotz-trotz\/","url_meta":{"origin":8361,"position":3},"title":"Wegwerf\u00e4sthetik \u2013 Tr\u00e4nen und Rotz = Trotz","author":"der huflaikhan","date":"9. Juni 2017","format":false,"excerpt":"Es ist eine Ewigkeit her, da habe ich auf der Dult in Regensburg dieses P\u00e4ckchen mit Taschent\u00fcchern geschenkt bekommen. Eine Werbung f\u00fcr den privaten Radiosender Gong FM (gibt den noch). Ein Wortspiel mit unendlichen Verbindungen der Interpretation. Softie und Softies (andere Taschentuchmarke). Aber wie man die Sache auch dreht, da\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Dein Softie, Deine Musik. Produktwerbung auf einem Produkt. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/deinsoftie_deinemusik-839x1024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/deinsoftie_deinemusik-839x1024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/deinsoftie_deinemusik-839x1024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/deinsoftie_deinemusik-839x1024.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8612,"url":"https:\/\/www.kritische-masse.de\/logbuch\/auf-jeden-topf-musiker-in-der-werbung\/","url_meta":{"origin":8361,"position":4},"title":"Auf jeden Topf \u2026 (Musiker in der Werbung)","author":"der huflaikhan","date":"20. November 2015","format":false,"excerpt":"Musiker und Werbung, eine Geschichte voller Missverst\u00e4ndnisse. Ihr ramponiertes kulturelles Image will die Frankfurter Allgemeine Zeitung (kurz: F.A.Z oder FAZ, ausgesprochen Fatz) auf Vordermann bringen. Dazu ist ihr jedes Mittel recht, sogar ein armer Musiker, der morgens gerne zur FAZ f\u00fcr ein ein kleines Et\u00fcdchen greift.Bild Dir eine Musik, \u00f6h\u00f6m.\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dasnetz\/"},"img":{"alt_text":"Goya: Folge der \u00bbDesastres de la Guerra\u00ab, Blatt 36: Ebensowenig, 1814\u00961820","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra1.jpg?fit=500%2C376&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1180,"url":"https:\/\/www.kritische-masse.de\/logbuch\/dirigenten-und-veranstalter-als-kultur-schnaeppchenjaeger\/","url_meta":{"origin":8361,"position":5},"title":"Dirigenten und Veranstalter als Kultur-Schn\u00e4ppchenj\u00e4ger","author":"huflaikhan","date":"6. Mai 2005","format":false,"excerpt":"F\u00fchren die Pl\u00e4ne f\u00fcr eine europ\u00e4ische Harmonisierung zu einer neuen Ausbeutungskultur? Europa ist gro\u00df und Deutschland ist klein. Seit der Osterweiterung der Europ\u00e4ischen Union im letzten Jahr ist Deutschland zwar ins Zentrum Europas ger\u00fcckt, zugleich aber den Kraftfeldern der neuen L\u00e4nder ausgesetzt, auch im kulturellen Bereich. Das tangiert auch die\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/dirigenten-und-veranstalter-als-kultur-schnaeppchenjaeger\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8361"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8361\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}