{"id":8369,"date":"2009-10-24T11:56:43","date_gmt":"2009-10-24T09:56:43","guid":{"rendered":"https:\/\/musikunrat.de\/?p=1354"},"modified":"2009-10-24T11:56:43","modified_gmt":"2009-10-24T09:56:43","slug":"quoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/quoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer\/","title":{"rendered":"\u201e\u2026 quoll aus schwarzen Tasten Heiterkeit schwerfl\u00fcssig in die ausgestorbene Welt\u201c [Kracauer]"},"content":{"rendered":"<blockquote><p>&#8220;Ein Klavier stand in dem Raum, Gianino konnte nicht widerstehen, er schlug die geliebten Melodien an, und von Tassengeklirr d\u00fcnn kontrapunktiert, quoll aus schwarzen Tasten Heiterkeit schwerfl\u00fcssig in die ausgestorbene Welt.&#8221;<sup id=\"mfn-content-0000000000004da40000000000000000_8369-1\" class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000004da40000000000000000_8369\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004da40000000000000000_8369-1\">1<\/a><\/sup><span role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Siegfried Kracauer, Empfindsame Suite von der Bergstra\u00dfe, Gesammelte schriften Bd.5\/1, S. 229, Frankfurt am Main 1990.<\/span><\/p><\/blockquote>\n<p>Ist einfach immer wieder gerne gelesen, zwischendurch, die Aufs\u00e4tze aus den 20er Jahren, Kritiken zu Spengler, Kafka, Sinclair, Plessner und so vielen anderen. Besonders aber seine richtigen Feuilletons.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=%E2%80%9E%E2%80%A6%20quoll%20aus%20schwarzen%20Tasten%20Heiterkeit%20schwerfl%C3%BCssig%20in%20die%20ausgestorbene%20Welt%E2%80%9C%20%5BKracauer%5D https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fquoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=%E2%80%9E%E2%80%A6%20quoll%20aus%20schwarzen%20Tasten%20Heiterkeit%20schwerfl%C3%BCssig%20in%20die%20ausgestorbene%20Welt%E2%80%9C%20%5BKracauer%5D https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fquoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fquoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button threema shariff-nocustomcolor shariff-mobile\" style=\"background-color:#4fbc24\"><a href=\"threema:\/\/compose?text=%E2%80%9E%E2%80%A6%20quoll%20aus%20schwarzen%20Tasten%20Heiterkeit%20schwerfl%C3%BCssig%20in%20die%20ausgestorbene%20Welt%E2%80%9C%20%5BKracauer%5D%20https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fquoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer%2F\" title=\"Bei Threema teilen\" aria-label=\"Bei Threema teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#1f1f1f; color:#1f1f1f\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#1f1f1f\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#1f1f1f\" d=\"M30.8 10.9c-0.3-1.4-0.9-2.6-1.8-3.8-2-2.6-5.5-4.5-9.4-5.2-1.3-0.2-1.9-0.3-3.5-0.3s-2.2 0-3.5 0.3c-4 0.7-7.4 2.6-9.4 5.2-0.9 1.2-1.5 2.4-1.8 3.8-0.1 0.5-0.2 1.2-0.2 1.6 0 0.4 0.1 1.1 0.2 1.6 0.4 1.9 1.3 3.4 2.9 5 0.8 0.8 0.8 0.8 0.7 1.3 0 0.6-0.5 1.6-1.7 3.6-0.3 0.5-0.5 0.9-0.5 0.9 0 0.1 0.1 0.1 0.5 0 0.8-0.2 2.3-0.6 5.6-1.6 1.1-0.3 1.3-0.4 2.3-0.4 0.8 0 1.1 0 2.3 0.2 1.5 0.2 3.5 0.2 4.9 0 5.1-0.6 9.3-2.9 11.4-6.3 0.5-0.9 0.9-1.8 1.1-2.8 0.1-0.5 0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button mailto shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"mailto:?body=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fquoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer%2F&subject=%E2%80%9E%E2%80%A6%20quoll%20aus%20schwarzen%20Tasten%20Heiterkeit%20schwerfl%C3%BCssig%20in%20die%20ausgestorbene%20Welt%E2%80%9C%20%5BKracauer%5D\" title=\"Per E-Mail versenden\" aria-label=\"Per E-Mail versenden\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div><h3 class=\"modern-footnotes-list-heading \">Fussnoten:<\/h3><ul class=\"modern-footnotes-list \"><li id=\"footnote-0000000000004da40000000000000000_8369-1\"><span>1<\/span><div>Siegfried Kracauer, Empfindsame Suite von der Bergstra\u00dfe, Gesammelte schriften Bd.5\/1, S. 229, Frankfurt am Main 1990. <a href=\"#mfn-content-0000000000004da40000000000000000_8369-1\" class=\"modern-footnotes-scroll-to-footnote\" aria-label=\"Back to reference 1 in text\">\u21a9\ufe0e<\/a><\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>&#8220;Ein Klavier stand in dem Raum, Gianino konnte nicht widerstehen, er schlug die geliebten Melodien an, und von Tassengeklirr d\u00fcnn kontrapunktiert, quoll aus schwarzen Tasten Heiterkeit schwerfl\u00fcssig in die ausgestorbene Welt.&#8221; Ist einfach immer wieder gerne gelesen, zwischendurch, die Aufs\u00e4tze aus den 20er Jahren, Kritiken zu Spengler, Kafka, Sinclair, Plessner und so vielen anderen. Besonders [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=%E2%80%9E%E2%80%A6%20quoll%20aus%20schwarzen%20Tasten%20Heiterkeit%20schwerfl%C3%BCssig%20in%20die%20ausgestorbene%20Welt%E2%80%9C%20%5BKracauer%5D https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fquoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=%E2%80%9E%E2%80%A6%20quoll%20aus%20schwarzen%20Tasten%20Heiterkeit%20schwerfl%C3%BCssig%20in%20die%20ausgestorbene%20Welt%E2%80%9C%20%5BKracauer%5D https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fquoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fquoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button threema shariff-nocustomcolor shariff-mobile\" style=\"background-color:#4fbc24\"><a href=\"threema:\/\/compose?text=%E2%80%9E%E2%80%A6%20quoll%20aus%20schwarzen%20Tasten%20Heiterkeit%20schwerfl%C3%BCssig%20in%20die%20ausgestorbene%20Welt%E2%80%9C%20%5BKracauer%5D%20https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fquoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer%2F\" title=\"Bei Threema teilen\" aria-label=\"Bei Threema teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#1f1f1f; color:#1f1f1f\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#1f1f1f\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#1f1f1f\" d=\"M30.8 10.9c-0.3-1.4-0.9-2.6-1.8-3.8-2-2.6-5.5-4.5-9.4-5.2-1.3-0.2-1.9-0.3-3.5-0.3s-2.2 0-3.5 0.3c-4 0.7-7.4 2.6-9.4 5.2-0.9 1.2-1.5 2.4-1.8 3.8-0.1 0.5-0.2 1.2-0.2 1.6 0 0.4 0.1 1.1 0.2 1.6 0.4 1.9 1.3 3.4 2.9 5 0.8 0.8 0.8 0.8 0.7 1.3 0 0.6-0.5 1.6-1.7 3.6-0.3 0.5-0.5 0.9-0.5 0.9 0 0.1 0.1 0.1 0.5 0 0.8-0.2 2.3-0.6 5.6-1.6 1.1-0.3 1.3-0.4 2.3-0.4 0.8 0 1.1 0 2.3 0.2 1.5 0.2 3.5 0.2 4.9 0 5.1-0.6 9.3-2.9 11.4-6.3 0.5-0.9 0.9-1.8 1.1-2.8 0.1-0.5 0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button mailto shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"mailto:?body=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fquoll-aus-schwarzen-tasten-heiterkeit-schwerfluessig-in-die-ausgestorbene-welt-kracauer%2F&subject=%E2%80%9E%E2%80%A6%20quoll%20aus%20schwarzen%20Tasten%20Heiterkeit%20schwerfl%C3%BCssig%20in%20die%20ausgestorbene%20Welt%E2%80%9C%20%5BKracauer%5D\" title=\"Per E-Mail versenden\" aria-label=\"Per E-Mail versenden\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"author":1,"featured_media":1356,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_front_end_style_editor":"no","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_metis_text_type":"standard","_metis_text_length":691,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"Kracauer kann es auch: \"quoll aus schwarzen Tasten Heiterkeit schwerfl\u00fcssig in die ausgestorbene Welt\u201c","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4189,2667],"tags":[3153,2847,2687],"class_list":["post-8369","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-die-kunst","category-zettelkasten","tag-feuilleton","tag-siegfried-kracauer","tag-sprache","entry","has-media"],"jetpack_publicize_connections":[],"categories_names":["die Kunst","Zettelkasten"],"post_class":[["post-8369","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-die-kunst","category-zettelkasten","tag-feuilleton","tag-siegfried-kracauer","tag-sprache","entry","has-media"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":2922,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kracauer-kann-es-auch\/","url_meta":{"origin":8369,"position":0},"title":"Kracauer kann es auch","author":"huflaikhan","date":"24. Oktober 2009","format":false,"excerpt":"\"Ein Klavier stand in dem Raum, Gianino konnte nicht widerstehen, er schlug die geliebten Melodien an, und von Tassengeklirr d\u00fcnn kontrapunktiert, quoll aus schwarzen Tasten Heiterkeit schwerfl\u00fcssig in die ausgestorbene Welt.\" (Siegfried Kracauer, Empfindsame Suite von der Bergstra\u00dfe, Gesammelte schriften Bd.5\/1, S. 229, Frankfurt am Main 1990) Ist einfach immer\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8247,"url":"https:\/\/www.kritische-masse.de\/logbuch\/1929-war-alles-schon-mal-da-siegfried-kracauer-die-angestellten\/","url_meta":{"origin":8369,"position":1},"title":"1929 \u2013 War alles schon mal da \u2026 [Siegfried Kracauer: Die Angestellten]","author":"der huflaikhan","date":"23. Juli 2004","format":false,"excerpt":"Seit der erneuten Besch\u00e4ftigung mit Klassikern der Soziologie und \u00d6konomie wird der Kreislauf, vielleicht sogar das Stilltreten der Zeit immer deutlicher. Engels Beobachtungen in England, Tocquevilles Kritik Amerikas machten das deutlich. Nun liegt Siegfried Kracauers Studie aus den 30er Jahren \"Die Angestellten\" auf dem Schreibtisch. Nichts scheint sich zu \u00e4ndern,\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":596,"url":"https:\/\/www.kritische-masse.de\/logbuch\/war-alles-schon-mal-da\/","url_meta":{"origin":8369,"position":2},"title":"War alles schon mal da \u2026","author":"huflaikhan","date":"24. Juli 2004","format":false,"excerpt":"Seit der erneuten Besch\u00e4ftigung mit Klassikern der Soziologie und \u00d6konomie wird der Kreislauf, vielleicht sogar das Stilltreten der Zeit immer deutlicher. Engels Beobachtungen in England [1] [2], Tocquevilles Kritik Amerikas machten das deutlich. Nun liegt Siegfried Kracauers Studie aus den 30er Jahren \u201cDie Angestellten\u201d auf dem Schreibtisch. Nichts scheint sich\u2026","rel":"","context":"In \"Alexis de Tocqueville\"","block_context":{"text":"Alexis de Tocqueville","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/alexisdetocqueville\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1187,"url":"https:\/\/www.kritische-masse.de\/logbuch\/drei-zitate\/","url_meta":{"origin":8369,"position":3},"title":"Drei Zitate","author":"huflaikhan","date":"9. Mai 2005","format":false,"excerpt":"Die Zeiten, die Zeiten: a) Rektor der Hochschule f\u00fcr Musik und Theater M\u00fcnchen, Siegfried Mauser (2005): Was mich ein bisschen gest\u00f6rt hat an dem Beitrag [\u00fcber \"Operette unterm Hakenkreuz\"; M.H.], ist, was ich eigentlich mittlerweile wirklich komplett satt habe, dieses Gegeneinanderstellen von E- und U-Musik und dass man die U-Musik\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1868,"url":"https:\/\/www.kritische-masse.de\/logbuch\/buecherweitwurf\/","url_meta":{"origin":8369,"position":4},"title":"B\u00fccherweitwurf","author":"huflaikhan","date":"31. August 2006","format":false,"excerpt":"Frau Klugscheisser fragte vor langer Zeit an, welche B\u00fccher denn bei mir im Regal verstaubten. Lange war ich entfernt von meinem Regal, so dass ich das aus der Ferne gar nicht beantworten konnte. Eigentlich sind sie alle angestaubt, ausgenommen Simmel, Bloch, Adorno, Nietzsche, Wittgenstein, Kracauer, Amery, Anders und Lyrik. Aber\u2026","rel":"","context":"In &quot;Ich&quot;","block_context":{"text":"Ich","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/privates\/ich\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1264,"url":"https:\/\/www.kritische-masse.de\/logbuch\/siegfried-palm-ist-tot-cellist-lehrer-intendant-kulturpolitiker\/","url_meta":{"origin":8369,"position":5},"title":"Siegfried Palm ist tot: Cellist, Lehrer, Intendant, Kulturpolitiker","author":"huflaikhan","date":"7. Juni 2005","format":false,"excerpt":"(nmz) Mit Siegfried Palm starb gestern in Frechen bei K\u00f6ln eine kulturelle Leit- und Vaterfigur der deutschen Musikszene des zwanzigsten Jahrhunderts. Als Interpret widmeten ihm die wichtigsten Komponisten der zeitgen\u00f6ssischen Musik Solowerke: Bernd Alois Zimmermann, Iannis Xenakis, Mauricio Kagel, Krzystof Penderecki, Wolfgang Rihm und viele andere. Palm hat sie lebendig\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/08\/20050812-csu-bh.gif?fit=80%2C129&ssl=1","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8369","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8369"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8369\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/1356"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8369"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8369"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}