{"id":8418,"date":"2014-03-01T17:49:55","date_gmt":"2014-03-01T16:49:55","guid":{"rendered":"https:\/\/musikunrat.de\/?p=2041"},"modified":"2014-03-01T17:49:55","modified_gmt":"2014-03-01T16:49:55","slug":"ein-plaedoyer-fuer-das-langweilige-bild","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/03\/ein-plaedoyer-fuer-das-langweilige-bild\/","title":{"rendered":"Ein Pl\u00e4doyer f\u00fcr das langweilige Bild"},"content":{"rendered":"<figure id=\"attachment_2042\" aria-describedby=\"caption-attachment-2042\" style=\"width: 599px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.kritische-masse.de\/logbuch\/2014\/03\/01\/ein-plaedoyer-fuer-das-langweilige-bild\/gerichtsmedizin\/\" rel=\"attachment wp-att-2042\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2042\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/03\/gerichtsmedizin.jpg?resize=599%2C600&#038;ssl=1\" alt=\"Gerichtsmedizin. Foto: Hufner\" width=\"599\" height=\"600\" \/><\/a><figcaption id=\"caption-attachment-2042\" class=\"wp-caption-text\">Gerichtsmedizin. Foto: Hufner<\/figcaption><\/figure>\n<blockquote><p>\u201eMassenkultur ist ungeschminkte Schminke.\u201c<sup id=\"mfn-content-0000000000004cf00000000000000000_8418-1\" class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000004cf00000000000000000_8418\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004cf00000000000000000_8418-1\">1<\/a><\/sup><span role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Band 3: Dialektik der Aufkl\u00e4rung: Das Schema der Massenkultur. Theodor W. Adorno: Gesammelte Schriften, S. 1608 (vgl. GS 3, S. 317)<\/span><\/p><\/blockquote>\n<p>Da f\u00e4llt mir jetzt grad auch nichts mehr zu ein.<\/p>\n<blockquote><p>\u201eKitsch ist der Niederschlag entwerteter Formen und Floskeln in einer Formwelt, die ihrem Umkreis entr\u00fcckt ist. Was der Kunst von ehemals zugeh\u00f6rte und heute unternommen wird, rechnet zum Kitsch.\u201c<sup id=\"mfn-content-0000000000004cf00000000000000000_8418-2\" class=\"modern-footnotes-footnote \" data-mfn=\"2\" data-mfn-post-scope=\"0000000000004cf00000000000000000_8418\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004cf00000000000000000_8418-2\">2<\/a><\/sup><span role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"2\">Band 18: Musikalische Schriften V: Kitsch. Theodor W. Adorno: Gesammelte Schriften, S. 15628 (vgl. GS 18, S. 791)<\/span><\/p><\/blockquote>\n<p>Es ist der Ekel,\u00a0 der mir in letzter Zeit aus den \u201eperfektionierten\u201c Fotos entgegenspringt: Tausendfach die Meerbilder mit Langzeitaufnahmen und mit ihrer hohen S\u00e4ttigung am Abend; die Aufnahmen von den einsamen und gleichwohl gesch\u00f6nten Menschen und so inszeniert, dass die Bilder br\u00fcchig werden m\u00fcssen und zum blo\u00dfen Kitsch, zum Vorgef\u00fchl eines Nichtgef\u00fchls werden. Optische Werke (Fotos) sind daf\u00fcr besonders anf\u00e4llig.<\/p>\n<p>Ich pl\u00e4diere daher f\u00fcr eine Abr\u00fcstung dieser hochgeladenen fotografischen Systeme. Ich pl\u00e4diere f\u00fcr das langweilige Bild, f\u00fcr das Bild ohne Witz, f\u00fcr das Bild, das einen nicht \u00fcberreden will, nicht einmal die Fotografin.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ein%20Pl%C3%A4doyer%20f%C3%BCr%20das%20langweilige%20Bild https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F03%2Fein-plaedoyer-fuer-das-langweilige-bild%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Ein%20Pl%C3%A4doyer%20f%C3%BCr%20das%20langweilige%20Bild https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F03%2Fein-plaedoyer-fuer-das-langweilige-bild%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Theodor W. Adorno: Gesammelte Schriften, S. 1608 (vgl. GS 3, S. 317) <a href=\"#mfn-content-0000000000004cf00000000000000000_8418-1\" class=\"modern-footnotes-scroll-to-footnote\" aria-label=\"Back to reference 1 in text\">\u21a9\ufe0e<\/a><\/div><\/li><li id=\"footnote-0000000000004cf00000000000000000_8418-2\"><span>2<\/span><div>Band 18: Musikalische Schriften V: Kitsch. Theodor W. Adorno: Gesammelte Schriften, S. 15628 (vgl. GS 18, S. 791) <a href=\"#mfn-content-0000000000004cf00000000000000000_8418-2\" class=\"modern-footnotes-scroll-to-footnote\" aria-label=\"Back to reference 2 in text\">\u21a9\ufe0e<\/a><\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>\u201eMassenkultur ist ungeschminkte Schminke.\u201c Da f\u00e4llt mir jetzt grad auch nichts mehr zu ein. \u201eKitsch ist der Niederschlag entwerteter Formen und Floskeln in einer Formwelt, die ihrem Umkreis entr\u00fcckt ist. Was der Kunst von ehemals zugeh\u00f6rte und heute unternommen wird, rechnet zum Kitsch.\u201c Es ist der Ekel,\u00a0 der mir in letzter Zeit aus den \u201eperfektionierten\u201c [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ein%20Pl%C3%A4doyer%20f%C3%BCr%20das%20langweilige%20Bild https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F03%2Fein-plaedoyer-fuer-das-langweilige-bild%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Ein%20Pl%C3%A4doyer%20f%C3%BCr%20das%20langweilige%20Bild https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F03%2Fein-plaedoyer-fuer-das-langweilige-bild%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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[2014].","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4189,2695,2648],"tags":[2087,2568,2719],"class_list":["post-8418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-die-kunst","category-die-kultur","category-dieurteilskraft","tag-fotografie","tag-massenkultur","tag-theodor-w-adorno","entry","has-media"],"jetpack_publicize_connections":[],"categories_names":["die Kunst","die Kultur","die Urteilskraft"],"post_class":[["post-8418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-die-kunst","category-die-kultur","category-dieurteilskraft","tag-fotografie","tag-massenkultur","tag-theodor-w-adorno","entry","has-media"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":3331,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/03\/massenkultur-vorgef-hl-eines-nichtgef-hls\/","url_meta":{"origin":8418,"position":0},"title":"Massenkultur \u2013 Vorgef\u00fchl eines Nichtgef\u00fchls","author":"huflaikhan","date":"1. M\u00e4rz 2014","format":false,"excerpt":"Ein Pl\u00e4doyer f\u00fcr das langweilige Bild \u201eMassenkultur ist ungeschminkte Schminke.\u201c Da f\u00e4llt mir jetzt grad auch nichts mehr zu ein. \u201eKitsch ist der Niederschlag entwerteter Formen und Floskeln in einer Formwelt, die ihrem Umkreis entr\u00fcckt ist. Was der Kunst von ehemals zugeh\u00f6rte und heute unternommen wird, rechnet zum Kitsch.\u201c Es\u2026","rel":"","context":"In \"Adorno\"","block_context":{"text":"Adorno","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/adorno\/"},"img":{"alt_text":"Aufruhr im Wald. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/03\/gerichtsmedizin.jpg?fit=800%2C801&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/03\/gerichtsmedizin.jpg?fit=800%2C801&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/03\/gerichtsmedizin.jpg?fit=800%2C801&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/03\/gerichtsmedizin.jpg?fit=800%2C801&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8747,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2018\/02\/aus-dem-leben-eines-taugenichts-theodor-w-adorno-nach-tilmann-krause-die-welt\/","url_meta":{"origin":8418,"position":1},"title":"Aus dem Leben eines Taugenichts: Theodor W. Adorno nach Tilmann Krause [Die WELT]","author":"der huflaikhan","date":"10. Februar 2018","format":false,"excerpt":"\"Selbst die Studenten, die sich gegen ein Gomringer-Gedicht an der Wand ihrer Hochschule emp\u00f6ren, weil es angeblich sexistisch ist, sind in dieser Hinsicht Kinder von Adorno, auch wenn sie den Namen nie geh\u00f6rt haben sollten.\" [Quelle: Die Welt. Tilmann Krause: Der Meisterdenker der 68er taugte einfach nichts] In welcher Hinsicht?\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Ausschnitt Bach","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041015-bach-haltet-detail.jpg?fit=500%2C534&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8732,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/10\/unterschied-von-e-und-u-musik\/","url_meta":{"origin":8418,"position":2},"title":"Unterschied von E- und U-Musik","author":"der huflaikhan","date":"5. Oktober 2017","format":false,"excerpt":"Von vielen bestritten und als falsch oder \u00fcberfl\u00fcssig empfunden: Die Unterscheidung von E- und U-Musik, also von Ernst und Unterhaltung. Abrechnungstechnisch f\u00fcr die Urheber nicht unwesentlich, empfindet sie manch einer als l\u00e4stig, grausam und \u00fcberholt. Die eine Ausfassung ist dem Wunsch, die andere der \u00f6konomischen Realit\u00e4t geschuldet. In der Musik\u00e4sthetik\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Scrennshot nmz.de (5.10.2017)","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8310,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/11\/koalitionsquark-2\/","url_meta":{"origin":8418,"position":3},"title":"Koalitionsquark","author":"der huflaikhan","date":"11. November 2005","format":false,"excerpt":"Wenn man so einige Tage ohne Fernsehen, Zeitung und Radio verbringt, erspart man sich viel \u00c4rger. Der ist das umso gr\u00f6\u00dfer, wenn man dann eine Zeitung aufschl\u00e4gt wie die \u201eBerliner Zeitung\u201c. Ich kann mich noch an die hochtrabenden Phrasen erinnern, die da lauteten, der Souver\u00e4n habe entschieden. Damit hat man\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8750,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2018\/03\/kein-echo-aus-der-echokammer-der-musikindustrie-oder-ueber-die-deutsche-mehrheit\/","url_meta":{"origin":8418,"position":4},"title":"Kein ECHO aus der Echokammer der Musikindustrie. Oder: \u00dcber die deutsche Mehrheit","author":"der huflaikhan","date":"31. M\u00e4rz 2018","format":false,"excerpt":"Der Musikpreis der Musikindustrie, der Echo, der hat jetzt sogar eine eigene Seite mit Fragen und Antworten. Man ist bem\u00fcht um Aufkl\u00e4rung. Viele Frage werden in den sozialen Netzwerken ja auch immer wieder gestellt und da kann man bequemerweise nun auf strukturierte Antworten verweisen. Die Antworten sind durchaus heiter im\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"Erfolg ist relativ. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/03\/kiz-geldfressen_c_hufner-1024x674.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/03\/kiz-geldfressen_c_hufner-1024x674.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/03\/kiz-geldfressen_c_hufner-1024x674.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/03\/kiz-geldfressen_c_hufner-1024x674.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8379,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/02\/seite-118342-2\/","url_meta":{"origin":8418,"position":5},"title":"Seite 118342","author":"der huflaikhan","date":"26. Februar 2009","format":false,"excerpt":"Gustav Falke, ein Name, der mir eigentlich gar nichts sagt. Auch wenn es nur schwer geht, dass man in einer digitalen Bibliothek st\u00f6bert, muss man das ab und zu machen. Solche komischen Dinge kann man dann da finden. Gebet Herr, la\u00df mich hungern dann und wann, Satt sein macht stumpf\u2026","rel":"","context":"In &quot;Zettelkasten&quot;","block_context":{"text":"Zettelkasten","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/zettelkasten\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8418"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8418\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2042"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}