{"id":8419,"date":"2013-02-26T18:16:44","date_gmt":"2013-02-26T17:16:44","guid":{"rendered":"https:\/\/musikunrat.de\/?p=2051"},"modified":"2013-02-26T18:16:44","modified_gmt":"2013-02-26T17:16:44","slug":"symphonie-der-farben-2","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/symphonie-der-farben-2\/","title":{"rendered":"Symphonie der Farben"},"content":{"rendered":"<figure id=\"attachment_2052\" aria-describedby=\"caption-attachment-2052\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.kritische-masse.de\/logbuch\/2013\/02\/26\/symphonie-der-farben\/tobaccoland\/\" rel=\"attachment wp-att-2052\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2052\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/03\/tobaccoland.jpg?resize=800%2C600&#038;ssl=1\" alt=\"Ein Aschenbecher mit Wasser und Stummeln.\" width=\"800\" height=\"600\" \/><\/a><figcaption id=\"caption-attachment-2052\" class=\"wp-caption-text\">tobaccoland. Foto: Hufner<\/figcaption><\/figure>\n<p>Dieser Aschenbecher geh\u00f6rt wom\u00f6glich zu den j\u00e4mmerlichsten seiner Art. Am Rande einer Begr\u00e4bnisfeierlichkeit fanden sich diese ertrunkenen Raucherstummel in der Symphonie eines Farbzweiklangs.<\/p>\n<p>Da flossen der Tr\u00e4nen reichlich vom Himmel herab. Drinnen besann man sich des Trauerns frei, w\u00e4hrend drau\u00dfen die ganze Welt zu jammern schien. Todestrieb der Zigaretten. Vom Tobaccoland ins Niemandsland.<\/p>\n<p>Ich glaube, es war Thomas Meinecke, der einmal K\u00fcnstlichkeit gegen Authentizit\u00e4t verteidigt hat. Der Drang nach Authentizit\u00e4t bringe einen um die M\u00f6glichkeit, seine Position zu verlassen. Das Schauspielern, das geht verloren &#8211; die M\u00f6glichkeit, jemand anderes zu sein, als man (angeblich) ist. Wie authentisch darf man \u00fcberhaupt sein, will man sich selbst noch ernst nehmen.<\/p>\n<p>Ein anderes Problem st\u00f6hnt von der anderen Seite: Die k\u00fcnstliche Authentizit\u00e4t, dass man eine Person zum besten gibt, die man nicht ist, war, sein kann. In der Musikbranche kommt das ohne Unterlass zur Geltung. Der musikalische B\u00f6sewicht, der nur den Dr. No spielt. Der in der Rolle seine <span style=\"text-decoration: line-through;\">neue<\/span> Identit\u00e4t findet bis er sie ist.<\/p>\n<p>Und ein Drittes: Die Zuschreibung dessen, was man ist, wenn sie von au\u00dfen erfolgt und man das wird, was anderen in einem sehen wollen. Die Chance des Ortswechsels, um dem zu entgehen.<\/p>\n<p>Was bleibt diesem Aschenbecher \u00fcbrig, er ist authentisch bis zum Umfallen. Und er ist k\u00fcnstlich bis an den Rand des Gew\u00f6hnlichen.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Symphonie%20der%20Farben https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsymphonie-der-farben-2%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Symphonie%20der%20Farben https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsymphonie-der-farben-2%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsymphonie-der-farben-2%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button threema shariff-nocustomcolor shariff-mobile\" style=\"background-color:#4fbc24\"><a href=\"threema:\/\/compose?text=Symphonie%20der%20Farben%20https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsymphonie-der-farben-2%2F\" title=\"Bei Threema teilen\" aria-label=\"Bei Threema teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#1f1f1f; color:#1f1f1f\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#1f1f1f\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#1f1f1f\" d=\"M30.8 10.9c-0.3-1.4-0.9-2.6-1.8-3.8-2-2.6-5.5-4.5-9.4-5.2-1.3-0.2-1.9-0.3-3.5-0.3s-2.2 0-3.5 0.3c-4 0.7-7.4 2.6-9.4 5.2-0.9 1.2-1.5 2.4-1.8 3.8-0.1 0.5-0.2 1.2-0.2 1.6 0 0.4 0.1 1.1 0.2 1.6 0.4 1.9 1.3 3.4 2.9 5 0.8 0.8 0.8 0.8 0.7 1.3 0 0.6-0.5 1.6-1.7 3.6-0.3 0.5-0.5 0.9-0.5 0.9 0 0.1 0.1 0.1 0.5 0 0.8-0.2 2.3-0.6 5.6-1.6 1.1-0.3 1.3-0.4 2.3-0.4 0.8 0 1.1 0 2.3 0.2 1.5 0.2 3.5 0.2 4.9 0 5.1-0.6 9.3-2.9 11.4-6.3 0.5-0.9 0.9-1.8 1.1-2.8 0.1-0.5 0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button mailto shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"mailto:?body=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsymphonie-der-farben-2%2F&subject=Symphonie%20der%20Farben\" title=\"Per E-Mail versenden\" aria-label=\"Per E-Mail versenden\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Dieser Aschenbecher geh\u00f6rt wom\u00f6glich zu den j\u00e4mmerlichsten seiner Art. Am Rande einer Begr\u00e4bnisfeierlichkeit fanden sich diese ertrunkenen Raucherstummel in der Symphonie eines Farbzweiklangs. Da flossen der Tr\u00e4nen reichlich vom Himmel herab. Drinnen besann man sich des Trauerns frei, w\u00e4hrend drau\u00dfen die ganze Welt zu jammern schien. Todestrieb der Zigaretten. Vom Tobaccoland ins Niemandsland. Ich glaube, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Symphonie%20der%20Farben https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsymphonie-der-farben-2%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Symphonie%20der%20Farben https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsymphonie-der-farben-2%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsymphonie-der-farben-2%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button threema shariff-nocustomcolor shariff-mobile\" style=\"background-color:#4fbc24\"><a href=\"threema:\/\/compose?text=Symphonie%20der%20Farben%20https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsymphonie-der-farben-2%2F\" title=\"Bei Threema teilen\" aria-label=\"Bei Threema teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#1f1f1f; color:#1f1f1f\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#1f1f1f\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#1f1f1f\" d=\"M30.8 10.9c-0.3-1.4-0.9-2.6-1.8-3.8-2-2.6-5.5-4.5-9.4-5.2-1.3-0.2-1.9-0.3-3.5-0.3s-2.2 0-3.5 0.3c-4 0.7-7.4 2.6-9.4 5.2-0.9 1.2-1.5 2.4-1.8 3.8-0.1 0.5-0.2 1.2-0.2 1.6 0 0.4 0.1 1.1 0.2 1.6 0.4 1.9 1.3 3.4 2.9 5 0.8 0.8 0.8 0.8 0.7 1.3 0 0.6-0.5 1.6-1.7 3.6-0.3 0.5-0.5 0.9-0.5 0.9 0 0.1 0.1 0.1 0.5 0 0.8-0.2 2.3-0.6 5.6-1.6 1.1-0.3 1.3-0.4 2.3-0.4 0.8 0 1.1 0 2.3 0.2 1.5 0.2 3.5 0.2 4.9 0 5.1-0.6 9.3-2.9 11.4-6.3 0.5-0.9 0.9-1.8 1.1-2.8 0.1-0.5 0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button mailto shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"mailto:?body=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsymphonie-der-farben-2%2F&subject=Symphonie%20der%20Farben\" title=\"Per E-Mail versenden\" aria-label=\"Per E-Mail versenden\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"author":1,"featured_media":2052,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_front_end_style_editor":"no","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_metis_text_type":"standard","_metis_text_length":1450,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"Symphonie der Farben - Tobaccoland 2013.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2861],"tags":[3237,2469,3238,3239],"class_list":["post-8419","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aesthetische_kunstfehler","tag-aschenbecher","tag-kunst","tag-thomas-meinecke","tag-trauer","entry","has-media"],"jetpack_publicize_connections":[],"categories_names":["\u00c4sthetische Kunstfehler"],"post_class":[["post-8419","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aesthetische_kunstfehler","tag-aschenbecher","tag-kunst","tag-thomas-meinecke","tag-trauer","entry","has-media"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":3211,"url":"https:\/\/www.kritische-masse.de\/logbuch\/symphonie-der-farben\/","url_meta":{"origin":8419,"position":0},"title":"Symphonie der Farben","author":"huflaikhan","date":"26. Februar 2013","format":false,"excerpt":"Todestrieb der Zigaretten \u2026 zwischen K\u00fcnstlichkeit und Zeitvertreib. Dieser Aschenbecher geh\u00f6rt wom\u00f6glich zu den j\u00e4mmerlichsten seiner Art. Am Rande einer Begr\u00e4bnisfeierlichkeit fanden sich diese ertrunkenen Raucherstummel in der Symphonie eines Farbzweiklangs. Da flossen der Tr\u00e4nen reichlich vom Himmel herab. Drinnen besann man sich des Trauerns frei, w\u00e4hrend drau\u00dfen die ganze\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Tobaccoland. Foto: Hufner (Click for big)","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/tobaccoland.jpg?fit=900%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/tobaccoland.jpg?fit=900%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/tobaccoland.jpg?fit=900%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/tobaccoland.jpg?fit=900%2C675&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10857,"url":"https:\/\/www.kritische-masse.de\/logbuch\/paparotoxische-ki-ungluecksperfektionisten\/","url_meta":{"origin":8419,"position":1},"title":"Paparotoxische KI \u2026 Ungl\u00fccksperfektionisten","author":"der huflaikhan","date":"15. April 2025","format":false,"excerpt":"Die KIs werden bessere schlechte Imitate von menschlichem Wissen und Handeln. Perfekte Irrationalisten \u2026 Ungl\u00fccksperfektionisten.","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"hochschule hanns eisler - aschenbecher 2008. foto: hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3623,"url":"https:\/\/www.kritische-masse.de\/logbuch\/landschaft-bei-hannover\/","url_meta":{"origin":8419,"position":2},"title":"Landschaft bei Hannover","author":"huflaikhan","date":"15. September 2016","format":false,"excerpt":"Ich habe Koppweh. Die Landschaft ist mir schnell. Ein saftiges Grau durchzieht das Land. Grausigen Saft verabreicht man Leben. Sechs Minuten Versp\u00e4tung sind keine Zeit vor Hannover. Die Gegend hat immer schon Versp\u00e4tung gehabt. Zeit, in der man sein Horn f\u00fcllen kann. Dazu Geschrei ein Kleinkinds. Ohrenert\u00e4ubend. \"Schrei Deutsch,\" br\u00fcllt\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Aschenbecher in Radinkendorf. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/aschenbecher_radinkendorf.jpg?fit=960%2C960&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/aschenbecher_radinkendorf.jpg?fit=960%2C960&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/aschenbecher_radinkendorf.jpg?fit=960%2C960&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/aschenbecher_radinkendorf.jpg?fit=960%2C960&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11014,"url":"https:\/\/www.kritische-masse.de\/logbuch\/john-coltrane-das-schweigen-der-aemter\/","url_meta":{"origin":8419,"position":3},"title":"John Coltrane \/ Das Schweigen der \u00c4mter","author":"der huflaikhan","date":"17. Juli 2025","format":false,"excerpt":"Heute im Jahr 1967 ist John Coltrane gestorben. Die Musiksprache von Coltrane kleidet einen von innen her aus.","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kultur\/"},"img":{"alt_text":"hochschule hanns eisler - aschenbecher 2008. foto: hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":300,"url":"https:\/\/www.kritische-masse.de\/logbuch\/apropos-reinhard-mey\/","url_meta":{"origin":8419,"position":4},"title":"Apropos Reinhard Mey","author":"huflaikhan","date":"22. Dezember 2003","format":false,"excerpt":"Vom frischgebackenen Schirmherren des \u0084Deutschen Musik-Exportb\u00fcros\u0093 kann man unter \u0084Kunst & Leben bei ARD.de\u0093 eine gro\u00dfe Schimpftirade auf die Geschichte des Deutschen Schlagers in Deutschland lesen. Nach dem Zweiten Weltkrieg habe sich Deutschland in einer Identit\u00e4tskrise befunden und man sei daher nicht zu einem eigenst\u00e4ndigen Genre gekommen. Damals, in den\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2307,"url":"https:\/\/www.kritische-masse.de\/logbuch\/sankara\/","url_meta":{"origin":8419,"position":5},"title":"Sankara","author":"hufi","date":"10. Oktober 2007","format":false,"excerpt":"Beeindruckendes Feature \u00fcber Thomas Sankara im Deutschlandfunk gestern. Darin Ausschnitte seiner Rede von 1984, am Ende kommt er auf Novalis zu sprechen. Damit wohl eine Zukunft seines Landes andeutend. Beeindruckendes Feature \u00fcber Thomas Sankara im Deutschlandfunk gestern. Darin Ausschnitte seiner Rede von 1984, am Ende kommt er auf Novalis zu\u2026","rel":"","context":"Mit 8 Kommentaren","block_context":{"text":"Mit 8 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/sankara\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8419"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8419\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2052"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}