{"id":8461,"date":"2014-08-12T10:03:12","date_gmt":"2014-08-12T08:03:12","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=470"},"modified":"2014-08-12T10:03:12","modified_gmt":"2014-08-12T08:03:12","slug":"ikonen-des-pop","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/ikonen-des-pop\/","title":{"rendered":"Ikonen des Pop"},"content":{"rendered":"<p>Das Plattencover von \u201eAbbey Road\u201c der Beatles ist legend\u00e4r. Jetzt wurden eine <a href=\"http:\/\/www.thebeatles.com\/photo-album\/abbey-road-album-cover-outtakes\" target=\"_blank\" rel=\"noopener noreferrer\">Reihe von Fotos aus dem Shooting<\/a> ver\u00f6ffentlicht, die nicht verwendet worden sind. Fotos machen eben Popgeschichte: die richtigen Fotos!<\/p>\n<p>\u00dcber die <a href=\"http:\/\/www.faz.net\/aktuell\/wirtschaft\/unternehmen\/zeitungen-in-der-krise-medienwandel-und-internet-13089556.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Zukunft der Zeitungsbranche <\/a>haben sich in der FAZ drei Autoren viele, sehr viele Gedanken gemacht. Und sie geben nicht, wie gerne vorgelebt, nur dem Internet Schuld am Sterben.<\/p>\n<p>Und zum kurzen Schluss, Pollini spielt Stockhausen, Klavierst\u00fcck IX.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/wqzZfMzba5I?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ikonen%20des%20Pop https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F08%2Fikonen-des-pop%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Das Plattencover von \u201eAbbey Road\u201c der Beatles ist legend\u00e4r. Jetzt wurden eine Reihe von Fotos aus dem Shooting ver\u00f6ffentlicht, die nicht verwendet worden sind. Fotos machen eben Popgeschichte: die richtigen Fotos! \u00dcber die Zukunft der Zeitungsbranche haben sich in der FAZ drei Autoren viele, sehr viele Gedanken gemacht. Und sie geben nicht, wie gerne vorgelebt, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ikonen%20des%20Pop https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F08%2Fikonen-des-pop%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop 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Dezember 2007","format":false,"excerpt":"Ich kann nicht genau sagen, wann ich das erste mal den Namen Stockhausen geh\u00f6rt habe. Sicher war es noch in der Schule, Ende der 70er, Anfang der 80er Jahre. Die Musik, die zu diesem Namen geh\u00f6rte, was nicht ganz leicht zug\u00e4nglich. Am ehesten ging es noch \u00fcber einer Schallplattenreihe der\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2346,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/12\/eine-kleine-stockhausen-geschichte\/","url_meta":{"origin":8461,"position":1},"title":"Eine kleine Stockhausen-Geschichte","author":"hufi","date":"9. Dezember 2007","format":false,"excerpt":"Ich kann nicht genau sagen, wann ich das erste mal den Namen Stockhausen geh\u00f6rt habe. Sicher war es noch in der Schule, Ende der 70er, Anfang der 80er Jahre. Die Musik, die zu diesem Namen geh\u00f6rte, was nicht ganz leicht zug\u00e4nglich. Am ehesten ging es noch \u00fcber einer Schallplattenreihe der\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8358,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/01\/zeitschichtenverschiebung-2\/","url_meta":{"origin":8461,"position":2},"title":"Zeitschichtenverschiebung","author":"der huflaikhan","date":"26. Januar 2008","format":false,"excerpt":"Es ist h\u00e4ufig so mit Personen. Erst, wenn sie aus dem Leben geschieden sind, nimmt man sie sich richtig zur Brust. So, als ob das Leben eine Sperre f\u00fcr die Ann\u00e4herung darstellt. So geschehen jetzt auch mit Karlheinz Stockhausen. Einstmals erstand ich die Texte Band 2, den Zeitraum 1951 bis\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2368,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/01\/zeitschichtenverschiebung\/","url_meta":{"origin":8461,"position":3},"title":"Zeitschichtenverschiebung","author":"hufi","date":"26. Januar 2008","format":false,"excerpt":"Es ist h\u00e4ufig so mit Personen. Erst, wenn sie aus dem Leben geschieden sind, n immt man sie sich richtig zur Brust. So, als ob das Leben ein Sperre f\u00fcr die Ann\u00e4herung darstellt. So geschehen jetzt auch mit Karlheinz Stockhausen. Einstmals erstand ich die Texte Band 2, den Zeitraum 1951\u2026","rel":"","context":"In \"60er Jahre\"","block_context":{"text":"60er Jahre","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/60erjahre\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1554,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/12\/goliath-schlaegt-david\/","url_meta":{"origin":8461,"position":4},"title":"Goliath schl\u00e4gt David","author":"huflaikhan","date":"13. Dezember 2005","format":false,"excerpt":"Peinlich f\u00fcr die FAZ-Kultur, sofern da eine jemals war: Umbenennung: \u201eDie Gegenwart\u201c wird \u201eNeue Gegenwart\u201c Die \u201eFrankfurter Allgemeine Zeitung\u201c (FAZ) hat im August 2004 den Studenten und Grimme Online Award-Preistr\u00e4ger Bj\u00f6rn Br\u00fcckerhoff (26) aufgefordert, sein Medienmagazin \u201eDie Gegenwart\u201c umzubenennen und der FAZ die Domain \u201ewww.diegegenwart.de\u201c zu \u00fcberschreiben. Grundlage dieser Forderungen\u2026","rel":"","context":"Mit 4 Kommentaren","block_context":{"text":"Mit 4 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/12\/goliath-schlaegt-david\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8612,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/11\/auf-jeden-topf-musiker-in-der-werbung\/","url_meta":{"origin":8461,"position":5},"title":"Auf jeden Topf \u2026 (Musiker in der Werbung)","author":"der huflaikhan","date":"20. November 2015","format":false,"excerpt":"Musiker und Werbung, eine Geschichte voller Missverst\u00e4ndnisse. Ihr ramponiertes kulturelles Image will die Frankfurter Allgemeine Zeitung (kurz: F.A.Z oder FAZ, ausgesprochen Fatz) auf Vordermann bringen. Dazu ist ihr jedes Mittel recht, sogar ein armer Musiker, der morgens gerne zur FAZ f\u00fcr ein ein kleines Et\u00fcdchen greift.Bild Dir eine Musik, \u00f6h\u00f6m.\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"Goya: Folge der \u00bbDesastres de la Guerra\u00ab, Blatt 36: Ebensowenig, 1814\u00961820","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra1.jpg?fit=500%2C376&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8461"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8461\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}