{"id":8462,"date":"2014-08-14T11:37:47","date_gmt":"2014-08-14T09:37:47","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=473"},"modified":"2014-08-14T11:37:47","modified_gmt":"2014-08-14T09:37:47","slug":"andacht","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/andacht\/","title":{"rendered":"Andacht"},"content":{"rendered":"<p>Wieder mal ein Konzert mit neuer Musik besucht. Die wilde Kirche der neuen Musik ist doch voller Andacht. Wenn die Avantgarde immer nur die T\u00f6ne neue macht, aber ihre institutionelle Verankerung die gleiche bleibt, wird das auf Dauer nix werden.<\/p>\n<figure id=\"attachment_474\" aria-describedby=\"caption-attachment-474\" style=\"width: 474px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/08\/sp-nikel-8130048.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-474\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/08\/sp-nikel-8130048-1024x767.jpg?resize=474%2C355&#038;ssl=1\" alt=\"Ensemble Nikel in der Centralstation. Foto: Hufner\" width=\"474\" height=\"355\" \/><\/a><figcaption id=\"caption-attachment-474\" class=\"wp-caption-text\">Ensemble Nikel in der Centralstation. Foto: Hufner<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Andacht https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F08%2Fandacht%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Andacht https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F08%2Fandacht%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Die wilde Kirche der neuen Musik ist doch voller Andacht. Wenn die Avantgarde immer nur die T\u00f6ne neue macht, aber ihre institutionelle Verankerung die gleiche bleibt, wird das auf Dauer nix werden. &nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Andacht https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F08%2Fandacht%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 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Dezember 2014","format":false,"excerpt":"\u2026 und vor allem, was nicht! Schon seit Jahren geh\u00f6rt das Gezeter um die Zukunft des klassischen Konzertes zum Betrieb. Daf\u00fcr orientiert man sich auf Kongressen, daf\u00fcr bringt man gro\u00dfe empirische Studien auf den Weg. Publikumsforschung auf der einen Seite wird gepaart mit Musikvermittlungsversuchen auf der anderen Seite. Immer unter\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8599,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/10\/wiedergeburt-in-absurdistan-die-lebende-hose\/","url_meta":{"origin":8462,"position":1},"title":"Wiedergeburt in Absurdistan: Die lebende Hose","author":"der huflaikhan","date":"19. Oktober 2015","format":false,"excerpt":"W\u00e4hrend sich die holde Musikk\u00fcnstlerschar der Avantgardisten in Donaueschingen zur gemeinsamen Bockwurst traf, ehrte selbst das Team der Tagesthemen den Intendanten des SWR, Peter Boudgoust, f\u00fcr seine spektakul\u00e4re Orchesterfusion dort im S\u00fcdwesten. https:\/\/youtu.be\/EczuxTa5mF8 Es passiert ja wirklich selten, dass G\u00e4ste der Tagesthemen gleich zu Beginn der Sendung mit von der\u2026","rel":"","context":"In &quot;den Rundfunk&quot;","block_context":{"text":"den Rundfunk","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/denrundfunk\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/EczuxTa5mF8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2346,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/12\/eine-kleine-stockhausen-geschichte\/","url_meta":{"origin":8462,"position":2},"title":"Eine kleine Stockhausen-Geschichte","author":"hufi","date":"9. Dezember 2007","format":false,"excerpt":"Ich kann nicht genau sagen, wann ich das erste mal den Namen Stockhausen geh\u00f6rt habe. Sicher war es noch in der Schule, Ende der 70er, Anfang der 80er Jahre. Die Musik, die zu diesem Namen geh\u00f6rte, was nicht ganz leicht zug\u00e4nglich. Am ehesten ging es noch \u00fcber einer Schallplattenreihe der\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8356,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/12\/eine-kleine-stockhausen-geschichte-2\/","url_meta":{"origin":8462,"position":3},"title":"Eine kleine Stockhausen-Geschichte","author":"der huflaikhan","date":"9. Dezember 2007","format":false,"excerpt":"Ich kann nicht genau sagen, wann ich das erste mal den Namen Stockhausen geh\u00f6rt habe. Sicher war es noch in der Schule, Ende der 70er, Anfang der 80er Jahre. Die Musik, die zu diesem Namen geh\u00f6rte, was nicht ganz leicht zug\u00e4nglich. Am ehesten ging es noch \u00fcber einer Schallplattenreihe der\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3327,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/02\/die-avantgarde-return-sender\/","url_meta":{"origin":8462,"position":4},"title":"Die Avantgarde \u2013 Return To Sender","author":"huflaikhan","date":"26. Februar 2014","format":false,"excerpt":"Heute habe ich einen alten Satz Noten zur\u00fcckerhalten, der bei Reinhard Schulz im Regal stand und jetzt ausgemustert wurde. Return to sender. Ich habe da die Einf\u00fchrungstexte nochmal gelesen meiner als \"public domain compositions\" genannten Selbstverlages. 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Februar 2015","format":false,"excerpt":"Avantgarde <> Avantgurke","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Gurke. 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