{"id":8463,"date":"2014-08-18T12:29:34","date_gmt":"2014-08-18T10:29:34","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=476"},"modified":"2014-08-18T12:29:34","modified_gmt":"2014-08-18T10:29:34","slug":"fotobombing-mit-johannes-kreidler","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/fotobombing-mit-johannes-kreidler\/","title":{"rendered":"Fotobombing mit Johannes Kreidler"},"content":{"rendered":"<p>Als wir uns zur <a href=\"http:\/\/www.nmz.de\/online\/basisarbeit-fuer-musikkritik-benedikt-lessmann-erhielt-schulz-preis-fuer-neue-musikpublizisti\" target=\"_blank\" rel=\"noopener\">Berichterstattung<\/a> \u00fcber den <a href=\"http:\/\/www.reinhardschulz-kritikerpreis.de\/\" target=\"_blank\" rel=\"noopener\">Reinhard-Schulz-Preis f\u00fcr zeitgen\u00f6ssische Musikpublizistik<\/a> nach Darmstadt begeben hatten, konnten wir noch nicht ahnen, wessen Geistes diese Veranstaltung sein sollte.<\/p>\n<p>Ein Blick in Johannes Kreidlers \u201eBlog\u201c h\u00e4tte unmittelbar Aufschluss geben k\u00f6nnen. <a href=\"http:\/\/www.kulturtechno.de\/?p=13467\" target=\"_blank\" rel=\"noopener\">Kreidler \u00fcberall.<\/a> Da hilft nur Photoshop. Hier die Original-Bilder von der Veranstaltung.<\/p>\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Als wir uns zur Berichterstattung \u00fcber den Reinhard-Schulz-Preis f\u00fcr zeitgen\u00f6ssische Musikpublizistik nach Darmstadt begeben hatten, konnten wir noch nicht ahnen, wessen Geistes diese Veranstaltung sein sollte. Ein Blick in Johannes Kreidlers \u201eBlog\u201c h\u00e4tte unmittelbar Aufschluss geben k\u00f6nnen. Kreidler \u00fcberall. Da hilft nur Photoshop. Hier die Original-Bilder von der Veranstaltung. &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":482,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_metis_text_type":"standard","_metis_text_length":389,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2695,2652],"tags":[3348,3356],"class_list":["post-8463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-die-kultur","category-diemusik","tag-darmstaedter-ferienkurse-fuer-neue-musik","tag-johannes-kreidler","entry","has-media"],"desktop_mode_lock":null,"desktop_mode_contributors":[],"desktop_mode_attached_media":[482],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","categories_names":["die Kultur","die Musik"],"post_class":[["post-8463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-die-kultur","category-diemusik","tag-darmstaedter-ferienkurse-fuer-neue-musik","tag-johannes-kreidler","entry","has-media"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8696,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/09\/kleiner-ratgeber-fuer-musikkritikerinnen-und-musikkritikerinnenkritikerinnen\/","url_meta":{"origin":8463,"position":0},"title":"Kleiner Ratgeber f\u00fcr Musikkritikerinnen und Musikkritikerinnenkritikerinnen","author":"der huflaikhan","date":"25. September 2016","format":false,"excerpt":"Aus einem Ratgeber f\u00fcr Musikkritikerinnen anno 2016. Nichtglossenleser d\u00fcrfen weiterklicken. \"Ein Musikwissenschaftsstudent meint sich erdreisten zu k\u00f6nnen, in einer \u00f6ffentlichen Mini-Wortmeldung ein St\u00fcck von mir eben mal runterbuttern zu k\u00f6nnen. Steigt aufs ganz hohe Ross, \u00fcbersetzt aber 2 von 3 W\u00f6rtern des englischen Titels falsch, behauptet ohne jegliche journalistische Recherche,\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2576,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/01\/der-finanzkrisensong-wenn-aktienkurse-musik-werden\/","url_meta":{"origin":8463,"position":1},"title":"Der Finanzkrisensong &#8211; Wenn Aktienkurse Musik werden","author":"huflaikhan","date":"26. Januar 2009","format":false,"excerpt":"Der Finanzkrisensong - Wenn Aktienkurse Musik werden - Jede Zeit hat ihre Musik. Fast ist man geneigt, den Komponisten Johannes Kreidler als composer in webpresence der nmz zu adoptieren. Nach seinem Sampling-St\u00fcck Product Placement und seinem St\u00fcck Call Wolfgang geht es in seinem neuesten Werk um die Finanzkrise: Chart Music.\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3209,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/02\/was-heute-noch-essbar-i-t\/","url_meta":{"origin":8463,"position":2},"title":"Was heute noch essbar i\u00dft","author":"huflaikhan","date":"25. Februar 2013","format":false,"excerpt":"Ich hatte diese Foto schon einmal im Blog verwendet. Aber da erinnert sich eh niemand mehr dran. Also, was kann man noch essen: Champigongs Die Musik scheint ja noch nicht so total betroffen zu sein von derlei Skandalen. Man denke sich nur, es k\u00e4me heraus, dass Kurtags Musik in Wirklichkeit\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Gef\u00fcllte Gongs. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/SANY0008.jpg?fit=1067%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/SANY0008.jpg?fit=1067%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/SANY0008.jpg?fit=1067%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/SANY0008.jpg?fit=1067%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/SANY0008.jpg?fit=1067%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8665,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/06\/phishing-for-composition\/","url_meta":{"origin":8463,"position":3},"title":"Phishing for composition","author":"der huflaikhan","date":"10. Juni 2016","format":false,"excerpt":"Der Komponist Johannes Kreidler hat auf Facebook auf einen dreisten Fall von Erschleichung kompositorischer Arbeit hingewiesen \u2013 echt jetzt, kein Scherz. Da hat jemand eine kompositorische Arbeit in Auftrag gegeben, Honorar vereinbart und Vertrag geschickt. Und hat sich nach Ablieferung der Arbeit dann in Luft aufgel\u00f6st. Kreidler machte darauf aufmerksam\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8616,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/11\/eine-kochshow-1959-tonbaender-und-komponisten\/","url_meta":{"origin":8463,"position":4},"title":"Eine Kochshow 1959: Tonb\u00e4nder und Komponisten","author":"der huflaikhan","date":"13. November 2015","format":"video","excerpt":"https:\/\/youtu.be\/1RjMuB8Qkd8 Es ist ja schon viel \u00fcber die gesellschaftliche Bedeutung und Situation des Komponisten geschrieben worden. Hier sieht man ihn direkt bei der Arbeit. Und wo steht er? Er steht nicht, er sitzt. Und wo sitzt er? Nicht auf einem bequemen Stuhl in einem Komponierh\u00e4usl, sondern irgendwo in der Ecke\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/1RjMuB8Qkd8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2927,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/11\/digitale-kopien-und-rauschen\/","url_meta":{"origin":8463,"position":5},"title":"Digitale Kopien und Rauschen","author":"huflaikhan","date":"22. November 2009","format":false,"excerpt":"Hallo Johannes Kreidler, ich h\u00e4te da mal eine Frage. Du kennst bestimmt \"I'm sitting in a room\" von Alvin Lucier. Das gehen von Kopie zu Kopie immer mehr Informationen verloren, bzw. \u00e4ndern sich zu anderen. Martin Supper sagte neuelich auf Nachfrage, das gelte auch f\u00fcr digitale Kopien. Die seien auch\u2026","rel":"","context":"In \"Johannes Kreidler\"","block_context":{"text":"Johannes Kreidler","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/johanneskreidler\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8463"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8463\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/482"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}