{"id":8475,"date":"2014-09-03T22:07:30","date_gmt":"2014-09-03T20:07:30","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=570"},"modified":"2014-09-03T22:07:30","modified_gmt":"2014-09-03T20:07:30","slug":"musikalische-analyse-ii-unspielbare-musik","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/09\/musikalische-analyse-ii-unspielbare-musik\/","title":{"rendered":"Musikalische Analyse II: Unspielbare Musik"},"content":{"rendered":"<p>Wenn man denkt, in der sogenannten klassischen Musik g\u00e4be es unspielbare Musik, die so schwer zu spielen ist, dass man Scheitern m\u00fcsse, der irrt. Neue Musik ist total einfach, zumal es Musiker und Musikerinnen gibt, f\u00fcr die es keine H\u00fcrden zu geben scheint. Und wenns mal wirklich zu schwer wird, ist das bekannterma\u00dfen die Intention der Komponistin oder des Komponisten.<\/p>\n<p>Aber was eben wirklich nicht geht: Bass spielen und singen zugleich. Der Bassist Jay Leonhart hat das in so wunderbare Verse gekleidet und geradezu bis ins G\u00f6ttlich-Tiefste ergr\u00fcndet.<\/p>\n<p>Als \u201eBeweis\u201c ist hier ein anderer Bassist anzuf\u00fchren: Steve Swallow.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/5ot7IjSlCY4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Im <del>Duell<\/del> Duett mit Carla Blay interpretieren sie den \u201eVery simple song\u201c \u2013 auch das Beispiel daf\u00fcr, dass selbst das Einfachste manchmal unerreichbar fern sein kann. Ich erinnere mich da dunkel an ein St\u00fcck von LaMonte Young (?), das darin bestand, den Klavierdeckel zu \u00f6ffnen, ohne ein Ger\u00e4usch dabei zu hervorzurufen. Das St\u00fcck sei zuende, wenn man es denn geschafft habe oder man aufgebe. Die einzige Version des St\u00fccks, die ich geh\u00f6rt habe, dass dies funktionierte, war eine am Luftklavier.<\/p>\n<p>Lange Zeit hat man immer so auf komplexen rhythmischen Feldern herumgeschimpft, auf zu viele Noten in zu kurzer Zeit, oder zu wenig in zu langer. Mir will es aber scheinen, am Schwierigsten d\u00fcrfte es sein, nichts zu erzeugen.<\/p>\n<p>Das Nichts ist das Unm\u00f6gliche schlechthin.<\/p>\n<p>Das war jetzt \u00fcberheblich gedacht, ich wei\u00df. Nehmen wir das Thema von oben und Jay Leonhart wieder auf dann kann man ein St\u00fcck von Tom Johnson finden mit dem Thema Failing:<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/9P8C6-XqaNs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Ich wei\u00df auch nicht warum, aber es scheint noch ein besonders spezielles Problem zwischen Bassist und Technik zu geben, das ich sonst so bei anderen Instrumenten nicht wahrnehmen konnte.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/zpTK0ewlfiM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wenn man denkt, in der sogenannten klassischen Musik g\u00e4be es unspielbare Musik, die so schwer zu spielen ist, dass man Scheitern m\u00fcsse, der irrt. Neue Musik ist total einfach, zumal es Musiker und Musikerinnen gibt, f\u00fcr die es keine H\u00fcrden zu geben scheint. Und wenns mal wirklich zu schwer wird, ist das bekannterma\u00dfen die Intention 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Oktober 2005","format":false,"excerpt":"Der Bassist und Musikpolitiker Charlie Haden meldet sich erneut mit Musik zur\u00fcck, deren Ort im Heute liegt, deren Idee lange in seine Biographie zur\u00fcckweist. \u201eNot in our name\u201c hei\u00dft die Platte mit dem Liberation Music Orchestra, welches nun in komplett neuer Mixtur antritt. Arrangiert f\u00fcr das Ensemble hat die Musik\u2026","rel":"","context":"In \"Charlie Haden\"","block_context":{"text":"Charlie Haden","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/charliehaden\/"},"img":{"alt_text":"Charlie Haden 1993 in Berlin","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/10\/20051020-charlie-haden.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1633,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/02\/ein-kontrabassist-spielt-selten-allein\/","url_meta":{"origin":8475,"position":1},"title":"Ein Kontrabassist spielt selten allein","author":"huflaikhan","date":"13. Februar 2006","format":false,"excerpt":"Eine Podcast-Serie von Friedrich Witt, der 40 Jahre lang bei den Berliner Philharmonikern den Kontrabass strich. Prima, dass es so etwas auch mal im Bereich der \u00e4lteren Musik gibt. Sch\u00f6n gemacht mit auch Musik drin. Wirklich fein. (Seite wurde allerdings bei nicht im Firefox angezeigt, wei\u00df der Geier warum.)","rel":"","context":"Mit 8 Kommentaren","block_context":{"text":"Mit 8 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/02\/ein-kontrabassist-spielt-selten-allein\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":150,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/04\/johnny-la-marama\/","url_meta":{"origin":8475,"position":2},"title":"Johnny La Marama","author":"huflaikhan","date":"28. April 2003","format":false,"excerpt":"Ein neues Werk aus dem Hause meta records, die unl\u00e4ngst nach Berlin umgezogen. Leider haben sie ihr sch\u00f6nen Booklet-System aufgegeben. Graphisch war es hocheindrucksvoll. Nun leider das Jewel-Case. Leider. Doch zur Musik: Chris Dalgren (bass), Kalle Kalima (guitar) und Eric Schaefer (drums) zeigen auf dieser Scheibe, dass man immer noch\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":191,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/07\/kool-ade-acid-test-geraldine-penny\/","url_meta":{"origin":8475,"position":3},"title":"Kool Ade Acid Test: Geraldine Penny","author":"huflaikhan","date":"24. Juli 2003","format":false,"excerpt":"Nicht das, was man unter solch einem Bandnamen vermutet, aber auch nicht komplett was anderes. Die Truppe, die sich unter dem Namen \u201eKool Ade Acid Test\u201c zusammen gefunden hat, stammt topographisch und musikalisch aus verschiedenen Welten unter der Schirmherrschaft von Steven Gaeta (einstens \u201eUniversal Congress Of\u201c). Heraus gekommen ist eine\u2026","rel":"","context":"In &quot;Tontr\u00e4ger&quot;","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Very Kool!","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030722-masse-cd-kool.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8685,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/05\/minimal-und-repetitive-musik-das-goeyvaerts-genom\/","url_meta":{"origin":8475,"position":4},"title":"Minimal und repetitive Musik \u2013 Das Goeyvaerts-Genom","author":"der huflaikhan","date":"7. Mai 2017","format":false,"excerpt":"Vor einiger Zeit habe ich \u00fcber das Krenek-Genom nachgedacht und ihn mit der Erfindung der Musik von Phil Glass in Verbindung gebracht. Heute gibt es eine neue Findung: Karel Goeyvaerts \"Composition No. 4\" aus dem Jahre 1952 mit der er die Phasenschiebe-Musik von Steve Reich vorwegnimmt! Und keiner hats gemerkt.\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/aRtLXJufh5w\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8638,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/03\/achtung-konzert-bitte-bewahren-sie-ruhe\/","url_meta":{"origin":8475,"position":5},"title":"Achtung Konzert \u2013 Bitte bewahren Sie Ruhe","author":"der huflaikhan","date":"2. 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Was bekannt ist: Das Konzert des iranischen Musikers Mahan Esfahani wurde so sehr gest\u00f6rt als dieser seine Version von\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/yJyGKP-WjKs\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8475"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8475\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}