{"id":8482,"date":"2014-09-24T08:01:14","date_gmt":"2014-09-24T06:01:14","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=752"},"modified":"2014-09-24T08:01:14","modified_gmt":"2014-09-24T06:01:14","slug":"zu-minimaler-minimalismus","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/zu-minimaler-minimalismus\/","title":{"rendered":"Zu minimaler Minimalismus"},"content":{"rendered":"<p>Wir m\u00fcssen mal ein ernstes Wort \u00fcber die \u201eWebdesignern\u201c verlieren. Was man da oben sieht, soll sein die Website des Theaters Bremen oder des THEATERBREMEN (Stand 22.9.2014, abends). Keine Ahnung, welcher Weserfisch denen da ins Netz gegangen ist, zumindest stinkt er nicht.<\/p>\n<p>Man mag Understatement ja doch schon lieben, aber eine Seite, die einen so freundlich abweist wie diese findet man wirklich nicht oft. Da wird das Men\u00fc zum Ratespiel, die Suche sucht man und dieser verbogene Pfeil unten bedeutet manches, nur nichts, was man ahnen k\u00f6nnte. Vielleicht ist es der ber\u00fchmte Angelhaken, mit dem man Kundschaft an Land ziehen m\u00f6chte.<\/p>\n<p>Vielleicht aber auch nichts davon, sondern einfach ein unbekannter Fehler. Da setze ich mir doch die Sonnenbrille auf und tauche in ein paar Bach-Kantaten ab.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Zu%20minimaler%20Minimalismus https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fzu-minimaler-minimalismus%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Zu%20minimaler%20Minimalismus https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fzu-minimaler-minimalismus%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Was man da oben sieht, soll sein die Website des Theaters Bremen oder des THEATERBREMEN (Stand 22.9.2014, abends). Keine Ahnung, welcher Weserfisch denen da ins Netz gegangen ist, zumindest stinkt er nicht. Man mag Understatement ja doch schon lieben, aber eine Seite, die einen so [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Zu%20minimaler%20Minimalismus https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fzu-minimaler-minimalismus%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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Februar 2024","format":false,"excerpt":"Andersch. Fast alles, was ich wei\u00df, wei\u00df ich von anderen. Manches, eher weniges nur von mir. Das meine ich nicht kokett. Es ist einfach so. Und es ist zugleich ja nicht einfach, so. Warum muss ich mir auch selbst einen Kopf machen, wenn ein Problem schon vor Jahrzehnten erkannt und\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Ich bei Bluesky. 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Dezember 2014","format":false,"excerpt":"\u2026 und vor allem, was nicht! Schon seit Jahren geh\u00f6rt das Gezeter um die Zukunft des klassischen Konzertes zum Betrieb. Daf\u00fcr orientiert man sich auf Kongressen, daf\u00fcr bringt man gro\u00dfe empirische Studien auf den Weg. Publikumsforschung auf der einen Seite wird gepaart mit Musikvermittlungsversuchen auf der anderen Seite. Immer unter\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8865,"url":"https:\/\/www.kritische-masse.de\/logbuch\/theatersterben-leicht-erklaert\/","url_meta":{"origin":8482,"position":2},"title":"Theatersterben \u2013 leicht erkl\u00e4rt","author":"der huflaikhan","date":"15. Mai 2023","format":false,"excerpt":"Menschen fragen sich, warum geht niemand ins Theater oder in die Oper. Wo bleibt das Publikum? 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