{"id":8493,"date":"2014-09-28T13:26:33","date_gmt":"2014-09-28T11:26:33","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=779"},"modified":"2014-09-28T13:26:33","modified_gmt":"2014-09-28T11:26:33","slug":"rueckschlagventil-verriss-1wogrv-1","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/rueckschlagventil-verriss-1wogrv-1\/","title":{"rendered":"R\u00fcckschlagventil \u2013 Verriss 1\/WogRV-1"},"content":{"rendered":"<p>Dass Komponisten nicht immer gl\u00fccklich sind \u00fcber das, was andere \u00fcber sie schreiben, ist keine Neuigkeit. Wir wissen nicht genau, werwannwowas \u00fcber ein St\u00fcck von <a title=\"Website von Gordon Kampe\" href=\"http:\/\/www.gordonkampe.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gordon Kampe<\/a> geschrieben hat. Aber es scheint ihn sehr genervt zu haben.<\/p>\n<p>Deshalb vertont er seit kurzem Verrisse. Das hat Zukunft, geben wir ihm Futter! Weiter so Kampe. Warum nicht gleich so.<\/p>\n<p>https:\/\/soundcloud.com\/opus136\/psychokampe<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=R%C3%BCckschlagventil%20%E2%80%93%20Verriss%201%2FWogRV-1 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Frueckschlagventil-verriss-1wogrv-1%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=R%C3%BCckschlagventil%20%E2%80%93%20Verriss%201%2FWogRV-1 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Frueckschlagventil-verriss-1wogrv-1%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Wir wissen nicht genau, werwannwowas \u00fcber ein St\u00fcck von Gordon Kampe geschrieben hat. Aber es scheint ihn sehr genervt zu haben. Deshalb vertont er seit kurzem Verrisse. Das hat Zukunft, geben wir ihm Futter! Weiter so Kampe. Warum nicht [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=R%C3%BCckschlagventil%20%E2%80%93%20Verriss%201%2FWogRV-1 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Frueckschlagventil-verriss-1wogrv-1%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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November 2024","format":false,"excerpt":"Schnell noch zwei Tipps f\u00fcr Oper, Konzert und Gespr\u00e4ch mit Musiktheater von Kampe und Co, sowie einem Gesp\u00e4chskonzert mit Urauff\u00fchrung von Peter Michael Hamel.","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"Peter Michael Hamels Arbeitsplatz. 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Februar 2026","format":false,"excerpt":"Musik macht doch nicht schlau. (Studie). F\u00fcnf Musiktontr\u00e4ger zum Anh\u00f6ren oder Abheben.","rel":"","context":"In &quot;H\u00f6rBar&quot;","block_context":{"text":"H\u00f6rBar","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/hoerbar\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8803,"url":"https:\/\/www.kritische-masse.de\/logbuch\/enzyklopaedie-der-neuen-musik-neues-werk\/","url_meta":{"origin":8493,"position":2},"title":"Enzyklop\u00e4die der Neuen Musik: \u201eNeues Werk\u201c","author":"der huflaikhan","date":"27. Juni 2019","format":false,"excerpt":"Eine Woche Neue Musik in Worten, Werken, St\u00fccken, Arbeiten und Taten. 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August 2013","format":false,"excerpt":"Ich denke, das Ende der Kunst haben wir schon hinter uns gebracht. Mit der Kunst ist es vorbei. Es gibt nat\u00fcrlich noch die Kunstprodukte, aber sie sind nicht mehr Kunst. Denn die Kunst hat uns \u00fcberw\u00e4ltigt in Form der Technik, der Technologie als solcher. Mir ist das heute nach der\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Baum voll W\u00e4lder. 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August 2014","format":false,"excerpt":"Mit der Ausgabe im Jahr 2014 haben sich die Ferienkurse f\u00fcr neue Musik tats\u00e4chlich etwas hinausgewagt in die weitere \u00d6ffentlichkeit \u00fcber die Kommunikationsnetze. So gibt es Lesungen und Diskussionsrunden wie RundeTische in einiger Auswahl zum Anh\u00f6ren wie Internetstream. Die Technologie daf\u00fcr stellt Voice Republic zur Verf\u00fcgung. Deren Mitgr\u00fcnder hat nun\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9836,"url":"https:\/\/www.kritische-masse.de\/logbuch\/terry-riley-89-erziehung-braucht-glueck-glueck-braucht-man-sowieso\/","url_meta":{"origin":8493,"position":5},"title":"Terry Riley = 89 \u2013 Erziehung braucht Gl\u00fcck \u2013 Gl\u00fcck braucht man sowieso","author":"der huflaikhan","date":"24. Juni 2024","format":false,"excerpt":"Terry Riley wird heute 89 Jahre alt +++ Rousseau \u00fcber Gl\u00fcck in der Erziehung +++ 250 Komponistinnen im Peer Review +++ Wagners Ring in Sofia +++ Musik und AI Conference demn\u00e4chst in K\u00f6ln +++ Nixon in China in Berlin +++ Gordon Kampe: \u201eIch glaube, Musik muss nichts.\u201c","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Bu\u0308cherregal. \u00a9 MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Buecherregal.-%C2%A9-MH.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Buecherregal.-%C2%A9-MH.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Buecherregal.-%C2%A9-MH.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Buecherregal.-%C2%A9-MH.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Buecherregal.-%C2%A9-MH.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8493"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8493\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/780"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}