{"id":8497,"date":"2014-10-09T23:09:41","date_gmt":"2014-10-09T21:09:41","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=858"},"modified":"2014-10-09T23:09:41","modified_gmt":"2014-10-09T21:09:41","slug":"gigantische-schritte-1920-1960-2000","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/10\/gigantische-schritte-1920-1960-2000\/","title":{"rendered":"Gigantische Schritte (1920 \/ 1960 \/ 2000)"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Gigantische%20Schritte%20%281920%20%2F%201960%20%2F%202000%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F10%2Fgigantische-schritte-1920-1960-2000%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Muss man ja auch nicht. Der Film ist von 2002 und selten zu sehen (hier aus dem <a href=\"http:\/\/webcache.googleusercontent.com\/search?q=cache:eMVJ9zjdMPkJ:www.michalevy.com\/giantsteps_download\/+&amp;cd=2&amp;hl=de&amp;ct=clnk&amp;gl=de&amp;client=firefox-a\" target=\"_blank\" rel=\"noopener noreferrer\">Cache bei Google in hoher Qualit\u00e4t<\/a>). Denn bald nach Ver\u00f6ffentlichung gab es offenbar Probleme mit den Rechten an der Musik. Und das ist sehr schade gewesen. Im Prinzip w\u00e4re es m\u00f6glich gewesen, sich den Film mit der Musik selbst zu synchroniseren.<\/p>\n<p class=\"responsive-video-wrap clr\"><iframe loading=\"lazy\" title=\"Giant Steps by Michal Levy\" src=\"https:\/\/player.vimeo.com\/video\/6428820?dnt=1&amp;app_id=122963\" width=\"640\" height=\"432\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/p>\n<p>Das Problem scheint aber mittlerweile behoben, der Klassiker des Jazz ist auch kein Filmklassiker \u2013 und wer sich gerne mal schwindlig spielen lassen will, kann sich eine andere Version von <a href=\"https:\/\/www.youtube.com\/watch?v=2kotK9FNEYU\" target=\"_blank\" rel=\"noopener noreferrer\">Giant Steps in animierten Noten<\/a> ansehen.<\/p>\n<p>Die neuen Animationen sind allerdings auch nicht von schlechten Eltern, effektvoll und technisch herausgeputzt. Chopin:<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Z8bcUKFT_Bg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Aber da ist das Prinzip, so wirkungsvoll doch zugleich beliebig. Welche Musik man auch unterlegt, es funktioniert wie eine Raufaser-Tapete \u2013 oder wie im klinisch reinen Raum.<\/p>\n<p>Traditonell w\u00e4re eher an die fr\u00fchen Filmexperimente von Ruttmann, Hans Richter u.a. aus den 20er Jahren des letzten Jahrhunderts zu denken. Gleichwohl wirken die in Musik und Bild so erstaunlich ungebunden.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/FYJnZ946L1c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent&#038;listType=playlist&#038;list=PLrJ7rzP0Dzxc9Jj9hQbTMNRrlNcEcGKLv\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Oder wie bei Hans Richter 1921, wo man gleich sowieso auf Musik verzichtet hat, weil man den Film selbst als Musik aufzufassen hat.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/fe_Vs4BSVQ8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Oder Viking Eggling \u2026:<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/uc5qPMSVixQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Von den Giant Steps von Coltrane ist es gar nicht so weit zur\u00fcck zum Beginn der abstrakten Filme der 20er Jahre und in etwas so lang hin bis zu Levy Realisation. 1920 \/ 1960 \/ 2000.<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Gigantische%20Schritte%20%281920%20%2F%201960%20%2F%202000%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F10%2Fgigantische-schritte-1920-1960-2000%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Muss man ja auch nicht. Der Film ist von 2002 und selten zu sehen (hier aus dem Cache bei Google in hoher Qualit\u00e4t). Denn bald nach Ver\u00f6ffentlichung gab es offenbar Probleme mit den Rechten an der Musik. Und das ist sehr schade [&hellip;]<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Gigantische%20Schritte%20%281920%20%2F%201960%20%2F%202000%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F10%2Fgigantische-schritte-1920-1960-2000%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient 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Februar 2024","format":false,"excerpt":"+++ Orgellandschaften musikalisch-filmisch +++ #stoppnvflatrate +++ Bad Communication +++ Bad Vibes +++ KI und die Langweile des \u201eNormalen\u201c +++ Serviervorschlag Klassik +++","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"nimm das klassik","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_14_nimm-das-klassik.jpg?fit=960%2C566&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_14_nimm-das-klassik.jpg?fit=960%2C566&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_14_nimm-das-klassik.jpg?fit=960%2C566&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_14_nimm-das-klassik.jpg?fit=960%2C566&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":343,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/giant-steps\/","url_meta":{"origin":8497,"position":1},"title":"Giant Steps","author":"huflaikhan","date":"21. Februar 2004","format":false,"excerpt":"hei\u00dft ein St\u00fcck von John Coltrane aus dem Jahr 1959. Michal Levy, ein israelischer Student, hat dazu ein kongenialen Film gemacht, den man sich auf einer Seite von Illegal-Art wegsaugen kann. 110 MB als MPEG2 f\u00fcr 2 Minuten und ein bisserl, die es aber in sich haben. Musik, visualisiert auf\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8736,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/10\/kulturinstitut-die-deutsche-phono-akademie\/","url_meta":{"origin":8497,"position":2},"title":"Kulturinstitut? Die Deutsche Phono-Akademie","author":"der huflaikhan","date":"22. Oktober 2017","format":false,"excerpt":"Gestern lief der gro\u00dfartige Film \u00fcber Anna-Lena Schnabel im TV. Zur Sprache kamen dabei eigenartigen Verh\u00e4ltnisse beim Zustandekommen des ECHO Jazz. Ich habe in der JazzZeitung.de einiges angedeutet: https:\/\/www.jazzzeitung.de\/cms\/2017\/10\/tv-tipp-der-preis-der-anna-lena-schnabel-3sat\/ Was man sich dabei immer vor Augen halten muss, ausgerichtet wird der ECHO Jazz von der Deutschen Phonoakademie. Nach eigenen Worten.\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1391,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/09\/regen\/","url_meta":{"origin":8497,"position":3},"title":"Regen","author":"huflaikhan","date":"2. September 2005","format":false,"excerpt":"Endlich, aber noch nicht fertig. Johannes C. Gall und andere haben es unternommen, einen Klassiker der Filmmusikgeschichte (in Theorie und Praxis) neu zug\u00e4nglich zu machen. Es handelt sich um das Rockefeller-Filmmusik-Projekt 1940-1942. 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