{"id":8508,"date":"2014-10-23T00:09:58","date_gmt":"2014-10-22T22:09:58","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=979"},"modified":"2014-10-23T00:09:58","modified_gmt":"2014-10-22T22:09:58","slug":"musikvermittlungs-blues-geschichte-1983","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/10\/musikvermittlungs-blues-geschichte-1983\/","title":{"rendered":"Musikvermittlungs-Blues (Masse und Individuum)"},"content":{"rendered":"<p>Einen der ersten gro\u00dfen Musikalisierungsversuche ist durchs Fernsehen der DDR dokumentiert worden. 1983 f\u00fcllte man sich mit Musik die Arenen und man verfolgte damit ein ehrgeiziges Ziel.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/lF-XLRqqzaM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Getarnt war dies als Sportveranstaltung, in Wirklichkeit wurden hier Musikmanager ausgebildet. Und Intendanten aller k\u00fcnftigen Rundfunkanstalten. Es passt alles so wunderbar zusammen. Mitrei\u00dfend gestaltet, so sozialistisch, so frisch, so aufgekl\u00e4rt.<\/p>\n<p>Nein, ernsthaft, Musikmachen geht anders.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/alfqX3WRJP0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Der Gitarrist Joseph Spence von den Bahamas zeigt, wie man komplett flexibel in Ton und Text umherfliegt. Aber das kann man nat\u00fcrlich nicht so massenhaft in Gestalt bringen. F\u00fcr den Vermittlungserfolg ist aber Masse notwendig. Ganze Fussballstadien m\u00fcssen am besten singen, was fr\u00fcher Gotthilf Fischer war zu Trimm-Dich-Fit-Zeiten sind heute zusammengekarrte Chormassen \u2013 notfalls ein ganze Internet wie bei Whitacre; heute ist man eben Fit-For-Fun.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/tmGpr69IKY0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;start=222&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Klingt gut.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musikvermittlungs-Blues%20%28Masse%20und%20Individuum%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F10%2Fmusikvermittlungs-blues-geschichte-1983%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Getarnt war dies als Sportveranstaltung, in Wirklichkeit wurden hier Musikmanager ausgebildet. Und Intendanten aller k\u00fcnftigen Rundfunkanstalten. Es passt alles so wunderbar zusammen. Mitrei\u00dfend gestaltet, so sozialistisch, so frisch, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musikvermittlungs-Blues%20%28Masse%20und%20Individuum%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F10%2Fmusikvermittlungs-blues-geschichte-1983%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" 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Dezember 2004","format":false,"excerpt":"Joseph Spence. Einer der gr\u00f6\u00dften Gitarristen, hier am Piano. Ein gewagtes St\u00fcck zu Silvester. Kennen gelernt habe ich die Musik von Joseph Spence durch einen Besuch meines Freundes S. R.. Der spielte mir vor eine Tribute-CD auf der Van Dyke Parks eine absolut durchgeknalltes Arrangement herstellte. Stefan meinte, so soll\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/12\/piano-tune\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":991,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/when-jesus-calls\/","url_meta":{"origin":8508,"position":1},"title":"When Jesus calls","author":"huflaikhan","date":"1. Januar 2005","format":false,"excerpt":"Das neue Jahr anarchisch beginnen. Am besten mit Joseph Spence. Und keine Sachen vornehmen. Niemals. Die Pl\u00e4ne sind verwunschen. \u201eWhen Jesus calls\u201c hei\u00dft dieses St\u00fcck mit der Pinder Familiy. Spence ist im Ba\u00df zu h\u00f6ren und an der Gitarre zu h\u00f6ren. Die drei Stimmen dazu mit Spence zusammen ergeben eine\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/when-jesus-calls\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8554,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/musikvermittlung-1966-ehrwuerdiges-publikum-wird-massgeregelt\/","url_meta":{"origin":8508,"position":2},"title":"Musikvermittlung 1966 \u2013 Ehrw\u00fcrdiges Publikum wird ma\u00dfgeregelt","author":"der huflaikhan","date":"17. Mai 2015","format":"video","excerpt":"Unkorrekt: Pausengestaltung! Ich habe dieses Video bei der Suche nach Auftritten von Friedrich Gulda gefunden. Der h\u00e4tte n\u00e4mlich gestern seinen 85.\u00a0 Geburtstag feiern k\u00f6nnen. Aber bitte Achtung zwischen den S\u00e4tzen 1 und 2. lange Pause \u2013 die WIENER PHILHARMONIKER sind ja sogar in den Pausen extrem gut und m\u00e4nnlich \u2013\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/ojWQwdFwI3c\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2657,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/07\/musikvermittlung-ii\/","url_meta":{"origin":8508,"position":3},"title":"Musikvermittlung II","author":"huflaikhan","date":"4. Juli 2012","format":false,"excerpt":"Jetzt habe ich doch wirklich lange \u00fcberlegen m\u00fcssen, was mich heute fr\u00fch bei meiner Sitzung besch\u00e4ftigt hatte. Die Reaktionen auf den ersten Artikel zur Musikvermittlung von Waldo de los Rios und die Frage, wie wird denn eigentlich Popmusik vermittelt und an wen? Und dabei fiel mir auf, dass es das\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Im Schlot der Vermittlung. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/07\/schlot-0830.jpg?fit=1200%2C795&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/07\/schlot-0830.jpg?fit=1200%2C795&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/07\/schlot-0830.jpg?fit=1200%2C795&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/07\/schlot-0830.jpg?fit=1200%2C795&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/07\/schlot-0830.jpg?fit=1200%2C795&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2716,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/01\/joseph-spence\/","url_meta":{"origin":8508,"position":4},"title":"Joseph Spence","author":"hufi","date":"23. Januar 2010","format":false,"excerpt":"via youtube.com Es ist nie zu sp\u00e4t.","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2654,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/07\/die-bitterkeit-der-musikvermittlung\/","url_meta":{"origin":8508,"position":5},"title":"Die Bitterkeit der Musikvermittlung","author":"huflaikhan","date":"3. Juli 2012","format":false,"excerpt":"Musikvermittlung ist kein Begriff der letzten Jahre. Es gibt ihn lange schon. Vollkommen unerwartet sicher bei Adorno in seiner Einleitung in die Musiksoziologie. Er hei\u00dft da einfach Vermittlung. Und er meint etwas anderes. Das war 60er. Anfang der 70er schaffen es bestimmte Musikprodukte h\u00f6her und weiter. In Potsdam habe ich\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Waldo de los rios. Symphonies","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/07\/waldo-de-los-rios.jpg?fit=400%2C372&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8508"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8508\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8361"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}