{"id":8513,"date":"2014-11-11T11:46:08","date_gmt":"2014-11-11T10:46:08","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1041"},"modified":"2014-11-11T11:46:08","modified_gmt":"2014-11-11T10:46:08","slug":"sport-fuer-musikinstrumente","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/11\/sport-fuer-musikinstrumente\/","title":{"rendered":"Sport f\u00fcr Musikinstrumente \u2013 Scheitern als Leben"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Sport%20f%C3%BCr%20Musikinstrumente%20%E2%80%93%20Scheitern%20als%20Leben https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F11%2Fsport-fuer-musikinstrumente%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Matthias Kaul und Neele H\u00fclcker haben Spa\u00df mit Musikinstrumenten. Drei Studien.<\/p>\n<p>Man beachte vor allem den Ort der Inszenierung. Nur auf den ersten Blick m\u00f6gen die zum Beispiel bereitgestellten Leitern im Hintergrund wie zuf\u00e4llig angeordnet wirken. Das ist aber nicht richtig. Bis in die kleinsten und unscheinbarsten Details hinein wirkt hier ein verdammt ausgekl\u00fcgelter Plan.<\/p>\n<p>Scheitern wird hier beklemmend als gescheitertes Scheitern interpretiert: Ein endloser Kampf gegen das Untergehen, gegen Willk\u00fcr und gegen kulturelle Wunden aufs Tableau gebracht.<\/p>\n<p>\u201eStudie\u201c und \u201e\u00dcbung\u201c in zweien der drei Titel f\u00fchrt einen auf die falsche hermeneutische F\u00e4hrte. Es handelt sich dagegen um ausgesetzt, exemplarisch und typische Spiegel: Instrumente, in denen wir unser Leben wiederfinden. Das Ach und das Oh. Kommentarlos erschlossen, Denkm\u00e4ler der Tonkunst unserer schnelllebigen Zeit.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/hCNIzghwZTM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/XliJXKXm1NI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/sCAWvYCxjj0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Wie technisch \u00fcberdreht wirkt dagegen Gordon Monahans \u201eSpeaker Swinging\u201c von 1982. Das Gewollte, das umallesinderweltetwasbearbeitende. Kontrollierter Input f\u00fcr Output. 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Drei Studien. Man beachte vor allem den Ort der Inszenierung. Nur auf den ersten Blick m\u00f6gen die zum Beispiel bereitgestellten Leitern im Hintergrund wie zuf\u00e4llig angeordnet wirken. Das ist aber nicht richtig. Bis in die kleinsten und unscheinbarsten Details hinein wirkt hier ein verdammt ausgekl\u00fcgelter Plan. 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September 2008","format":false,"excerpt":"Frankfurt am Main. Auf der Frankfurter Musikmesse pr\u00e4sentierte sich die Arbeitsgemeinschaft der Musikinstrumente-Hersteller mit einem neuen Projekt: \u201eJedem Musikinstrument ein Kind\u201c. Es sei bekannt, dass die Zahl der Musikinstrumente seit Jahren r\u00fcckl\u00e4ufig sei, einige Musikinstrumente wie Oboe und Trummscheit seien gar vom Aussterben bedroht. \u201eDas Aussterben von Musikinstrumenten w\u00e4re aber\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9845,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/06\/vaterland-aus-blasinstrumenten-und-einem-akkordeon\/","url_meta":{"origin":8513,"position":1},"title":"Vaterland aus Blasinstrumenten und einem Akkordeon","author":"der huflaikhan","date":"25. Juni 2024","format":false,"excerpt":"Datenschutz ist eine Zier, aber es gilt auch Unwissenheit mit Wissenschaft gepaart: Ungl\u00fcck mit Macht. Eric Dolphy heute im Radio. Wie man vom Musikinstrumenten- zum Fahrradbau kommt.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Ich prangere das an. Neuko\u0308lln. Berlin. 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Mai 2012","format":false,"excerpt":"Eine Werkstatt f\u00fcr Saxophone. Insbesondere deren Reparatur. \u00dcberraschender Besuch.","rel":"","context":"In \"Arbeit\"","block_context":{"text":"Arbeit","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/arbeit\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8583,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/08\/anonyme-orffianer-und-der-wahre-gipfel-des-kagelismus\/","url_meta":{"origin":8513,"position":3},"title":"Anonyme Orffianer und der wahre Gipfel des Kagelismus","author":"der huflaikhan","date":"18. August 2015","format":false,"excerpt":"Wir m\u00fcssen \u00fcber ein ernstes Problem in unserem Musikleben sprechen: Die musikalische Sozialisation. Es gibt ja immer noch Gehirnforscher, die meinen, mit Musik lebe es sich besser. Musik sei wirklich gut und wichtig, st\u00e4rke dies und st\u00e4rke das. Sport, Tanzen, Malen und Dichten geh\u00f6rten auch dahin. Wohin es aber kommen\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/QPYB5hwcQ6Q\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3016,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/01\/das-fagott-als-instrument-des-jahres-2012\/","url_meta":{"origin":8513,"position":4},"title":"Das Fagott als Instrument des Jahres 2012","author":"huflaikhan","date":"7. Januar 2012","format":false,"excerpt":"Am 6. Januar 2012 stellten die Landesmusikr\u00e4te von Schleswig-Holstein und Berlin das Instrument des Jahres in der Vertretung des Landes Schleswig-Holstein in Berlin vor. Klaus Thunemann konnte als Schirrmherr der Veranstaltung gewonnen werden.Nach der Pressekonferenz konnte ich mit Klaus Volker Mader, dem Pr\u00e4sidenten des Landesmusikrates Schleswig-Holstein, ein bisschen \u00fcber das\u2026","rel":"","context":"In \"Fagott\"","block_context":{"text":"Fagott","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/fagott\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":467,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/aktuelle-informationen-zur-musikkultur-der-nmz\/","url_meta":{"origin":8513,"position":5},"title":"Aktuelle Informationen zur Musikkultur in der nmz","author":"huflaikhan","date":"4. Juni 2004","format":false,"excerpt":"Seit heute abend ist sie online, die neue musikzeitung Juni 2004. Ein paar Artikel schlage ich h\u00f6flichst zu lesen vor. Das ist nur ein kleiner Ausschnitt. Das gesamte Inhaltsverzeichnis: nmz 2004\/06 | 53. Jahrgang | Juni Reportage. 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