{"id":8513,"date":"2014-11-11T11:46:08","date_gmt":"2014-11-11T10:46:08","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1041"},"modified":"2014-11-11T11:46:08","modified_gmt":"2014-11-11T10:46:08","slug":"sport-fuer-musikinstrumente","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/11\/sport-fuer-musikinstrumente\/","title":{"rendered":"Sport f\u00fcr Musikinstrumente \u2013 Scheitern als Leben"},"content":{"rendered":"<p>Matthias Kaul und Neele H\u00fclcker haben Spa\u00df mit Musikinstrumenten. Drei Studien.<\/p>\n<p>Man beachte vor allem den Ort der Inszenierung. Nur auf den ersten Blick m\u00f6gen die zum Beispiel bereitgestellten Leitern im Hintergrund wie zuf\u00e4llig angeordnet wirken. Das ist aber nicht richtig. Bis in die kleinsten und unscheinbarsten Details hinein wirkt hier ein verdammt ausgekl\u00fcgelter Plan.<\/p>\n<p>Scheitern wird hier beklemmend als gescheitertes Scheitern interpretiert: Ein endloser Kampf gegen das Untergehen, gegen Willk\u00fcr und gegen kulturelle Wunden aufs Tableau gebracht.<\/p>\n<p>\u201eStudie\u201c und \u201e\u00dcbung\u201c in zweien der drei Titel f\u00fchrt einen auf die falsche hermeneutische F\u00e4hrte. Es handelt sich dagegen um ausgesetzt, exemplarisch und typische Spiegel: Instrumente, in denen wir unser Leben wiederfinden. Das Ach und das Oh. Kommentarlos erschlossen, Denkm\u00e4ler der Tonkunst unserer schnelllebigen Zeit.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/hCNIzghwZTM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/XliJXKXm1NI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/sCAWvYCxjj0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Wie technisch \u00fcberdreht wirkt dagegen Gordon Monahans \u201eSpeaker Swinging\u201c von 1982. Das Gewollte, das umallesinderweltetwasbearbeitende. Kontrollierter Input f\u00fcr Output. Auch hier nat\u00fcrlich der sportliche Aspekt bedeutsam.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/amEwNbVz8vg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Sport%20f%C3%BCr%20Musikinstrumente%20%E2%80%93%20Scheitern%20als%20Leben https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F11%2Fsport-fuer-musikinstrumente%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Drei Studien. Man beachte vor allem den Ort der Inszenierung. Nur auf den ersten Blick m\u00f6gen die zum Beispiel bereitgestellten Leitern im Hintergrund wie zuf\u00e4llig angeordnet wirken. Das ist aber nicht richtig. Bis in die kleinsten und unscheinbarsten Details hinein wirkt hier ein verdammt ausgekl\u00fcgelter Plan. [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Sport%20f%C3%BCr%20Musikinstrumente%20%E2%80%93%20Scheitern%20als%20Leben https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F11%2Fsport-fuer-musikinstrumente%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":2485,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/09\/hagia\/","url_meta":{"origin":8513,"position":0},"title":"hagia","author":"huflaikhan","date":"3. September 2008","format":false,"excerpt":"Frankfurt am Main. Auf der Frankfurter Musikmesse pr\u00e4sentierte sich die Arbeitsgemeinschaft der Musikinstrumente-Hersteller mit einem neuen Projekt: \u201eJedem Musikinstrument ein Kind\u201c. Es sei bekannt, dass die Zahl der Musikinstrumente seit Jahren r\u00fcckl\u00e4ufig sei, einige Musikinstrumente wie Oboe und Trummscheit seien gar vom Aussterben bedroht. \u201eDas Aussterben von Musikinstrumenten w\u00e4re aber\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9845,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/06\/vaterland-aus-blasinstrumenten-und-einem-akkordeon\/","url_meta":{"origin":8513,"position":1},"title":"Vaterland aus Blasinstrumenten und einem Akkordeon","author":"der huflaikhan","date":"25. Juni 2024","format":false,"excerpt":"Datenschutz ist eine Zier, aber es gilt auch Unwissenheit mit Wissenschaft gepaart: Ungl\u00fcck mit Macht. Eric Dolphy heute im Radio. Wie man vom Musikinstrumenten- zum Fahrradbau kommt.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Ich prangere das an. Neuko\u0308lln. Berlin. Warum \u00a9 MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Ich-prangere-das-an.-Neukoelln.-Berlin.-Warum_-%C2%A9-MH.jpg?fit=1080%2C1080&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Ich-prangere-das-an.-Neukoelln.-Berlin.-Warum_-%C2%A9-MH.jpg?fit=1080%2C1080&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Ich-prangere-das-an.-Neukoelln.-Berlin.-Warum_-%C2%A9-MH.jpg?fit=1080%2C1080&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Ich-prangere-das-an.-Neukoelln.-Berlin.-Warum_-%C2%A9-MH.jpg?fit=1080%2C1080&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Ich-prangere-das-an.-Neukoelln.-Berlin.-Warum_-%C2%A9-MH.jpg?fit=1080%2C1080&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8583,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/08\/anonyme-orffianer-und-der-wahre-gipfel-des-kagelismus\/","url_meta":{"origin":8513,"position":2},"title":"Anonyme Orffianer und der wahre Gipfel des Kagelismus","author":"der huflaikhan","date":"18. August 2015","format":false,"excerpt":"Wir m\u00fcssen \u00fcber ein ernstes Problem in unserem Musikleben sprechen: Die musikalische Sozialisation. Es gibt ja immer noch Gehirnforscher, die meinen, mit Musik lebe es sich besser. Musik sei wirklich gut und wichtig, st\u00e4rke dies und st\u00e4rke das. Sport, Tanzen, Malen und Dichten geh\u00f6rten auch dahin. Wohin es aber kommen\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/QPYB5hwcQ6Q\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3036,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/05\/arbeit-ohne-facebook\/","url_meta":{"origin":8513,"position":3},"title":"Arbeit ohne Facebook","author":"huflaikhan","date":"16. Mai 2012","format":false,"excerpt":"Eine Werkstatt f\u00fcr Saxophone. Insbesondere deren Reparatur. \u00dcberraschender Besuch.","rel":"","context":"In \"Arbeit\"","block_context":{"text":"Arbeit","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/arbeit\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8709,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/06\/vaterland\/","url_meta":{"origin":8513,"position":4},"title":"Vaterland!","author":"der huflaikhan","date":"10. Juni 2017","format":false,"excerpt":"Das Vaterland hat einen Platten. Heute in der N\u00e4he des Wochenmarktes in Kleinmachnow gesehen. Es gab schon Marken mit Position! Wenn man sich \u00fcber Wikipedia etwas schlau macht, dann wird man feststellen, dass die bei \"Vaterland\" zuerst eigentlich als \"Firma Herfeld & Co. zun\u00e4chst Blasinstrumente und Akkordeons\" herstellte. Man \"war\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Das Vaterland hat einen Platten. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/vaterland_c_hufner-1024x1024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/vaterland_c_hufner-1024x1024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/vaterland_c_hufner-1024x1024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/vaterland_c_hufner-1024x1024.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8881,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/06\/kulturfloppass-der-bundesregierung\/","url_meta":{"origin":8513,"position":5},"title":"Flop: Der Kulturpass f\u00fcr 18-J\u00e4hrige der Bundesregierung \u2013 eine erste Analyse","author":"der huflaikhan","date":"15. Juni 2023","format":false,"excerpt":"Es sollte das gro\u00dfe Ding sein, das Claudia Roth als Kulturstaatsministerin an den Start bringt. Aber es ist eine Initiative, die an fast jeder Stelle scheitert. Der Kulturpass f\u00fcr 18-J\u00e4hrige ist gestern gestartet. Eine erste Fehleranalyse. Das Bild, welches man auf der Website daf\u00fcr gew\u00e4hlt hat, dr\u00fcckt absolute und totale\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"Peter Wicke. 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