{"id":8537,"date":"2015-02-25T08:01:40","date_gmt":"2015-02-25T07:01:40","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1295"},"modified":"2015-02-25T08:01:40","modified_gmt":"2015-02-25T07:01:40","slug":"brahms-rulez","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/brahms-rulez\/","title":{"rendered":"Brahms rulez"},"content":{"rendered":"<p>Ja, und ich h\u00f6re schon wieder: warum nicht Clara Schumann. Oder Charlotte Seither? Warum dieser konventionelle unkreative Brahms. Blubb.<\/p>\n<p>Da frage ich zur\u00fcck: Wer hat damals Werbung f\u00fcr den Spinat mit dem Blub gemacht: Verona <del>Feldbusch<\/del> Pooth und nicht Carl Friedrich von Weizs\u00e4cker. \ud83d\ude42<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/-h8oFotNy_E?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Brahms%20rulez https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbrahms-rulez%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Brahms%20rulez https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbrahms-rulez%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbrahms-rulez%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button threema shariff-nocustomcolor shariff-mobile\" style=\"background-color:#4fbc24\"><a href=\"threema:\/\/compose?text=Brahms%20rulez%20https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbrahms-rulez%2F\" title=\"Bei Threema teilen\" aria-label=\"Bei Threema teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#1f1f1f; color:#1f1f1f\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#1f1f1f\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#1f1f1f\" d=\"M30.8 10.9c-0.3-1.4-0.9-2.6-1.8-3.8-2-2.6-5.5-4.5-9.4-5.2-1.3-0.2-1.9-0.3-3.5-0.3s-2.2 0-3.5 0.3c-4 0.7-7.4 2.6-9.4 5.2-0.9 1.2-1.5 2.4-1.8 3.8-0.1 0.5-0.2 1.2-0.2 1.6 0 0.4 0.1 1.1 0.2 1.6 0.4 1.9 1.3 3.4 2.9 5 0.8 0.8 0.8 0.8 0.7 1.3 0 0.6-0.5 1.6-1.7 3.6-0.3 0.5-0.5 0.9-0.5 0.9 0 0.1 0.1 0.1 0.5 0 0.8-0.2 2.3-0.6 5.6-1.6 1.1-0.3 1.3-0.4 2.3-0.4 0.8 0 1.1 0 2.3 0.2 1.5 0.2 3.5 0.2 4.9 0 5.1-0.6 9.3-2.9 11.4-6.3 0.5-0.9 0.9-1.8 1.1-2.8 0.1-0.5 0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button mailto shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"mailto:?body=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbrahms-rulez%2F&subject=Brahms%20rulez\" title=\"Per E-Mail versenden\" aria-label=\"Per E-Mail versenden\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Ja, und ich h\u00f6re schon wieder: warum nicht Clara Schumann. Oder Charlotte Seither? Warum dieser konventionelle unkreative Brahms. Blubb. Da frage ich zur\u00fcck: Wer hat damals Werbung f\u00fcr den Spinat mit dem Blub gemacht: Verona Feldbusch Pooth und nicht Carl Friedrich von Weizs\u00e4cker. \ud83d\ude42<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Brahms%20rulez https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbrahms-rulez%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Brahms%20rulez https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbrahms-rulez%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbrahms-rulez%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button threema shariff-nocustomcolor shariff-mobile\" style=\"background-color:#4fbc24\"><a href=\"threema:\/\/compose?text=Brahms%20rulez%20https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbrahms-rulez%2F\" title=\"Bei Threema teilen\" aria-label=\"Bei Threema teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#1f1f1f; color:#1f1f1f\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#1f1f1f\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#1f1f1f\" d=\"M30.8 10.9c-0.3-1.4-0.9-2.6-1.8-3.8-2-2.6-5.5-4.5-9.4-5.2-1.3-0.2-1.9-0.3-3.5-0.3s-2.2 0-3.5 0.3c-4 0.7-7.4 2.6-9.4 5.2-0.9 1.2-1.5 2.4-1.8 3.8-0.1 0.5-0.2 1.2-0.2 1.6 0 0.4 0.1 1.1 0.2 1.6 0.4 1.9 1.3 3.4 2.9 5 0.8 0.8 0.8 0.8 0.7 1.3 0 0.6-0.5 1.6-1.7 3.6-0.3 0.5-0.5 0.9-0.5 0.9 0 0.1 0.1 0.1 0.5 0 0.8-0.2 2.3-0.6 5.6-1.6 1.1-0.3 1.3-0.4 2.3-0.4 0.8 0 1.1 0 2.3 0.2 1.5 0.2 3.5 0.2 4.9 0 5.1-0.6 9.3-2.9 11.4-6.3 0.5-0.9 0.9-1.8 1.1-2.8 0.1-0.5 0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button mailto shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"mailto:?body=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbrahms-rulez%2F&subject=Brahms%20rulez\" title=\"Per E-Mail versenden\" aria-label=\"Per E-Mail versenden\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"ocean_front_end_style_editor":"no","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_metis_text_type":"standard","_metis_text_length":283,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4187,2652,3494],"tags":[2469,2556,2958],"class_list":["post-8537","post","type-post","status-publish","format-video","hentry","category-die-kommunikation","category-diemusik","category-satire","tag-kunst","tag-marketing","tag-neue-musik","post_format-post-format-video","entry"],"jetpack_publicize_connections":[],"categories_names":["die Kommunikation","die Musik","Satire"],"post_class":[["post-8537","post","type-post","status-publish","format-video","hentry","category-die-kommunikation","category-diemusik","category-satire","tag-kunst","tag-marketing","tag-neue-musik","post_format-post-format-video","entry"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":908,"url":"https:\/\/www.kritische-masse.de\/logbuch\/musik-der-ungerechtigkeit\/","url_meta":{"origin":8537,"position":0},"title":"Musik der Ungerechtigkeit","author":"huflaikhan","date":"21. November 2004","format":false,"excerpt":"Wenn ich nicht wenigstens gelegentlich noch in die newsgroup de.rec.musik.klassik hineinschauen w\u00fcrde, w\u00e4re mir entgangen, dass die alte Fregatte Condoleeezzza Rice eben mal mit Yo-Yo Ma eine Brahms-Violinsonate gespielt h\u00e4tte. Das ist zwar nun auch schon alter Tobak, n\u00e4mlich von 2002, aber man fragt sich doch, wie das zusammen geht.\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/musik-der-ungerechtigkeit\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8499,"url":"https:\/\/www.kritische-masse.de\/logbuch\/meisterleistung-quart-sext-quartett\/","url_meta":{"origin":8537,"position":1},"title":"Meisterleistung: Quart-Sext-Quartett","author":"der huflaikhan","date":"18. Oktober 2014","format":false,"excerpt":"Musik in Filmen ist steter Grund zur Freude. Den Nichtmusikern kann es egal sein, aber \u201eKenner\u201c k\u00f6nnen sich am\u00fcsieren. So wie wahrscheinlich Chirurgen Arztserien zur St\u00e4rkung ihrer Bauchmuskulatur nutzen. Ein besonderes Exemplar der Gattung, irgendwas passt hier aber ganz gewaltig nicht zusammen, stammt aus einer Folge von Star Trek \u2013\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/URZLKECFjaY\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8505,"url":"https:\/\/www.kritische-masse.de\/logbuch\/tunnelblick-der-gefuehle-hoeren-und-erinnern\/","url_meta":{"origin":8537,"position":2},"title":"Tunnelblick der Gef\u00fchle \u2013 H\u00f6ren und Erinnern","author":"der huflaikhan","date":"29. November 2014","format":false,"excerpt":"An sich habe ich ja professionell mit Musik zu tun. Das hei\u00dft, ich besch\u00e4ftige mich auf die eine oder andere Art mit ihr. Fr\u00fcher auch durch Selbermusizieren und -komponieren, jetzt mehr theoretisch und eher mit den Rahmenbedingungen. Aber ich bin sehr fr\u00fch zum Musikerleben gekommen: Geschwister und Eltern haben Musik\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"Schmuck!","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/01\/20060106-WOB.jpg?fit=500%2C358&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6775,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-trennende-die-vielfalt-die-verhaertung\/","url_meta":{"origin":8537,"position":3},"title":"Das Trennende, die Vielfalt, die Verh\u00e4rtung","author":"der huflaikhan","date":"12. Januar 2024","format":false,"excerpt":"Divers ist Vielfalt, nicht Trennung durch Ab-, Aufwertung gegeneinander. Erfahrungen im Deutschland es Jahres 2024. Wo bleibt bei aller Gefahr nur das Rettende auch? Musik f\u00fcr die Insel mit den Violinkonzerten von Alban Berg und Johannes Brahms.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Eine Eislaterne. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5509-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5509-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5509-scaled.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5509-scaled.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5509-scaled.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2835,"url":"https:\/\/www.kritische-masse.de\/logbuch\/tunneblick-der-gef-hle\/","url_meta":{"origin":8537,"position":4},"title":"Tunnelblick der Gef\u00fchle","author":"huflaikhan","date":"29. November 2014","format":false,"excerpt":"Nun gibt es da eine sehr merkw\u00fcrdige Erscheinung. So wie ich beim Fernsehen, wenn jemand in schwindelerrregender H\u00f6he steht, ganz tief in meinem K\u00f6rper eine Art Zuckung sp\u00fcre, die mich beklemmt, so kommen bei bestimmten Musikst\u00fccken eigenartige Gef\u00fchle auf. So gestern abend. Zur Dienstarbeit habe ich meine Musikbbliothek durchforstet. Bruckner\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Tunnelblick der Gef\u00fchle. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/erinnerung_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/erinnerung_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/erinnerung_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/erinnerung_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/erinnerung_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":50,"url":"https:\/\/www.kritische-masse.de\/logbuch\/sich-schwerelos-durch-einen-harten-markt-spielen\/","url_meta":{"origin":8537,"position":5},"title":"Sich schwerelos durch einen harten Markt spielen","author":"huflaikhan","date":"2. Mai 1999","format":false,"excerpt":"Eigene Konzertreihe im Konzerthaus, Ideen zur Hochschulausbildung: das Vogler Quartett setzt AkzenteAls sich die Musik-Biennale 1999 um die Musik der 80er Jahre bem\u00fcht hat, lag es auf der Hand, auch eines der extremsten Werke aus dieser Zeit zur Auff\u00fchrung zu bringen: Morton Feldmans 1983 komponiertes Zweites Streichquartett. Es ist mit\u2026","rel":"","context":"In &quot;nmz&quot;","block_context":{"text":"nmz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/nmz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8537"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8537\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}