{"id":8542,"date":"2015-06-08T12:00:20","date_gmt":"2015-06-08T10:00:20","guid":{"rendered":"https:\/\/musikunrat.de\/?p=1033"},"modified":"2015-06-08T12:00:20","modified_gmt":"2015-06-08T10:00:20","slug":"kunsthandel-2","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/06\/kunsthandel-2\/","title":{"rendered":"Kunsthandel"},"content":{"rendered":"<div class=\"section field field-name-body field-type-text-with-summary field-label-hidden\">\n<div class=\"field-items\">\n<div class=\"field-item odd\">\n<p><strong>Kunsthandel, der<\/strong><\/p>\n<p>Handelt mit Gegenst\u00e4nden, denen Kunstcharakter durch Setzung zugesprochen wird. Handelt dem entsprechend theoretisch mit allem; auch mit Gegenst\u00e4nden, denen ausdr\u00fccklich kein Kunstcharakter zugesprochen wird, wenn damit die Zuweisung der Abweisung des Kunstzuspruchs bestimmt Bezug nimmt.<\/p>\n<p>Abzugrenzen von H\u00e4ndelsware.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kunsthandel https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F06%2Fkunsthandel-2%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Kunsthandel https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F06%2Fkunsthandel-2%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Kunsthandel, der Handelt mit Gegenst\u00e4nden, denen Kunstcharakter durch Setzung zugesprochen wird. Handelt dem entsprechend theoretisch mit allem; auch mit Gegenst\u00e4nden, denen ausdr\u00fccklich kein Kunstcharakter zugesprochen wird, wenn damit die Zuweisung der Abweisung des Kunstzuspruchs bestimmt Bezug nimmt. Abzugrenzen von H\u00e4ndelsware.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kunsthandel https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F06%2Fkunsthandel-2%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop 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d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F06%2Fkunsthandel-2%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":3469,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/06\/kunsthandel\/","url_meta":{"origin":8542,"position":0},"title":"Kunsthandel","author":"huflaikhan","date":"8. Juni 2015","format":false,"excerpt":"Kunsthandel, der Handelt mit Gegenst\u00e4nden, denen Kunstcharakter durch Setzung zugesprochen wird. Handelt dem entsprechend theoretisch mit allem; auch mit Gegenst\u00e4nden, denen ausdr\u00fccklich kein Kunstcharakter zugesprochen wird, wenn damit die Zuweisung der Abweisung des Kunstzuspruchs bestimmt Bezug nimmt. Abzugrenzen von H\u00e4ndelsware.","rel":"","context":"In &quot;Zettelkasten&quot;","block_context":{"text":"Zettelkasten","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/zettelkasten\/"},"img":{"alt_text":"Handelsware. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/06\/stoffmarkt-5802.jpg?fit=1200%2C795&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/06\/stoffmarkt-5802.jpg?fit=1200%2C795&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/06\/stoffmarkt-5802.jpg?fit=1200%2C795&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/06\/stoffmarkt-5802.jpg?fit=1200%2C795&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/06\/stoffmarkt-5802.jpg?fit=1200%2C795&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2155,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/02\/vom-broetchendiebstahl-und-von-der-brotlosen-kunst\/","url_meta":{"origin":8542,"position":1},"title":"Vom Br\u00f6tchendiebstahl und von der brotlosen Kunst","author":"huflaikhan","date":"17. Februar 2007","format":false,"excerpt":"Andr\u00e9 Spiegel \u00fcber seinen Auftritt bei taktlos: Ich fand es aufschlu\u00dfreich, von Dieter Gorny eine Reihe von Argumenten in Reinkultur zu h\u00f6ren, die sonst selten so ausdr\u00fccklich formuliert werden (\"Wenn ich ein Br\u00f6tchen klaue, ist das Diebstahl, aber wenn ich ein Musikst\u00fcck klaue, soll das keiner sein?\") Wer letztlich die\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/02\/vom-broetchendiebstahl-und-von-der-brotlosen-kunst\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8731,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/09\/falsche-angst-vor-der-afd-panik-im-kulturbereich\/","url_meta":{"origin":8542,"position":2},"title":"Falsche Angst vor der AfD \u2013 Panik im Kulturbereich?","author":"der huflaikhan","date":"29. September 2017","format":false,"excerpt":"Seite einiger Zeit kursiert im Internet eine Unterschriftenliste mit der einige Initiatoren wie der Deutsche Kulturrat, der Deutsche Musikrat und Personen wie Iris Berben den \u00c4ltestenrat des Deutschen Bundestags auffordern, den Vorsitz f\u00fcr den Bundestagsausschuss zu Kultur und Medien nicht einem Vertreter oder einer Vertreterin der AfD zu \u00fcberlassen. Gerade\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8900,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/07\/feinsinnige-repoduktion-von-haken-und-rissen-1997\/","url_meta":{"origin":8542,"position":3},"title":"Feinsinnige Repoduktion von Haken und Rissen [1997]","author":"der huflaikhan","date":"16. Juli 2023","format":false,"excerpt":"Auch unver\u00f6ffentlicht. Gisele Freund in Berlin. Feinsinnige Repoduktion von Haken und Rissen \"Fotografie ist keine Kunst\", sagt eine, die es eigentlich wissen m\u00fc\u00dfte. Gis\u00e8le Freund, die aus Berlin stammende, seit 1933 in Paris lebende Fotografin, kam pers\u00f6nlich zur Er\u00f6ffnung einer Ausstellung, die im Rahmen der diesj\u00e4hrigen Berliner Festwochen stattfindet und\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8737,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/10\/mindestlohn-fuer-haendel\/","url_meta":{"origin":8542,"position":4},"title":"Mindestlohn f\u00fcr H\u00e4ndel","author":"der huflaikhan","date":"25. Oktober 2017","format":false,"excerpt":"Auch das kann man kaum fassen. In einer Stellenanzeige der \"Internationalen H\u00e4ndel-Festspiele G\u00f6ttingen GmbH\" wird eine Assistenz im k\u00fcnstlerischen Betriebsb\u00fcro gesucht. Die T\u00e4tigkeiten sind umfangreich, es ist ja auch eine komplexe T\u00e4tigkeit. Mitbringen sollte man ein \"Abgeschlossenes Studium, vorzugsweise in Musikwissenschaft\/Kulturmanagement o.\u00e4. bzw. eine abgeschlossene Ausbildung mit vergleichbarem Inhalt und\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":421,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/lachenmann-contra-bohlen\/","url_meta":{"origin":8542,"position":5},"title":"Lachenmann contra Bohlen","author":"huflaikhan","date":"29. April 2004","format":false,"excerpt":"Heute in der Zeit ein Interview mit Helmut Lachenmann, einem der sicher kl\u00fcgsten Komponisten unserer Zeit. Das Musikforum des Deutschen Musikrates hatte in seiner ersten Ausgabe E- und U-Musik gegen\u00fcbergestellt, als Frage. 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