{"id":8543,"date":"2015-06-01T00:01:36","date_gmt":"2015-05-31T22:01:36","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1525"},"modified":"2015-06-01T00:01:36","modified_gmt":"2015-05-31T22:01:36","slug":"detroit-ist-das-dortmund-deutschlands","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/06\/detroit-ist-das-dortmund-deutschlands\/","title":{"rendered":"Detroit ist das Dortmund Deutschlands?"},"content":{"rendered":"<p>Durch einen Zufall in ein Live-Konzert im Netz mit dem Detroit Symphony Orchestra (Tosca) hineingeh\u00f6rt. Hier also ein Community Supported Orchestra und weiter \u201e<span class=\"st\">Your <em>DSO<\/em>: the most accessible orchestra on the planet.<\/span>.\u201c<\/p>\n<div class=\"oceanwp-oembed-wrap clr\">\n<div class=\"embed-twitter\">\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Tomorrow on <a href=\"https:\/\/twitter.com\/iTunesMusic?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">@iTunesMusic<\/a>! New <a href=\"https:\/\/twitter.com\/hashtag\/Tchaikovsky?src=hash&amp;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#Tchaikovsky<\/a> 6 Symphonies album, live from <a href=\"https:\/\/twitter.com\/hashtag\/Detroit?src=hash&amp;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#Detroit<\/a>! Pre-order: <a href=\"https:\/\/t.co\/1P3Ai6tGz8\">https:\/\/t.co\/1P3Ai6tGz8<\/a> <a href=\"http:\/\/t.co\/QCIbFxYQAO\">pic.twitter.com\/QCIbFxYQAO<\/a><\/p>\n<p>&mdash; Detroit Symphony (@DetroitSymphony) <a href=\"https:\/\/twitter.com\/DetroitSymphony\/status\/602855643930763267?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">May 25, 2015<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/div>\n<\/div>\n<p>In einer Stadt, die bessere Tage gesehen, deren Verfall noch fotografisch morbide Sch\u00f6nheit erzeugt \u2013 oder eben Verfall.<\/p>\n<div class=\"fb-post\" data-href=\"https:\/\/www.facebook.com\/ParkerCreativePhotography\/photos\/a.10150572108791895.368673.268868556894\/10151960124451895\/?type=1\" data-width=\"552\" style=\"background-color: #fff; display: inline-block;\"><\/div>\n<div class=\"fb-post\" data-href=\"https:\/\/www.facebook.com\/ParkerCreativePhotography\/posts\/10151966247326895\" data-width=\"552\" style=\"background-color: #fff; display: inline-block;\"><\/div>\n<div class=\"fb-post\" data-href=\"https:\/\/www.facebook.com\/ParkerCreativePhotography\/photos\/a.382040911894.166677.268868556894\/10152323645446895\/?type=1\" data-width=\"552\" style=\"background-color: #fff; display: inline-block;\"><\/div>\n<p>Und in den letzten 25 Jahren vor allem durch den Detroit-Techno musikalisch in den Vordergrund getreten ist.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/W7P_G4hJGW4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Und manchmal treffen Geschichte und Zukunft aufeinander. Der Film ist nun auch 19 Jahre alt und seine Zukunft ist Vergangenheit.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/SZaUCYLoEks?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;start=954&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Detroit%20ist%20das%20Dortmund%20Deutschlands%3F https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F06%2Fdetroit-ist-das-dortmund-deutschlands%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Hier also ein Community Supported Orchestra und weiter \u201eYour DSO: the most accessible orchestra on the planet..\u201c Tomorrow on @iTunesMusic! New #Tchaikovsky 6 Symphonies album, live from #Detroit! Pre-order: https:\/\/t.co\/1P3Ai6tGz8 pic.twitter.com\/QCIbFxYQAO &mdash; Detroit Symphony (@DetroitSymphony) May 25, 2015 In einer [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Detroit%20ist%20das%20Dortmund%20Deutschlands%3F https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F06%2Fdetroit-ist-das-dortmund-deutschlands%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 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August 2015","format":false,"excerpt":"Schweigen, das in der Kasse bei Apple klingelt Mit Nichts was Gutes tun? https:\/\/twitter.com\/DKultur\/status\/634351533556133888 Im Interview von DKultur wird das ganz differenziert gesehen. Denn es ist eine Ersch\u00f6pfungsform, aber besser hier und so. Das l\u00e4sst sich nicht wiederholen ohne dass es schal wird. Die Erl\u00f6se kommen den Fl\u00fcchtlingen zugute. Und\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"Tulpe, rot","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/06\/2006-06-tulpe.jpg?fit=1024%2C745&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/06\/2006-06-tulpe.jpg?fit=1024%2C745&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/06\/2006-06-tulpe.jpg?fit=1024%2C745&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/06\/2006-06-tulpe.jpg?fit=1024%2C745&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2812,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/05\/fotografie-ist-keine-kunst\/","url_meta":{"origin":8543,"position":1},"title":"Fotografie ist keine Kunst","author":"huflaikhan","date":"26. Mai 2013","format":false,"excerpt":"Warum eigentlich sowieso alles ziemlich wurscht ist, weil sich alles schneller \u00e4ndert, als man denken kann. Negative z\u00fcchten sich noch bevor sie sich manifestieren. Photographie ist keine Kunst. Mit den neuen Medien ist Photographie \u00fcberall und immer. Wir \u00fcberschwemmen die Welt mit Abbildern von Kurzmomenten. Die Chemie allein wandelte sich\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Die Kunst, kein Haus zu bauen. 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Mai 2013","format":false,"excerpt":"Warum eigentlich sowieso alles ziemlich wurscht ist, weil sich alles schneller \u00e4ndert, als man denken kann. Negative z\u00fcchten sich noch bevor sie sich manifestieren. Photographie ist keine Kunst. Mit den neuen Medien ist Photographie \u00fcberall und immer. Wir \u00fcberschwemmen die Welt mit Abbildern von Kurzmomenten. Die Chemie allein wandelte sich\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/12\/20041220-kult003.jpg?fit=500%2C375&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8658,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/04\/aufgelesen-auserlesen-das-netz-spuckt-und-spukt\/","url_meta":{"origin":8543,"position":3},"title":"Aufgelesen \u2013 Auserlesen: Das Netz spuckt und spukt","author":"der huflaikhan","date":"29. April 2016","format":false,"excerpt":"Die letzte Woche kam man gar nicht hinterher, so viel war da los. Nat\u00fcrlich auch die nmz wurde f\u00fcr den Druck frisch angerichtet. Das soziale Netz verbreitert sich st\u00fcndlich, sek\u00fcndlich. Wenn man nur nachzusehen wollte, was man alles verpasst hat, hat man schon wieder alles m\u00f6gliche verpasst. Es war das\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":404,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/cecil-taylor-italian-instabile-orchestra-the-owner-of-the-river-bank\/","url_meta":{"origin":8543,"position":4},"title":"Cecil Taylor &#038; Italian Instabile Orchestra: The Owner Of The River Bank","author":"huflaikhan","date":"10. April 2004","format":false,"excerpt":"Eine Monsterscheibe mit Monstermusik. Auf sieben in einander \u00fcbergehende Tracks h\u00f6rt man hier ein extrem impulsive, kratzstarke, energiereiche Musik. 18 Musik & Cecil Taylor bringen die Musik richtiggehend zum Kochen. 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