{"id":8549,"date":"2015-05-11T16:20:44","date_gmt":"2015-05-11T14:20:44","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1434"},"modified":"2015-05-11T16:20:44","modified_gmt":"2015-05-11T14:20:44","slug":"die-berliner-philharmoniker-waehlen-a-n","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/die-berliner-philharmoniker-waehlen-a-n\/","title":{"rendered":"Die Berliner Philharmoniker w\u00e4hlen vorl\u00e4ufig A. 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Andreas von Notnagel.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/4r8v8daJ4RA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Man sagte heute ja, in die engere Wahl bei der Wahl des kommenden Chefdirigenten der Berliner Philharmoniker k\u00e4men vor allem:<\/p>\n<ul>\n<li>Mariss Jansons (jetzt schon zu alt und BR)<\/li>\n<li>Daniel Barenboim (schon wieder zu alt und Staatskapelle Berlin)<\/li>\n<li>Gustavo Dudamel (zu viele Haare, so wenig \u00e4sthetisches Gewicht, zu jung)<\/li>\n<li>Christian Thielemann (zu wenig h\u00fcbsch, zu peinlich) und<\/li>\n<li>Andris Nelsons (passt schon)<\/li>\n<\/ul>\n<p>Bei <em>Jansons<\/em> und <em>Barenboim<\/em> wei\u00df man ja nicht einmal, ob sie 2018 \u00fcberhaupt noch erleben. Die fallen aus, sonst k\u00f6nnte man auch bestimmt Pierre Boulez vorfahren oder Nikolaus Harnoncourt oder Kurt Masur oder Zubin Mehta oder <del>Dieter<\/del> Michael Gielen oder der Gro\u00dfneffe vom Wilhelm, der Misha Mengelberg.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/FEmPEn1eK6Y?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><em>Dudamel<\/em> steht nicht zur Disposition, der ist ja noch am Notenlesenlernen und K\u00e4mmen. Eigentlich vollkommen vollkommen und antizyklisch perfekt w\u00e4re <em>Christian Thielemann<\/em>: Der Karajan f\u00fcr die Gestrigen. Dann gibts wieder feierliche Konzerte, Jeans im Konzertsaal werden wieder verboten. Digital Concert Hall kann geschlossen werden.<\/p>\n<p><em>Peter E\u00f6tv\u00f6s<\/em> geht ja auch nicht mehr, der muss das SWR-Fusionsorchester mit leichter Muse k\u00fcssen.<\/p>\n<p>Bleibt <em>Andris Nelsons<\/em>. Weil: Darum. Und weil <em>Yannick D\u00edngs-S\u00edng<\/em> hat zu viele Accents im Namen. Mein pers\u00f6nlicher Favorit w\u00e4re ja wer ganz anderes: <a href=\"http:\/\/joanamallwitz.com\/\">Joana Mallwitz<\/a>.<\/p>\n<p>https:\/\/vimeo.com\/114136852<\/p>\n<p>Nelsons hin, Nelsons her.<\/p>\n<p><strong>Links:<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/kleinanzeigen.ebay.de\/anzeigen\/s-anzeige\/baerliner-philhormoniker-suchen-den-besten-dirigenten-der-welt\/308645743-292-3520?utm_source=berlinonline.de&amp;utm_medium=cpc&amp;utm_campaign=coop_berlinonline\">Suchanzeige der B\u00e4rliner Philhormoniker<\/a><\/li>\n<li><a href=\"http:\/\/mehrlicht.twoday.net\/stories\/1022429869\/\">Mehr Licht von Keuk<\/a><\/li>\n<li>Ja.<\/li>\n<\/ul>\n<p><strong>PS:<\/strong> Man muss ja mal sagen, warum soll man nicht der Ergebnis einfach vorwegnehmen und den BP den Spa\u00df rauben, das gro\u00dfe Ding zu drehen. Boaah. Was eine Show! Und wer wei\u00df, nur wer wagt, der auch vorwegnimmt. Oder so in der Art. 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Aber auch einiges, sagen wir mal h\u00f6flich, Eigenartiges. 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Juni 2015","format":false,"excerpt":"In den Kan\u00e4len zwitschert es herum. Kirill Petrenko, zur Zeit in M\u00fcnchen an der Staatsoper besch\u00e4ftigt, soll n\u00e4chster Chef der Berliner Philharmoniker werden. Wir haben Beweise, nicht nur Spekulationen! https:\/\/twitter.com\/PGBartmann\/status\/612906080075689984 https:\/\/twitter.com\/abmann71\/status\/612899775751581700 Ein paar Zweifel bis 13 Uhr werden gleichwohl gestreut: https:\/\/twitter.com\/SHeublein\/status\/612906261110226944 https:\/\/twitter.com\/JottLehmann\/status\/612863040703332352 Wir wissen es nat\u00fcrlich besser. Laut \u00dcberpr\u00fcfung der\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"Wunderkerzenwunder","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/01\/20060108-elend.jpg?fit=500%2C375&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2436,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/06\/gern-gelesen\/","url_meta":{"origin":8549,"position":3},"title":"Gern gelesen &#8211; Aristoteles und die Boh\u00e8me","author":"huflaikhan","date":"17. Juni 2008","format":false,"excerpt":"Heute bei Buster gesehen, eine Abhandlung Herr A. kam nicht bis D\u00fcsseldorf. A. kannte nicht einmal D\u00fcsseldorf, ist anzunehmen, er w\u00e4re auch nie dorthin gekommen. Obwohl, ich kenne mindestens zwei Menschen in D\u00fcsseldorf, die A. schon einmal gesehen haben d\u00fcrften.Ein zweiter Hinweis: Jens Brachmann in der Berliner Zeitung \u00fcber das\u2026","rel":"","context":"In \"Fundst\u00fccke\"","block_context":{"text":"Fundst\u00fccke","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/fundstcke\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3290,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/12\/k-nstler-und-politik\/","url_meta":{"origin":8549,"position":4},"title":"K\u00fcnstler und Politik","author":"huflaikhan","date":"18. Dezember 2013","format":false,"excerpt":"\u201eIch kenne dieses Gesetz nicht und ich verstehe es auch nicht\", sagte der Dirigent Gergiev, dem demn\u00e4chst die M\u00fcnchner Philharmoniker als Chefdirigent leiten soll und erg\u00e4nzt. \u201eIch bin ein vielbesch\u00e4ftigter K\u00fcnstler.\u201c Das entschuldigt nat\u00fcrlich alles. Ich bin ein vielbesch\u00e4ftigter Hausmann und kann mich ja auch nicht um allen Kram k\u00fcmmern,\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Bretterbretterbretter. 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Ich bin ein vielbesch\u00e4ftigter Hausmann und kann mich ja auch nicht um allen Kram k\u00fcmmern,\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8549"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8549\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8784"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}