{"id":8554,"date":"2015-05-17T08:51:48","date_gmt":"2015-05-17T06:51:48","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1477"},"modified":"2015-05-17T08:51:48","modified_gmt":"2015-05-17T06:51:48","slug":"musikvermittlung-1966-ehrwuerdiges-publikum-wird-massgeregelt","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/musikvermittlung-1966-ehrwuerdiges-publikum-wird-massgeregelt\/","title":{"rendered":"Musikvermittlung 1966 \u2013 Ehrw\u00fcrdiges Publikum wird ma\u00dfgeregelt"},"content":{"rendered":"<p>Unkorrekt: Pausengestaltung!<\/p>\n<p>Ich habe dieses Video bei der Suche nach Auftritten von Friedrich Gulda gefunden. Der h\u00e4tte n\u00e4mlich gestern seinen 85.\u00a0 Geburtstag feiern k\u00f6nnen. Aber bitte Achtung zwischen den S\u00e4tzen 1 und 2. lange Pause \u2013 die WIENER PHILHARMONIKER sind ja sogar in den Pausen extrem gut und m\u00e4nnlich \u2013 Maestro Szell erhebt den Stab. Und, und &#8230;<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ojWQwdFwI3c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;start=1355&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>\u2026 das Publikum kommt einfach nicht zur Ruhe, die Musiker setzen ab, der Szell klopft aufs Holz seines Pultes, drei Mal \u2013 Petrus! \u2013, wendet sich um und starrt, gef\u00fchlte Stunden, ins Publikum. Erst jetzt kehrt etwas Ruhe ein und einer der allersch\u00f6nsten S\u00e4tze unserer Musikgeschichte geht an.<\/p>\n<p>Da soll noch mal einer \u00fcber unruhige Klassen in Konzerts\u00e4len jammern. Die Leute im Musikvereinssaal, was f\u00fcr eine verlotterte Truppe. In Wien! Mit Fernsehen dabei!<\/p>\n<p>Man k\u00f6nnte das auch Mut nennen. Oder, war es vielleicht gar abgesprochen? Wahrscheinlich lesen Sie das schon gar nicht mehr, weil sie der sch\u00f6nsten Musik der Welt nachlauschen. Da tun Sie recht daran.<\/p>\n<p>PS: Ich finde ja die sch\u00f6nste Aufnahme des f\u00fcnften Klavier-Konzertes von Beethoven ist die <a href=\"https:\/\/www.youtube.com\/watch?v=hXoxpWTqdkI\" target=\"_blank\" rel=\"noopener\">des vierten mit Szell und Gilels, also eine \u00e4hnliche wie die hier verlinkte<\/a> (Eterna, Originalaufnahmen aus der UdSSR). \ud83d\ude42<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musikvermittlung%201966%20%E2%80%93%20Ehrw%C3%BCrdiges%20Publikum%20wird%20ma%C3%9Fgeregelt https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F05%2Fmusikvermittlung-1966-ehrwuerdiges-publikum-wird-massgeregelt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; 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Ich habe dieses Video bei der Suche nach Auftritten von Friedrich Gulda gefunden. Der h\u00e4tte n\u00e4mlich gestern seinen 85.\u00a0 Geburtstag feiern k\u00f6nnen. Aber bitte Achtung zwischen den S\u00e4tzen 1 und 2. lange Pause \u2013 die WIENER PHILHARMONIKER sind ja sogar in den Pausen extrem gut und m\u00e4nnlich \u2013 Maestro Szell erhebt den Stab. [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musikvermittlung%201966%20%E2%80%93%20Ehrw%C3%BCrdiges%20Publikum%20wird%20ma%C3%9Fgeregelt https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F05%2Fmusikvermittlung-1966-ehrwuerdiges-publikum-wird-massgeregelt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" 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Juli 2012","format":false,"excerpt":"Jetzt habe ich doch wirklich lange \u00fcberlegen m\u00fcssen, was mich heute fr\u00fch bei meiner Sitzung besch\u00e4ftigt hatte. Die Reaktionen auf den ersten Artikel zur Musikvermittlung von Waldo de los Rios und die Frage, wie wird denn eigentlich Popmusik vermittelt und an wen? Und dabei fiel mir auf, dass es das\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Im Schlot der Vermittlung. 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November 2015","format":false,"excerpt":"Er stimmt definitiv \u00fcberhaupt nicht. Er geh\u00f6rt ins Kapitel \u201eKultur im Manchester-Kapitalismus\u201c. Nicht nur ein Verweis auf famili\u00e4re F\u00fcrsorge macht dies deutlich, auf Freundschaft (vs. gekaufte Freundschaft, je teurer, je besser?). Im Bereich des Konzertbetriebs ist er auch unsinnig. Man muss ganz simpel mal die Position tauschen. Was kostet einen\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":18097,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/04\/ohne-rosenkohl-waere-die-welt-ein-irrtum\/","url_meta":{"origin":8554,"position":2},"title":"\u201eOhne Rosenkohl w\u00e4re die Welt ein Irrtum\u201c","author":"der huflaikhan","date":"24. April 2026","format":false,"excerpt":"Was hat Rosenkohl mit Musikkultur zu tun? Am Beispiel des Rosenkohls und des gleichnamigen Ph\u00e4nomens, lie\u00dfe sich einiges lernen f\u00fcr den gesellschaftlichen Umgang mit Musik im Allgemeinen und im Besonderen.","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":80,"url":"https:\/\/www.kritische-masse.de\/logbuch\/1997\/12\/blick-aus-dem-grab\/","url_meta":{"origin":8554,"position":3},"title":"Blick aus dem Grab","author":"huflaikhan","date":"15. Dezember 1997","format":false,"excerpt":"Wien: In Nader Mashayekhis Oper \u201eMalakut\u201c (Libretto: Andrea Zschunke) ist das Publikum unterhalb der B\u00fchne positioniert. Es beobachtet aus den Gr\u00e4bern heraus das Geschehen an der Erdoberfl\u00e4che. Es ist zugig. Dort geht ein Endzeitdrama ab, das fast alle Beteiligten in den Tod rei\u00dft.Berlin: Musikbox vor dem Konzerthaus. Gegen einen kleinen\u2026","rel":"","context":"In &quot;nmz&quot;","block_context":{"text":"nmz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/nmz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":95,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/05\/wenn-der-mensch-sie-will-kommt-auch-die-kunst\/","url_meta":{"origin":8554,"position":4},"title":"Wenn der Mensch sie will, kommt auch die Kunst","author":"huflaikhan","date":"1. Mai 2006","format":false,"excerpt":"Wie man das Tautologische an der Musikvermittlung verhindert Das Thema \u201eMusikvermittlung\u201c steht mittlerweile ununterbrochen auf der Agenda von Musikp\u00e4dagogen, von Musikverb\u00e4nden und musikalischen Institutionen. Anl\u00e4sslich des 50. 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