{"id":8557,"date":"2015-05-25T12:04:20","date_gmt":"2015-05-25T10:04:20","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1501"},"modified":"2015-05-25T12:04:20","modified_gmt":"2015-05-25T10:04:20","slug":"null-punkte-sind-gar-nix","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/null-punkte-sind-gar-nix\/","title":{"rendered":"Null Punkte sind gar nix"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Null%20Punkte%20sind%20gar%20nix https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F05%2Fnull-punkte-sind-gar-nix%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Der wichtigste Tag des j\u00e4hrlichen Musiklebens ist nun vorbei. Der Eurovision Songcontest wie er ja hei\u00dft. Zeitgleich mit dem Bundesfinale &#8220;Jugend musiziert&#8221; in Hamburg. Es gab Sieger, es gab Verlierer. Wen st\u00f6rt es.<\/p>\n<p>Die eigentliche \u00dcberraschung des Abends war, dass der Dirigent Paavo J\u00e4rvi offenbar Zeit hatte, sich das Spektakel anzusehen und zu kommentieren. Seine Analysen zu einigen der Auftritte:<\/p>\n<p><strong>Deutschland <\/strong>(sehr lieb)<strong><br \/>\n<\/strong><\/p>\n<blockquote>\n<p dir=\"ltr\" lang=\"en\">Germany: the girl is hot Amy Winehouse meet Ute Lemper\u00a0<a href=\"https:\/\/twitter.com\/hashtag\/EurovisionSongContest?uc-src=hash&amp;ref_uc-src=twuc-src%5Etfw\">#EurovisionSongContest<\/a><\/p>\n<p>\u2014 Paavo Jarvi (@paavo_jarvi)\u00a0<a href=\"https:\/\/twitter.com\/paavo_jarvi\/status\/602210499644755968?ref_uc-src=twuc-src%5Etfw\">May 23, 2015<\/a><\/p><\/blockquote>\n<p><strong>Russland <\/strong>(Ist da ein bisschen Zynismus dabei?)<strong><br \/>\n<\/strong><\/p>\n<blockquote>\n<p dir=\"ltr\" lang=\"en\">Russia: nice military drums in the background&#8230; Generic tune..<a href=\"https:\/\/twitter.com\/hashtag\/EurovisionSongContest?uc-src=hash&amp;ref_uc-src=twuc-src%5Etfw\">#EurovisionSongContest<\/a><\/p>\n<p>\u2014 Paavo Jarvi (@paavo_jarvi)\u00a0<a href=\"https:\/\/twitter.com\/paavo_jarvi\/status\/602219068700102657?ref_uc-src=twuc-src%5Etfw\">May 23, 2015<\/a><\/p><\/blockquote>\n<p><strong>Schweden <\/strong>(sp\u00e4terer Sieger)<strong><br \/>\n<\/strong><\/p>\n<blockquote>\n<p dir=\"ltr\" lang=\"en\">Sweden: Cool visuals animation is creative singer carries the tune!<br \/>\nWell done Sweden\u00a0<a href=\"https:\/\/twitter.com\/hashtag\/EurovisionSongContest?uc-src=hash&amp;ref_uc-src=twuc-src%5Etfw\">#EurovisionSongContest<\/a>\u00a0George Michael be worried&#8230;<\/p>\n<p>\u2014 Paavo Jarvi (@paavo_jarvi)\u00a0<a href=\"https:\/\/twitter.com\/paavo_jarvi\/status\/602203124951056385?ref_uc-src=twuc-src%5Etfw\">May 23, 2015<\/a><\/p><\/blockquote>\n<p><strong>Belgien <\/strong>(mein Favorit)<strong><br \/>\n<\/strong><\/p>\n<blockquote>\n<p dir=\"ltr\" lang=\"en\">Belgium: Cool voice&#8230;Queen &#8220;inspired&#8221; cool tune. Even the lyrics are bearable Yes!<a href=\"https:\/\/twitter.com\/hashtag\/EurovisionSongContest?uc-src=hash&amp;ref_uc-src=twuc-src%5Etfw\">#EurovisionSongContest<\/a><\/p>\n<p>\u2014 Paavo Jarvi (@paavo_jarvi)\u00a0<a href=\"https:\/\/twitter.com\/paavo_jarvi\/status\/602206023659687936?ref_uc-src=twuc-src%5Etfw\">May 23, 2015<\/a><\/p><\/blockquote>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_82_2 ez-toc-wrap-center counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Inhalt<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/null-punkte-sind-gar-nix\/#Mahler_im_Wirtshaus\" >Mahler im Wirtshaus<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/null-punkte-sind-gar-nix\/#PS\" >PS<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/null-punkte-sind-gar-nix\/#PPS\" >PPS<\/a><\/li><\/ul><\/nav><\/div>\n<h3><span class=\"ez-toc-section\" id=\"Mahler_im_Wirtshaus\"><\/span>Mahler im Wirtshaus<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>In der Werbepause spielte dann der gro\u00dfe Angeber Martin Grubinger irgendetwas mit Schlagzeug und mittendrin gab es ein Mahler-Versatzst\u00fcck, das insbesondere in der Klassikwelt f\u00fcr Freude sorgte. Ganz genau erkl\u00e4ren kann ich mir das ehrlich gesagt nicht. Man kann es sich nur dadurch erkl\u00e4ren, dass es w\u00e4hrend dieser kommerziellen Veranstaltung passierte. Eine weniger durch die Umst\u00e4nde herbeigef\u00fchrte, objektive Sicht w\u00fcrde sicher ergeben, dass das ziemlich daneben war. Das war eher Musikantenstadl f\u00fcr Klassikfreaks. Aber mehr doch nicht.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/QgKRsBXEraw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Allerdings muss man Grubinger schon loben. Dass er ausgerechnet mit Klopstocks Texten bei Mahler operierte, zeugt von einer gewissen Selbstironie.<\/p>\n<blockquote>\n<p dir=\"ltr\" lang=\"de\"><a href=\"https:\/\/twitter.com\/musikzeitung?ref_uc-src=twuc-src%5Etfw\">@musikzeitung<\/a>\u00a0Wieso? Ehrenpreis f\u00fcr Poetry Slammer DJ BEATSTICK (1724-1803) f\u00fcr die Lyrics vom Rise up! Chorus.<\/p>\n<p>Na ja f\u00fcrs Lebenswerk.<\/p>\n<p>\u2014 J. Marc Reichow (@jmarcreichow)\u00a0<a href=\"https:\/\/twitter.com\/jmarcreichow\/status\/602241157616300033?ref_uc-src=twuc-src%5Etfw\">May 23, 2015<\/a><\/p><\/blockquote>\n<p>Aber man kann es ja mal als Ermunterung sehen: Auferstehen nach Null Punkten.<\/p>\n<p>Man sollte das nicht so wichtig nehmen. Null Punkte sind immer noch mehr als gar keine. Oder wie Siggi Becker twitterte:<\/p>\n<blockquote>\n<p dir=\"ltr\" lang=\"de\">Das Resultat der Vorannahme, man k\u00f6nnte \u00fcber \u00c4sthetik (welcher Sch\u00f6pfungsh\u00f6he auch immer) abstimmen.\u00a0<a href=\"https:\/\/twitter.com\/hashtag\/ESC2015?uc-src=hash&amp;ref_uc-src=twuc-src%5Etfw\">#ESC2015<\/a><\/p>\n<p>\u2014 siggibecker (@siggibecker)\u00a0<a href=\"https:\/\/twitter.com\/siggibecker\/status\/602373372476059648?ref_uc-src=twuc-src%5Etfw\">May 24, 2015<\/a><\/p><\/blockquote>\n<h3><span class=\"ez-toc-section\" id=\"PS\"><\/span>PS<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>\u00dcbrigens sind gleich Fragen offen, betreffend Schweden. Wie sehr hat Schweden plagiiert? Sven Scholz dazu bei Facebook.<\/p>\n<div class=\"fb-post\" data-href=\"https:\/\/www.facebook.com\/svenscholz\/posts\/10204037331474049\" data-width=\"552\" style=\"background-color: #fff; display: inline-block;\"><\/div>\n<h3><span class=\"ez-toc-section\" id=\"PPS\"><\/span>PPS<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Und Gordon Kampe, der H\u00e4mmer-Organist von bei Herne, w\u00e4hlte doch glatt das St\u00fcck der Georgier aus f\u00fcr die Intrada am gestrigen Sonntag.<\/p>\n<blockquote>\n<p dir=\"ltr\" lang=\"de\"><a href=\"https:\/\/twitter.com\/musikzeitung?ref_uc-src=twuc-src%5Etfw\">@musikzeitung<\/a>\u00a0Das Lied spiele ich morgen zum Einzug.<\/p>\n<p>\u2014 Gordon Kampe (@gordon_kampe)\u00a0<a href=\"https:\/\/twitter.com\/gordon_kampe\/status\/602217658822565889?ref_uc-src=twuc-src%5Etfw\">May 23, 2015<\/a><\/p><\/blockquote>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Null%20Punkte%20sind%20gar%20nix https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F05%2Fnull-punkte-sind-gar-nix%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Der Eurovision Songcontest wie er ja hei\u00dft. Zeitgleich mit dem Bundesfinale &#8220;Jugend musiziert&#8221; in Hamburg. Es gab Sieger, es gab Verlierer. Wen st\u00f6rt es. Die eigentliche \u00dcberraschung des Abends war, dass der Dirigent Paavo J\u00e4rvi offenbar Zeit hatte, sich das Spektakel anzusehen und zu kommentieren. 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