{"id":8565,"date":"2015-06-28T23:31:29","date_gmt":"2015-06-28T21:31:29","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1604"},"modified":"2015-06-28T23:31:29","modified_gmt":"2015-06-28T21:31:29","slug":"darth-vader-als-dirigent-ungeeignet","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/darth-vader-als-dirigent-ungeeignet\/","title":{"rendered":"Darth Vader als Dirigent ungeeignet"},"content":{"rendered":"<p>Eine schnelle GuteNachtKritik nach dem Konzert der Berliner Philharmoniker in der Waldb\u00fchne Berlin. Allerdings nur bezogen auf das Ende mit den Zugaben. Da gab es John Williams mit drei St\u00fccken und Paul Lincke mit der Berliner Luft.<\/p>\n<p>Kurz gesagt: Das war nix. Sie sind nicht gut in der leichteren Muse, die Berliner Philharmoniker. Lincke war so schwer dahergetrampelt, dass man wohl annehmen musste, das habe Paul Lincke in unter einer Smogglocke mit Wetterinversion komponiert. Von Luftigkeit war da wenig zu sp\u00fcren, auch nicht von Pfiffigkeit.<\/p>\n<p>Ebenso bei der Musik zu \u201e<del>Indianera<\/del> Indiana Jones\u201c und \u201eStar Wars\u201c. Eigentlich eine nette Kombination: John Williams als Hollywood-Filmmusik-Rei\u00dfer mit einem der wirklich besten Orchester der Welt. Doch da kommt dann am Ende leider ein Radetzky-Marsch daraus, wie man ihn auf dem Exerzierplatz braucht. Das Leichte ist f\u00fcr die besonders Guten besonders schwer. Ist ja auch so, wenn Opernstars sich an Popmusik probieren. Das geht nicht so gut. Und das kann, bis aufs technisch-handwerkliche, ein gut gef\u00fchrtes Schulorchester besser.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/zH-aLfYVuQU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Denkbar w\u00e4re freilich auch eine ideologiekritische Sicht, wonach des dem Orchester gelungen ist, das Unlebendige dieser Musik als Text hinter dem Text sicht- und h\u00f6rbar zu machen. So abwegig ist das ja nicht einmal. Wenn man sich die Musik zu \u201eDie Hornisse\u201c von Schostakowitsch anh\u00f6rt und das dann in anmessener Form mit Gustav Holsts \u201ePlanetenmusik\u201c zusammengie\u00dft, dann kommt so Williams bei rum. Der hat die Kanten allerdings abgeschliffen und zugleich veredelt. 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Allerdings nur bezogen auf das Ende mit den Zugaben. Da gab es John Williams mit drei St\u00fccken und Paul Lincke mit der Berliner Luft. Kurz gesagt: Das war nix. Sie sind nicht gut in der leichteren Muse, die Berliner Philharmoniker. Lincke war [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Darth%20Vader%20als%20Dirigent%20ungeeignet https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fdarth-vader-als-dirigent-ungeeignet%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Juni 2015","format":false,"excerpt":"Die Berliner Philharmoniker kommen aus den Schlagzeilen nicht heraus. Sarah Willis hat jetzt ein Pfoto mit Mitgliedern des Orchesters geleakt, das nur eine Folgerung zul\u00e4sst. Sie sind nicht von den Borg sondern von dem B\u00f6sen schlechthin \u00fcbernommen worden. Dem Publikum scheint es zu gefallen. Solange die Musik laut ist. https:\/\/twitter.com\/sarahwillis\/status\/615077541485936640\/photo\/1","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8656,"url":"https:\/\/www.kritische-masse.de\/logbuch\/orchesterselfies-next-season\/","url_meta":{"origin":8565,"position":1},"title":"Orchesterselfies \u2013 next season","author":"der huflaikhan","date":"5. April 2016","format":false,"excerpt":"Die n\u00e4chste Konzert-Saison steht schon in den Startl\u00f6chern. \u00dcberall gibt es Pressekonferenzen, dass es nur so scheppert. Die Orchester stellen ihre Programme vor. Und ihre Programmbrosch\u00fcren. Das \u00e4ndert sich ja jeder Jahr irgendwie doch, auch wenn es alles nur so um Mahler und Bruckner kreiselt. Die Sachen machen ja auch\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Deutsches Symphonieorchester. 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Man kann es dunkelgrau auf hellgrau lesen, ganz offiziell: \"Mark-Anthony Turnage ist zweifellos ein ernst zu nehmender Komponist unserer Zeit.\" (Quelle: Website der Berliner Philharmoniker) Zweifellos. Denn der Mann hat Humor wie auch der\/die Autor\/in des launigen Textes zu\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Auf dem Dach des Zitats. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/rabe-1024x513.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/rabe-1024x513.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/rabe-1024x513.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/rabe-1024x513.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8564,"url":"https:\/\/www.kritische-masse.de\/logbuch\/verlogene-differenzierung\/","url_meta":{"origin":8565,"position":3},"title":"Verlogene Differenzierung","author":"der huflaikhan","date":"24. Juni 2015","format":false,"excerpt":"\u00dcber die Wahl Kirill Petrenkos auf den Posten des Chefdirigenten bei den Berliner Philharmonikern ist ja schon viel geschrieben worden. Aber auch einiges, sagen wir mal h\u00f6flich, Eigenartiges. Manuel Brug in der WELT nachdem er eigentlich ganz akkurat die Sache anleuchtete: \u201eKirill Petrenko, interessanterweise neben Daniel Barenboim und Ivan Fischer\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"screenshot-webcache googleusercontent com 2015-06-24 13-15-48","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/06\/screenshot-webcache-googleusercontent-com-2015-06-24-13-15-48.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/06\/screenshot-webcache-googleusercontent-com-2015-06-24-13-15-48.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/06\/screenshot-webcache-googleusercontent-com-2015-06-24-13-15-48.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":8549,"url":"https:\/\/www.kritische-masse.de\/logbuch\/die-berliner-philharmoniker-waehlen-a-n\/","url_meta":{"origin":8565,"position":4},"title":"Die Berliner Philharmoniker w\u00e4hlen vorl\u00e4ufig A. N.","author":"der huflaikhan","date":"11. Mai 2015","format":false,"excerpt":"Andreas von Notnagel. https:\/\/youtu.be\/4r8v8daJ4RA Man sagte heute ja, in die engere Wahl bei der Wahl des kommenden Chefdirigenten der Berliner Philharmoniker k\u00e4men vor allem: Mariss Jansons (jetzt schon zu alt und BR) Daniel Barenboim (schon wieder zu alt und Staatskapelle Berlin) Gustavo Dudamel (zu viele Haare, so wenig \u00e4sthetisches Gewicht,\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/4r8v8daJ4RA\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":366,"url":"https:\/\/www.kritische-masse.de\/logbuch\/rez-house-williams-revolutionist\/","url_meta":{"origin":8565,"position":5},"title":"[Rez] House Williams: Revolutionist","author":"huflaikhan","date":"3. M\u00e4rz 2004","format":false,"excerpt":"F\u00e4ngt an wie ein St\u00fcck von Lou Reed und John Cale. Hometown ist wie Smalltown in den Songs for Drella. Ich sch\u00e4tze, diese N\u00e4he war nicht zuf\u00e4llig, nur das Home=Main \u0096 Town ist. Frankfurt eben, irgendwie auch eine Kleinstadt, vielleicht die gr\u00f6\u00dfte deutsche. 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