{"id":8568,"date":"2015-07-28T13:34:13","date_gmt":"2015-07-28T11:34:13","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1666"},"modified":"2015-07-28T13:34:13","modified_gmt":"2015-07-28T11:34:13","slug":"der-klang-der-muenze-der-duft-des-bratens","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/07\/der-klang-der-muenze-der-duft-des-bratens\/","title":{"rendered":"Der Klang der M\u00fcnze, der Duft des Bratens"},"content":{"rendered":"<p>Gestern bei einer spontanen Lekt\u00fcre dann diesen Abschnitt in Michel Serres&#8217; <em>Der Parasit<\/em> gefunden. Das hat mich erinnert an die alte Diskussion \u00fcber die Materie des Urheberrechts in der Musik. Also \u00fcber den Begriff des \u201eGeistigen Eigentums\u201c. Das dann gegen\u00fcber dem \u201emateriellen\u201c steht. Serres erz\u00e4hlt also diese Geschichte.<\/p>\n<p style=\"padding-left: 30px;\">\u201eEin Landstreicher fand sich eines sch\u00f6nen Abends fast verhungert am K\u00fcchenfenster eines renommierten Restaurants. Die D\u00fcfte, die daraus hervordrangen, waren k\u00f6stlich. Er sog sie ein: das d\u00e4mpfte den Schmerz des Hungers ein wenig. Ein Koch bemerkte dieses Treiben, scho\u00df heraus und forderte Bezahlung f\u00fcr solchen \u201aDienst\u2018. Beinahe w\u00e4re es zwischen beiden zu Handgreiflichkeiten wegen besagter Forderung gekommen, da trat ein Dritter herzu und erbot sich, zwischen beiden zu schlichten. Gib mir ein Geldst\u00fcck, sagte er. Der Elende gibt ihm stirnrunzelnd eine M\u00fcnze. Der legt sie auf das Steinpflaster und bringt sie mit der Hacke seines Schuhs ein wenig zum Klingen. Dies Ger\u00e4usch, sagt er endlich, ist die Bezahlung f\u00fcr den Duft der leckeren Speisen. Der Braten ist ein Ding, das man verspeist, und er duftet. Die M\u00fcnze ist ein Ding, mit dem man tauscht, und sie klingt. Wenn die M\u00fcnze den Braten wert ist, so wird der Klang der M\u00fcnze wohl den Duft des Bratens wert sein. Sprach\u2019s und reichte dem Wanderer das Geldst\u00fcck zur\u00fcck. Die Gerechtigkeit war wieder hergestellt.\u201c [Michel Serres: <em>Der Parasit,<\/em> Frankfurt am Main 1987, S. 57 f.]<\/p>\n<p>Das stelle ich einfach mal in den Raum. Die Passage in Serres Text ist doch einigerma\u00dfen zu komplex, um sie zu simpel durch andere Gedanken zu substituieren.<\/p>\n<p>Die Sache mit dem Flaschengeist ist weiterhin schwierig. Der Urheberrecht im Zeitalter der Immaterialit\u00e4t wird nicht einfacher. \u00dcbermorgen verhandelt der BGH wegen <a href=\"https:\/\/www.juris.de\/jportal\/portal\/page\/homerl.psml?nid=jnachr-JUNA150701715&amp;cmsuri=%2Fjuris%2Fde%2Fnachrichten%2Fzeigenachricht.jsp\" target=\"_blank\" rel=\"noopener noreferrer\">\u201eHaftung eines Access-Providers f\u00fcr Urheberrechtsverletzungen Dritter\u201c<\/a>. Die Entscheidung d\u00fcrfte weitreichende Folgen haben. So oder so. Meine Vermutung, es wird nichts entschieden. Sondern entweder weiterverwiesen an europ\u00e4ische Gerichte oder zu Vorinstanz, die dann irgendwas ber\u00fccksichtigen muss.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Der%20Klang%20der%20M%C3%BCnze%2C%20der%20Duft%20des%20Bratens https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F07%2Fder-klang-der-muenze-der-duft-des-bratens%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Der%20Klang%20der%20M%C3%BCnze%2C%20der%20Duft%20des%20Bratens https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F07%2Fder-klang-der-muenze-der-duft-des-bratens%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Das hat mich erinnert an die alte Diskussion \u00fcber die Materie des Urheberrechts in der Musik. Also \u00fcber den Begriff des \u201eGeistigen Eigentums\u201c. Das dann gegen\u00fcber dem \u201emateriellen\u201c steht. Serres erz\u00e4hlt also diese Geschichte. \u201eEin Landstreicher fand sich eines sch\u00f6nen Abends [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Der%20Klang%20der%20M%C3%BCnze%2C%20der%20Duft%20des%20Bratens https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F07%2Fder-klang-der-muenze-der-duft-des-bratens%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 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Juli 2015","format":false,"excerpt":"\u201eDem Produzenten geht es um den Inhalt, dem Parasiten um die Position. Wer sich um die Position k\u00fcmmert, wird den, der sich um den Inhalt k\u00fcmmert stets schlagen. (\u2026) Wer mit dem Inhalt umgeht, geht mit dem Objekt um. Er ist K\u00fcnstler, auch Wissenschaftler, und es geht allein um die\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"Medizinische Instrumente. 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Juli 2015","format":false,"excerpt":"In seiner Schrift \u201eDas eigentliche \u00dcbel\u201c hat der franz\u00f6sische Philosoph Michel Serres eine neue Macht im Entstehen begriffen gesehen, \u201edie der Daten, unabh\u00e4ngig von den vier anderen, der legislativen, der exekutiven, der judikativen und der medialen\u201c \u201eNiemand kann jetzt schon erraten, ob sie entfremdend wirken oder Garant der anderen Freiheiten\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Verzweifelt. 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Juli 2015","format":false,"excerpt":"\u201eDem Produzenten geht es um den Inhalt, dem Parasiten um die Position. Wer sich um die Position k\u00fcmmert, wird den, der sich um den Inhalt k\u00fcmmert stets schlagen. (\u2026) Wer mit dem Inhalt umgeht, geht mit dem Objekt um. Er ist K\u00fcnstler, auch Wissenschaftler, und es geht allein um die\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Instrumente sind Beziehungen. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/07\/med_instrumente.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/07\/med_instrumente.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/07\/med_instrumente.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/07\/med_instrumente.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/07\/med_instrumente.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8762,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2018\/05\/geistiges-eigentum-als-rohstoff-der-zukunft-2\/","url_meta":{"origin":8568,"position":5},"title":"Geistiges Eigentum als Rohstoff der Zukunft [Fragment 1999]","author":"der huflaikhan","date":"22. Mai 2018","format":false,"excerpt":"Weiter in der Aufarbeitung der Vergangenheit. Ebenfalls 1999 entstand dieses Fragment zum Thema \u201eGeistiges Eigentum als Rohstoff der Zukunft\u201c. Das war auch damals ein Schlagwort. Hier wurde in einem Fragment der Versuch unternommen, die Begriff in Relation zu setzen. Die Bedeutung des Eigentumsbegriffs hat sich in der letzten zeit nachhaltig\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8568"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8568\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8415"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}