{"id":8582,"date":"2015-08-03T09:23:35","date_gmt":"2015-08-03T07:23:35","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1693"},"modified":"2015-08-03T09:23:35","modified_gmt":"2015-08-03T07:23:35","slug":"coltrane-inside","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/08\/coltrane-inside\/","title":{"rendered":"Coltrane Inside"},"content":{"rendered":"<p>Auf der Spur eines gigantischen Musikraubs. Wer irgendwelche Computerwerbung im Fernsehen h\u00f6rt, der bekommt sicher, so wie ich, immer eine mentale Krise, wenn da zwischendrin dieses &#8220;Intel Inside&#8221;-Soundlogo und die Bild\/Animationsmarke dazu h\u00f6rt.<\/p>\n<p>[mp3j track=&#8221;Soundlogo Intel Inside@Intel_Inside_coltrane.mp3&#8243; flip=&#8221;y&#8221;]<\/p>\n<p>Ich habe mir das neulich in Dauerschleife angeh\u00f6rt bei irgend so einem YouTube-Video. Das Soundlogo begleitete auch noch einen ganzen Spaziergang lang. Und nach einer geraumen Zeit sortierten sich die Synapsen im Gehirn neu. Schneidet man den Anfangsklang weg, bleibt dieses Viertonmotiv \u00fcbrig:<\/p>\n<p>[mp3j track=&#8221;Soundlogo Intel Inside gek\u00fcrzt@Intel_Inside_coltrane_a_love.mp3&#8243; flip=&#8221;y&#8221;]<\/p>\n<p>Und das kam mir pl\u00f6tzlich doch sehr bekannt vor. Genau!<\/p>\n<figure id=\"attachment_1699\" aria-describedby=\"caption-attachment-1699\" style=\"width: 278px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/07\/supreme_coltrane.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-1699 size-full\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/07\/supreme_coltrane.jpg?resize=278%2C66&#038;ssl=1\" alt=\"A Love Supreme. Partitur von John Coltrane\" width=\"278\" height=\"66\" \/><\/a><figcaption id=\"caption-attachment-1699\" class=\"wp-caption-text\">A Love Supreme. <a href=\"https:\/\/de.wikipedia.org\/wiki\/A_Love_Supreme#\/media\/File:A_Love_Supreme.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Partiturdetail von John Coltrane<\/a><\/figcaption><\/figure>\n<p>Die legend\u00e4re <a href=\"https:\/\/de.wikipedia.org\/wiki\/A_Love_Supreme\" target=\"_blank\" rel=\"noopener noreferrer\">Jazz-Suite \u201eA Love Supreme\u201c<\/a> von John Coltrane benutzt genau dieses Motiv, in anderer Lage, als Grundmotiv der Improvisation und Komposition. Zuerst im Bass, sp\u00e4ter dann eben auch im Saxophon und gesprochen und gesungen.<\/p>\n<p>[mp3j track=&#8221;Coltrane &#8211; Ausschnitt A Love Supreme@a_love_supreme.mp3&#8243; flip=&#8221;y&#8221;]<\/p>\n<p>Oder deutlicher, wenngleich nicht rhythmisch und pitchm\u00e4\u00dfig einwandfrei:<\/p>\n<p>[mp3j track=&#8221;Coltrane &#8211; gemixt mit Intel Inside@coltrane_mischung.mp3&#8243; flip=&#8221;y&#8221;]<\/p>\n<p>Sollte es sich bei der Gestaltung des Soundlogos von &#8220;Intel Inside&#8221; also um einen musikalisch dreisten Diebstahl handeln? Ich w\u00fcrde jetzt sagen: Ja. Das Urheberrecht in Deutschland ist da sehr pr\u00e4zise:<\/p>\n<p style=\"padding-left: 30px;\"><strong>Gesetz \u00fcber Urheberrecht und verwandte Schutzrechte (Urheberrechtsgesetz) \u00a7 24Freie Benutzung<\/strong><\/p>\n<p style=\"padding-left: 30px;\">(1) Ein selbst\u00e4ndiges Werk, das in freier Benutzung des Werkes eines anderen geschaffen worden ist, darf ohne Zustimmung des Urhebers des benutzten Werkes ver\u00f6ffentlicht und verwertet werden.<\/p>\n<p style=\"padding-left: 30px;\">(2) <strong>Absatz 1 gilt nicht<\/strong> f\u00fcr die<strong> Benutzung eines Werkes der Musik, durch welche eine Melodie erkennbar<\/strong> dem Werk entnommen und <strong>einem neuen Werk zugrunde gelegt<\/strong> wird.<\/p>\n<p>Es geht also nicht um ein bestimmtes Instrument oder einen Rhythmus, der da gesch\u00fctzt w\u00e4re, sondern um die Melodie (wobei nat\u00fcrlich die reine Tonfolge nicht die Melodie alleine ist \u2013 auch Lage, Tempo etc. w\u00e4ren zu betrachten, man denke an den Karneval der Tiere von Sains-Saens, resp. Offenbachs Can-Can). Und \u201eMelodie\u201c w\u00e4re vielleicht auch sozial zu bestimmen. Darum m\u00fcssen wir uns hier nicht k\u00fcmmern, wenn das Plagiat so offensichtlich und offenh\u00f6rbar erfolgt ist.<\/p>\n<p>Und ja, ich finde, Intel sollte daf\u00fcr nicht nur finanziell zur Ader gelassen werden (denn, dass Schadensersatzanspr\u00fcche hier geltend gemacht werden k\u00f6nnen, sollten und m\u00fcssen, liegt auf der Hand). Ich sch\u00e4tze mal, wenn man sich das amerikanische Rechtssystem so anschaut, sind da einige Millionen, wenn nicht gar Milliarden von US-Dollar herauszuholen.<\/p>\n<p>Als ob man es bei Intel nicht gewusst h\u00e4tte. Schlie\u00dflich ist der erste Klang des Soundlogos nicht zuf\u00e4llig \u00e4hnlich dem Klang eines Sackes voller M\u00fcnzen, der auf den Boden f\u00e4llt.<\/p>\n<p>[mp3j track=&#8221;S\u00fc\u00dfer die M\u00fcnzen nie klingen@intel_muenzen.mp3&#8243; flip=&#8221;y&#8221;]<\/p>\n<p>Auch moralisch ist Intel zu weit gegangen. Bei \u201eA Love Supreme\u201c von John Coltrane handelt es sich nicht nur um ein St\u00fcck Musik, sondern um eine Lebeneinstellung, in Musik gegossen, mit der Intel wahrscheinlich doch eher wenig zu tun hat. Es geht um eine h\u00f6chste Liebe! Die auf einen Chip f\u00fcr Rechenprozesse reduzieren zu wollen, ist mehr als ignorant.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Coltrane%20Inside https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F08%2Fcoltrane-inside%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Coltrane%20Inside https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F08%2Fcoltrane-inside%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Wer irgendwelche Computerwerbung im Fernsehen h\u00f6rt, der bekommt sicher, so wie ich, immer eine mentale Krise, wenn da zwischendrin dieses &#8220;Intel Inside&#8221;-Soundlogo und die Bild\/Animationsmarke dazu h\u00f6rt. [mp3j track=&#8221;Soundlogo Intel Inside@Intel_Inside_coltrane.mp3&#8243; flip=&#8221;y&#8221;] Ich habe mir das neulich in Dauerschleife angeh\u00f6rt bei irgend so einem YouTube-Video. Das Soundlogo begleitete auch [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Coltrane%20Inside https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F08%2Fcoltrane-inside%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop 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vista","author":"der huflaikhan","date":"4. August 2015","format":false,"excerpt":"Nachdem ich gestern schon den fiesen Beinahe-Diebstahl von Intel bei John Coltrane dargestellt hatte, konnte es nicht ausbleiben, dass ich auch der Startmelodie von Windows Vista und Windows 7 und Windows 8 nachgehen musste. Die geht ja bekanntlich so: [mp3j track=\"vista.mp3\" flip=\"y\"] Quarte, gro\u00dfe Sekunde, Quarte [Ambitus also eine Oktave].\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/05\/2006-05-prono.jpg?fit=720%2C540&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/05\/2006-05-prono.jpg?fit=720%2C540&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/05\/2006-05-prono.jpg?fit=720%2C540&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/05\/2006-05-prono.jpg?fit=720%2C540&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1680,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/03\/fragebogen-zur-musik\/","url_meta":{"origin":8582,"position":1},"title":"Fragebogen zur Musik","author":"huflaikhan","date":"31. M\u00e4rz 2006","format":false,"excerpt":"Vor einiger Zeit reichten mir Peter Pan und Hotel Mama einmal einen Fragebogen zur Musik weiter. Beide mussten nicht damit rechnen, dass ich darauf eingehen werde, weil die Fragen zu unpr\u00e4zise bzw. zu pr\u00e4zise und damit die Antworten zu simpel ausfallen m\u00fcssen. Ich habe ja nichts gegen die Popkultur und\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/03\/fragebogen-zur-musik\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11014,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/07\/john-coltrane-das-schweigen-der-aemter\/","url_meta":{"origin":8582,"position":2},"title":"John Coltrane \/ Das Schweigen der \u00c4mter","author":"der huflaikhan","date":"17. Juli 2025","format":false,"excerpt":"Heute im Jahr 1967 ist John Coltrane gestorben. Die Musiksprache von Coltrane kleidet einen von innen her aus.","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"hochschule hanns eisler - aschenbecher 2008. foto: hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2946,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/02\/recorded-hackensack\/","url_meta":{"origin":8582,"position":3},"title":"Recorded in Hackensack","author":"huflaikhan","date":"25. Februar 2010","format":false,"excerpt":"Just Squeeze Me, klingt es aus den Lautsprechern in einer Aufnahme, gut 55 Jahre alt, mit Red Garland, John Coltrane und Miles Davis, Paul Chambers und Philly Joe Jones machen den Rhythmus. Erst nach Minuten \u00fcberhaupt das Tenor von Coltrane - noch nicht so tiefsch\u00fcrfend, irgendwie auch, als ob das\u2026","rel":"","context":"In \"Kaffee\"","block_context":{"text":"Kaffee","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/kaffee\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":343,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/giant-steps\/","url_meta":{"origin":8582,"position":4},"title":"Giant Steps","author":"huflaikhan","date":"21. Februar 2004","format":false,"excerpt":"hei\u00dft ein St\u00fcck von John Coltrane aus dem Jahr 1959. Michal Levy, ein israelischer Student, hat dazu ein kongenialen Film gemacht, den man sich auf einer Seite von Illegal-Art wegsaugen kann. 110 MB als MPEG2 f\u00fcr 2 Minuten und ein bisserl, die es aber in sich haben. Musik, visualisiert auf\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":347,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/eric-dolphy-the-drive-bedrich-smetana-dalibor\/","url_meta":{"origin":8582,"position":5},"title":"Eric Dolphy: The Drive \/\/ Bedrich Smetana: Dalibor","author":"huflaikhan","date":"22. Februar 2004","format":false,"excerpt":"Heute nach mehrfachem Besehen des Giant-Steps-Films auch wieder die Dolphy-Packung (The Complete Prestige Recordings) herausgeholt. CD 2, Take 1: \u201cThe Drive\u201d ganz \u00e4hnlich wie Coltranes Giant Steps, abfallende Akkordbrechungen. Nicht ganz so harmonisch kompliziert, daf\u00fcr im Chrous mit kontrapunktischen Elementen, chromatische Linie in den Nebenstimmen. Wirkt dadurch sofort sehr substanzhaltig\u2026","rel":"","context":"In \"Bedrich Smetana\"","block_context":{"text":"Bedrich Smetana","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bedrichsmetana\/"},"img":{"alt_text":"Altes Bild von 1992 - Aus dem Berlin Mix von Christian Marclay","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/02\/20040222-taubesohr.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8582"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8582\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1704"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}