{"id":8585,"date":"2015-10-15T08:45:31","date_gmt":"2015-10-15T06:45:31","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1865"},"modified":"2015-10-15T08:45:31","modified_gmt":"2015-10-15T06:45:31","slug":"eine-kline-napstermusick","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/eine-kline-napstermusick\/","title":{"rendered":"Eine kline Napstermusick"},"content":{"rendered":"<p>Seit kurzem bin ich Kunde bei einer Musik-Flatrate. Nicht irgendeiner, etwa hippen wie Spotify oder iTunesMusic. Schnickschnack. Wie meinen Wein, so beziehe ich meine Musik neuerdings \u00fcber ein Flatrate bei ALDi. Der liegt schlie\u00dflich auch der Urvater, die Urmutter aller Musikrates zugrunde. Napster!! Napster hat die Welt der Musikindustrie ver\u00e4ndert, auch wenn dem Prinzip keine lange Zukunft beschieden war. Napster wurde gekauft und umgetauft und labelt bei Aldi nun herum. Einen Monat kostenlos. Enjott Schneider war dar\u00fcber nicht gl\u00fccklich und \u00e4u\u00dferte dies in einer Facebook-Gruppe. Dabei sind speziell seine St\u00fccke da kaum zu finden. Unter den 34 oder 43 Fantastrillionen Piecen. Wie \u00fcbrigens auch nicht die Platten von ECM oder Prince. &#8230; In guter Gesellschaft ist er da.<\/p>\n<p>Im Gegensatz zu IDAGIO, <a href=\"http:\/\/blogs.nmz.de\/wm2014\/2015\/08\/13\/adagio-idagio-uuuhh\/\" target=\"_blank\" rel=\"noopener\">wir berichteten<\/a>, ist dieses Sammelbecken von Musik undurchschaubar. Alle Superduper-Funktionen hinangestellt, wie das fixe Abh\u00f6ren von den TOP100-Titeln der deutschsprachigen Industrie-Charts.<\/p>\n<h2>Zur Dialektik des Fehlers<\/h2>\n<figure id=\"attachment_1867\" aria-describedby=\"caption-attachment-1867\" style=\"width: 169px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/10\/Screenshot_2015-10-14-16-37-10.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-1867 size-medium\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/10\/Screenshot_2015-10-14-16-37-10-169x300.png?resize=169%2C300&#038;ssl=1\" alt=\"Gottes Zeit ist die beste Zeit.\" width=\"169\" height=\"300\" \/><\/a><figcaption id=\"caption-attachment-1867\" class=\"wp-caption-text\">Gottes Zeit ist die beste Zeit.<\/figcaption><\/figure>\n<p>Die Suche beim Aldi-Napster ist sehr sensitiv. Mit anderen Worten, wenn man was falsch schreibt, findet man es schlicht nicht. Das ist altmodisch irgendwie. Aber hier kann man mal lernen, was Dialektik hei\u00dft und ist. Die Wahrscheinlichkeit etwas zu finden, gerade wenn man es orthografisch falsch schreibt, steigt in umgekehrt proportionaler Weise, so dass man die Musik nur dann wirklich findet, wenn man sich vertippt wie den gro\u00dfen Gy\u00f6rgy Litegi. Oder Kantaten von Bach. Ich habe nicht extra nach Fehlern gesucht, sind einfach da. Millionenfach wom\u00f6glich.<\/p>\n<p>Und es gibt noch mehr fantastische Bereiche, wie man Kunden-H\u00f6rw\u00fcnsche zu beantworten wei\u00df. Klassik-Tracklist f\u00fcrs Kochen gef\u00e4llig? Alles kein Problem. Warum aber dabei \u201eAlso sprach Zarathustra\u201c als recht komplexes Werk was aus mehr besteht als den Startfanfaren an Platz 1 steht, kann ich nur als Gemeinheit eines fiesen Musikwissenschaftlers mir denken, der die Listen zusammenstellt.<\/p>\n<figure id=\"attachment_1869\" aria-describedby=\"caption-attachment-1869\" style=\"width: 720px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/10\/Screenshot_2015-10-14-17-04-24.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1869\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/kalenderblatt-september-2006\/attachment-halbstarke\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/08\/halbstarke.jpg?fit=768%2C1024&amp;ssl=1\" data-orig-size=\"768,1024\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"halbstarke\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/08\/halbstarke.jpg?fit=768%2C1024&amp;ssl=1\" class=\"wp-image-1869 size-full\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/10\/Screenshot_2015-10-14-17-04-24.png?resize=720%2C1280&#038;ssl=1\" alt=\"Klassik zum Kochen.\" width=\"720\" height=\"1280\" \/><\/a><figcaption id=\"caption-attachment-1869\" class=\"wp-caption-text\">Klassik zum Kochen.<\/figcaption><\/figure>\n<p>Und so geht es dann auch dort weiter. Da verkochen einem glatt die Nudeln im Wasser. Zum Ende begl\u00fccken die gesammelten Aufputzm\u00e4rsche der Musikgeschichte. Die K\u00fcche so sauber wie die Musik.<\/p>\n<p>Zum Schlafen dann gro\u00dfe Kunst: Eine <a href=\"https:\/\/de.wikipedia.org\/wiki\/Franz_Kline\" target=\"_blank\" rel=\"noopener noreferrer\">franz kline<\/a> Nachtmusik.<\/p>\n<figure id=\"attachment_1871\" aria-describedby=\"caption-attachment-1871\" style=\"width: 720px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/10\/kleine_napstermusik.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1871\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/ich-habe-mir-mal-gedacht\/attachment-ich-muss-jezze-los\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/09\/mitzieh-effekt.jpg?fit=1024%2C746&amp;ssl=1\" data-orig-size=\"1024,746\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ich muss jezze los\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/09\/mitzieh-effekt.jpg?fit=1024%2C746&amp;ssl=1\" class=\"wp-image-1871 size-full\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/10\/kleine_napstermusik.jpg?resize=720%2C582&#038;ssl=1\" alt=\"Eine kleine Napstermusik. \" width=\"720\" height=\"582\" \/><\/a><figcaption id=\"caption-attachment-1871\" class=\"wp-caption-text\">Eine kleine Napstermusik.<\/figcaption><\/figure>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Eine%20kline%20Napstermusick https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Feine-kline-napstermusick%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Eine%20kline%20Napstermusick https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Feine-kline-napstermusick%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Nicht irgendeiner, etwa hippen wie Spotify oder iTunesMusic. Schnickschnack. Wie meinen Wein, so beziehe ich meine Musik neuerdings \u00fcber ein Flatrate bei ALDi. Der liegt schlie\u00dflich auch der Urvater, die Urmutter aller Musikrates zugrunde. Napster!! Napster hat die Welt der Musikindustrie ver\u00e4ndert, auch wenn dem Prinzip keine [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Eine%20kline%20Napstermusick https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Feine-kline-napstermusick%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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August 2004","format":false,"excerpt":"Gestern, am Jubil\u00e4umstag, sind zwei Merkw\u00fcrdigkeiten passiert. Zum ersten Mal fand ich Kommentar-Spam in der Kritische Masse. Die hatte zwar noch keinen Inhalt au\u00dfer ein paar leeren HTML-Tags. Doch freuen tut man sich dar\u00fcber nicht. Keine Ahnung, ob das was bringt: Jedenfalls m\u00fcssen ab sofort alle Kommentare, die sich auf\u2026","rel":"","context":"Mit 4 Kommentaren","block_context":{"text":"Mit 4 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/der-501te-eintrag-ein-aergernis\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8560,"url":"https:\/\/www.kritische-masse.de\/logbuch\/apple-erfindet-musikstreaming-die-folgen\/","url_meta":{"origin":8585,"position":1},"title":"Apple erfindet Musikstreaming \u2013 Die Folgen","author":"der huflaikhan","date":"10. Juni 2015","format":false,"excerpt":"Ein Wunder, ein Wunder, ein Wunder! 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M\u00e4rz 2024","format":false,"excerpt":"Beethoven nimmt mit +++ Deprimiertheit im Nachgang +++ Die Tage werden l\u00e4nger +++ Ein bisschen weniger die Welt verschmutzen +++ Veganer Karotten-Lachs No. 1 (muss besser werden) +++","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"Blumen auf dem Markt. 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Oktober 2006","format":false,"excerpt":"!~~1\/reichstag-bruecke-kompletto.jpg|Da sieht man mal, wie man dem Motiv folgt und damit ins Wasser steigt. Da kannste dir drehen und wenden. Besser w\u00e4r ein Stativ wohl.~~!\u0085 und doch nicht geklappt. Da sieht man mal, wie man dem Motiv folgt und damit ins Wasser steigt. Da kannste dir drehen und wenden. Besser\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":323,"url":"https:\/\/www.kritische-masse.de\/logbuch\/notengeruch-und-modernisierung\/","url_meta":{"origin":8585,"position":5},"title":"Notengeruch und Modernisierung","author":"huflaikhan","date":"7. Februar 2004","format":false,"excerpt":"Musik: Johann Sebastian Bach: Nun komm\u0091 der Heiden Heiland (Lipatti 1950) Autor: Es ist so sch\u00f6n, dass sich manches nicht \u00e4ndert. Der modrige Geruch von zerfallendem Papier, langsames Nachdunkeln, das Absplittern von Altkopien neuer Musik. Kurz das Leben von Notentexten in allen Formaten und in allen Preislagen. Ach Faksimile, oh\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8585"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8585\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1874"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}