{"id":8586,"date":"2015-10-23T11:27:02","date_gmt":"2015-10-23T09:27:02","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1883"},"modified":"2015-10-23T11:27:02","modified_gmt":"2015-10-23T09:27:02","slug":"kuechenmusik-das-unterschaetzte-genre","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/10\/kuechenmusik-das-unterschaetzte-genre\/","title":{"rendered":"K\u00fcchenmusik \u2013 das untersch\u00e4tzte Genre"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=K%C3%BCchenmusik%20%E2%80%93%20das%20untersch%C3%A4tzte%20Genre https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F10%2Fkuechenmusik-das-unterschaetzte-genre%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/WPmJwFqV8Lg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><br \/>\n<!--more--><\/p>\n<p>Es gibt ja Zeitschriften f\u00fcr alles! Landlust, Computertechnik, Dieselmotoren, Neue Musik oder Kirchenmusik. Aber nicht f\u00fcr K\u00fcchenmusik. Dabei ist dies ganz sicher ein Markt, der erschlossen werden m\u00fcsste.<br \/>\nDenn eine K\u00fcche hat fast jeder. Und singen kann auch (fast) jeder. Die K\u00fcche ist das Zentrum des gesellschaftlichen Lebens, wie man es von unendlich vielen Studi-Parties kennt. In die K\u00fcche ziehen sich alle zur\u00fcck. Denn Essen und Musikmachen: eine wunderbare Kombination. Gut, vielleicht braucht man da keine Zeitschrift. Denn auch f\u00fcr Kr\u00e4uter, Kekse und Klinkerverputz braucht es das nicht wirklich. Wenn denn nur die Tradition stimmt. Und die stimmt leider nicht mehr so.<\/p>\n<p>Selbst im Bereich der neuen Musik ist K\u00fcchenmusik prominent vertreten. Moritz Eggert machte mal was mit Essen.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/fksr2W5WsEc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Und auch die erste Popakademie hat sich des Themas angenommen. Ein Klassiker, der aber doch ein bisschen zu sehr auf Effekte setzt.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/3PgbGcOxo2Y?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Zur\u00fcck zu den Anf\u00e4ngen. Vor dem Essen oder nach dem Essen, da ist die Laune gut und da werden die Gef\u00fchle schon mal rausgelassen.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ldhSmLVr3fc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Ein Ausblick muss auch m\u00f6glich sein. K\u00fcchen, Klo und Wohn- und Schlafzimmer, voll gemusikt beim Klangrausch der Blogmitautoren Philipp Krechlak und Holger Kurtz von \u201eMusik mit allem und viel scharf\u201c. <a href=\"http:\/\/musik-mitallemundvielscharf.de\/meistgelesen\/klangrausch-oder-wenn-das-bier-alle-ist\/\" target=\"_blank\" rel=\"noopener noreferrer\">A House Full Of Music. Klangrausch.<\/a><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/sGTdNKh-i-Q?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>PS: Kleiner Nachtrag. <\/strong><\/p>\n<p>Zun\u00e4chst dachte ich, na, f\u00fcr ein Klavier d\u00fcrfte eine K\u00fcche nicht so geeignet sein. Zumindest <a href=\"http:\/\/www.musiker-board.de\/threads\/klavier-in-der-k%C3%BCche.193006\/\" target=\"_blank\" rel=\"noopener noreferrer\">Schimmel in der K\u00fcche<\/a> kommt nicht so gut. Irrtum. Im Spiegel von 1992 berichtet Dave Brubeck:<\/p>\n<p style=\"padding-left: 30px;\">Fr\u00fcher, als sie noch klein waren, stand in Brubecks K\u00fcche ein Piano. &#8220;Da haben die Kinder etwas Sinnvolles zu tun, w\u00e4hrend sie aufs Abendbrot warten&#8221;, sagte Dave damals. 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Als Textautoren hat er mit Shakespeare und Anne\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/"},"img":{"alt_text":"Eggert","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030912-2003-eggert.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":527,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/neues-von-der-nmz-200407-08\/","url_meta":{"origin":8586,"position":1},"title":"Neues von der nmz 2004\/07-08","author":"huflaikhan","date":"12. Juli 2004","format":false,"excerpt":"Seit einer Woche ist sie nun online, die aktuelle Ausgabe der neuen musikzeitung. Nat\u00fcrlich wie immer pickpackevoll mit Informationen, Berichten und Kommentaren zum aktuellen Musikleben. Eine kleine Auswahl besonderer Texte hier zur Auswahl. Experten Martin Hufner suchte Musik von Moritz Eggert und fand Experten Keine Kinders\u00e4rge, keine C-Dur-Idylle Der Komponist\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10672,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/01\/links-statt-gelaber-gema-musikrat-und-musikschule-cdu-im-kupo-test\/","url_meta":{"origin":8586,"position":2},"title":"Links statt Gelaber: GEMA, Musikrat und Musikschule, CDU im Kupo-Test","author":"der huflaikhan","date":"25. Januar 2025","format":false,"excerpt":"Musikschulenmeinungsbildung beim Deutschen Musikrat +++ Das kulturpolitische Programm der CDU\/CSU im Visier des Kulturmanagement.Netzwerks +++ Zerbricht die GEMA? Das treibt den Verein. Kritik an Reformpl\u00e4nen von Moritz Eggert +++ Links statt Gelaber +++","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"\u00dcbrigens ist meine kritische masse eine Non-Prophet-Organisation Schlie\u00dflich gilt der Profit im eigenen Laden nichts","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":15048,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/03\/ungemach-im-deutschen-komponistinnenverband-und-der-gema\/","url_meta":{"origin":8586,"position":3},"title":"Ungemach im Deutschen Komponist:innenverband und der GEMA","author":"der huflaikhan","date":"21. M\u00e4rz 2026","format":"link","excerpt":"Die Sache ist ebenso verfahren wie die Sache mit Weimer. Die GEMA-Reform 2026 zerreibt Nerven und lang gewachsenen Strukturen, die ja nicht immer nur schlecht sein m\u00fcssen. Es ist ja absolut unstrittig unter Langerfahrenen Beobachtern der GEMA, dass die Ideen der aktuellen Reformbem\u00fchungen nicht aus Gr\u00fcnden der Kulturliebe geschehen, w\u00e4re\u2026","rel":"","context":"In &quot;Amt f\u00fcr Vermassungsschutz&quot;","block_context":{"text":"Amt f\u00fcr Vermassungsschutz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/vermassungsschutz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1765,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/06\/eggert-komponierte-muenchen\/","url_meta":{"origin":8586,"position":4},"title":"Eggert komponierte M\u00fcnchen","author":"huflaikhan","date":"9. Juni 2006","format":false,"excerpt":"Nachdem ich mir gestern nacht noch drei Orchester anh\u00f6ren musste (wollte), die irgendwie von Beckmann mooderiert wurden und es furchtbar viel \u201eKlassik\u201c zu h\u00f6ren gab, lese ich nun, zu sp\u00e4t, dass es gute Musik nach 16:23 bei der Er\u00f6ffnungszeremonie von Moritz Eggert gegeben haben muss. Eine Einf\u00fchrung, nachzulesen im KIZ.","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2426,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/05\/reich-werden-mit-armut\/","url_meta":{"origin":8586,"position":5},"title":"Reich werden mit Armut","author":"huflaikhan","date":"28. Mai 2008","format":false,"excerpt":"Gerade in der Netzeitung einen Artikel durchgeschaut mit dem Titel: Jammernde Musikindustrie - Mozart brauchte kein Copyright.An sich bin ich f\u00fcr so etwas aufgeschlossen, vor allem wenn es gegen die Aktivit\u00e4ten der Musikindustrie geht. Aber der Artikel dort ist untauglich. Gewiss stellt er Beziehungen her \u00fcber die Verteilungsformen zwischen Musikindustrie\u2026","rel":"","context":"In \"Copyright\"","block_context":{"text":"Copyright","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/copyright\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8586"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8586\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}