{"id":8589,"date":"2015-08-04T08:00:38","date_gmt":"2015-08-04T06:00:38","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1715"},"modified":"2015-08-04T08:00:38","modified_gmt":"2015-08-04T06:00:38","slug":"sibelius-a-la-vista","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/08\/sibelius-a-la-vista\/","title":{"rendered":"Sibelius a la vista"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Sibelius%20a%20la%20vista https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F08%2Fsibelius-a-la-vista%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Sibelius%20a%20la%20vista https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F08%2Fsibelius-a-la-vista%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Nachdem ich gestern schon den <a href=\"http:\/\/blogs.nmz.de\/wm2014\/2015\/08\/03\/coltrane-inside\/\">fiesen Beinahe-Diebstahl von Intel bei John Coltrane<\/a> dargestellt hatte, konnte es nicht ausbleiben, dass ich auch der Startmelodie von Windows Vista und Windows 7 und Windows 8 nachgehen musste. Die geht ja bekanntlich so:<\/p>\n<p>[mp3j track=&#8221;vista.mp3&#8243; flip=&#8221;y&#8221;]<\/p>\n<p>Quarte, gro\u00dfe Sekunde, Quarte [Ambitus also eine Oktave]. Angeblich hat der <a href=\"https:\/\/channel9.msdn.com\/blogs\/scobleizer\/robert-fripp-behind-the-scenes-at-windows-vista-recording-session\" target=\"_blank\" rel=\"noopener noreferrer\">Musiker Robert Fripp das Soundlogo gebaut<\/a>. Das mag sein. Aber er hat sich bedient. Und zwar bei dem gro\u00dfen Komponisten Jean Sibelius. Der hatte dieses Motiv gleich zu Beginn in seiner f\u00fcnften Sinfonie mehrfach hintereinander verwendet. So dass es sich in das Gehirn einbrennen konnte.<\/p>\n<p>[mp3j track=&#8221;sibelius5-vista.mp3&#8243; flip=&#8221;y&#8221;]<\/p>\n<figure id=\"attachment_1719\" aria-describedby=\"caption-attachment-1719\" style=\"width: 676px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/08\/sibelius-weichzeichner.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1719\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2006\/05\/nahaufnahme\/attachment-blume-von-nah\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/05\/2006-05-blume.jpg?fit=720%2C540&amp;ssl=1\" data-orig-size=\"720,540\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Blume von nah\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/05\/2006-05-blume.jpg?fit=720%2C540&amp;ssl=1\" class=\"size-large wp-image-1719\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/08\/sibelius-weichzeichner-799x1024.jpg?resize=676%2C866&#038;ssl=1\" alt=\"Siebelius - F\u00fcnfte Sinfonie (Anfang)\" width=\"676\" height=\"866\" \/><\/a><figcaption id=\"caption-attachment-1719\" class=\"wp-caption-text\">Sibelius &#8211; F\u00fcnfte Sinfonie (Anfang)<\/figcaption><\/figure>\n<p>Die Sache macht nachdenklich. Ist der Vorrat an melodischem Material wirklich ersch\u00f6pft? Und wenn ja: Ist dann nicht das musikalische Urheberrecht v\u00f6llig sinnlos geworden, was also Plagiate angeht etc. Alles schon mal dagewesen!<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Sibelius%20a%20la%20vista https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F08%2Fsibelius-a-la-vista%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Sibelius%20a%20la%20vista https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F08%2Fsibelius-a-la-vista%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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(Finnland)","author":"der huflaikhan","date":"29. August 2014","format":"quote","excerpt":"\u00dcber Musik kann man am besten mit Bankdirektoren reden. K\u00fcnstler reden ja nur \u00fcbers Geld. Jean Sibelius In einem Facebook-Eintrag des Forum zeitgen\u00f6ssische Musik Leipzig (kurz und leicht merkbar: FZML) wird zum m\u00e4zenatischen Tun aufgefordert. Mit 15 Euro sei man dabei. Unterstrichen wird dies mit einem Verweis auf ein Bonmot\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8582,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/08\/coltrane-inside\/","url_meta":{"origin":8589,"position":1},"title":"Coltrane Inside","author":"der huflaikhan","date":"3. August 2015","format":false,"excerpt":"Auf der Spur eines gigantischen Musikraubs. Wer irgendwelche Computerwerbung im Fernsehen h\u00f6rt, der bekommt sicher, so wie ich, immer eine mentale Krise, wenn da zwischendrin dieses \"Intel Inside\"-Soundlogo und die Bild\/Animationsmarke dazu h\u00f6rt. [mp3j track=\"Soundlogo Intel Inside@Intel_Inside_coltrane.mp3\" flip=\"y\"] Ich habe mir das neulich in Dauerschleife angeh\u00f6rt bei irgend so einem\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"A Love Supreme. Partitur von John Coltrane","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/07\/supreme_coltrane.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1680,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/03\/fragebogen-zur-musik\/","url_meta":{"origin":8589,"position":2},"title":"Fragebogen zur Musik","author":"huflaikhan","date":"31. M\u00e4rz 2006","format":false,"excerpt":"Vor einiger Zeit reichten mir Peter Pan und Hotel Mama einmal einen Fragebogen zur Musik weiter. Beide mussten nicht damit rechnen, dass ich darauf eingehen werde, weil die Fragen zu unpr\u00e4zise bzw. zu pr\u00e4zise und damit die Antworten zu simpel ausfallen m\u00fcssen. Ich habe ja nichts gegen die Popkultur und\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/03\/fragebogen-zur-musik\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1890,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/09\/aus-wissenschaft-und-forschung\/","url_meta":{"origin":8589,"position":3},"title":"Aus Wissenschaft und Forschung","author":"huflaikhan","date":"23. September 2006","format":false,"excerpt":"Der Fall, Diagnose und Anamnese: Ein mittelalter Mann leidet seit einigen Tagen unter Fnunpfen mit zeitweiliger Hei Der Fall, Diagnose und Anamnese: Ein mittelalter Mann leidet seit einigen Tagen unter Fnunpfen mit zeitweiliger Heiserkeit, die bis zur fast vollst\u00e4ndigen Sprachunf\u00e4higkeit reicht. Damit verbunden Kopfschmerzen unter der Sch\u00e4deldecke mit dr\u00fcckenden Impulsen\u2026","rel":"","context":"In &quot;Ich&quot;","block_context":{"text":"Ich","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/privates\/ich\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3169,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/11\/links-f-r-today\/","url_meta":{"origin":8589,"position":4},"title":"Links f\u00fcr today","author":"huflaikhan","date":"15. November 2012","format":false,"excerpt":"Heute mal eine kleine Linksammlung zum Thema \u201eKultur & so\u201c. Demokratie und Alltag:\u00a0Quiri \u00fcber die Welt und Xaidoo ...Tobias K\u00f6nemann von \u201eOper&Tanz\u201c in nmz-online \u00fcber:\u00a0Piratenangriff auf Bonn: Unter dem Deckmantel eines B\u00fcrgerbegehrens betreibt die \u201ePiratenpartei\u201c die Schlie\u00dfung der Oper'Sibelius is Dead, Long Live Steinberg!'\u00a0- Wie geht es weiter mit dem\u2026","rel":"","context":"In \"Bonn\"","block_context":{"text":"Bonn","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bonn\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1944,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/11\/windows-visa\/","url_meta":{"origin":8589,"position":5},"title":"Windows Visa","author":"huflaikhan","date":"21. November 2006","format":false,"excerpt":"Tonspion belegt, was ich schon lange vermutet habe, \u201edass Zune nicht mal mit dem hauseigenen Betriebssystem Visa kompatibel sein soll\u201c [Quelle]","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8589"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8589\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/1720"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}