{"id":8606,"date":"2016-01-12T22:52:43","date_gmt":"2016-01-12T21:52:43","guid":{"rendered":"http:\/\/musikunrat.de\/?p=75"},"modified":"2016-01-12T22:52:43","modified_gmt":"2016-01-12T21:52:43","slug":"90-geburtstag-von-morton-feldman-am-12-1-2016","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/01\/90-geburtstag-von-morton-feldman-am-12-1-2016\/","title":{"rendered":"90. Geburtstag von Morton Feldman am 12.1.2016"},"content":{"rendered":"<p>Mit 90 Jahren gestorben, Madame Press.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/vbJ1uNFbhTo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=90.%20Geburtstag%20von%20Morton%20Feldman%20am%2012.1.2016 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2016%2F01%2F90-geburtstag-von-morton-feldman-am-12-1-2016%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Geburtstag von Morton Feldman am 12.1.2016. Madame Press died last week at Ninety","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2652],"tags":[3704,2958],"class_list":["post-8606","post","type-post","status-publish","format-standard","hentry","category-diemusik","tag-morton-feldman","tag-neue-musik","entry"],"jetpack_publicize_connections":[],"categories_names":["die Musik"],"post_class":[["post-8606","post","type-post","status-publish","format-standard","hentry","category-diemusik","tag-morton-feldman","tag-neue-musik","entry"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":50,"url":"https:\/\/www.kritische-masse.de\/logbuch\/1999\/05\/sich-schwerelos-durch-einen-harten-markt-spielen\/","url_meta":{"origin":8606,"position":0},"title":"Sich schwerelos durch einen harten Markt spielen","author":"huflaikhan","date":"2. Mai 1999","format":false,"excerpt":"Eigene Konzertreihe im Konzerthaus, Ideen zur Hochschulausbildung: das Vogler Quartett setzt AkzenteAls sich die Musik-Biennale 1999 um die Musik der 80er Jahre bem\u00fcht hat, lag es auf der Hand, auch eines der extremsten Werke aus dieser Zeit zur Auff\u00fchrung zu bringen: Morton Feldmans 1983 komponiertes Zweites Streichquartett. Es ist mit\u2026","rel":"","context":"In &quot;nmz&quot;","block_context":{"text":"nmz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/nmz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":56,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/01\/ein-kleiner-beitrag-zur-soziologie-des-hoerens\/","url_meta":{"origin":8606,"position":1},"title":"Ein kleiner Beitrag zur Soziologie des H\u00f6rens","author":"huflaikhan","date":"8. Januar 2004","format":false,"excerpt":"Nachfolgend mein Beitrag zur Ausgabe 73 der Sendung \"taktlos\" des Bayerischen Rundfunks und der neuen musikzeitung. Im Studio dabei: Rita Beulker (Projektcoach \/ Herausgeberin des Online Wirtschaftsmagazin infoquelle), Marion Gl\u00fcck-Levi (Stiftung Zuh\u00f6ren), Michael Quast (Kabarettist, Regisseur), Karl Karst (Wellenchef WDR3, Initiative H\u00f6ren e.V.) und das Duo Courage. Musik: Morton Feldman:\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/taktlos\/"},"img":{"alt_text":"Hufi vor 42 Sendungen","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/01\/20031217-30huffi2-50.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":11751,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/01\/schrottplatz-ohne-schrottwert\/","url_meta":{"origin":8606,"position":2},"title":"Schrottplatz ohne Schrottwert","author":"der huflaikhan","date":"19. Januar 2026","format":false,"excerpt":"Soll da jemand gesagt haben, NIUS sei Schrott? Das ist falsch. Bei Schrott besteht noch die M\u00f6glichkeit, dass man den wiederverwerten kann. Allerdings fehlt es an einem Gebrauchswert der Ausw\u00fcrfe, die die Wortentwerter des Krawallportals NIUS in die Welt schie\u00dfen. Der einzige Gebrauchswert, den man dem (ja, was ist das\u2026","rel":"","context":"In &quot;Amt f\u00fcr Vermassungsschutz&quot;","block_context":{"text":"Amt f\u00fcr Vermassungsschutz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/vermassungsschutz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2346,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/12\/eine-kleine-stockhausen-geschichte\/","url_meta":{"origin":8606,"position":3},"title":"Eine kleine Stockhausen-Geschichte","author":"hufi","date":"9. Dezember 2007","format":false,"excerpt":"Ich kann nicht genau sagen, wann ich das erste mal den Namen Stockhausen geh\u00f6rt habe. Sicher war es noch in der Schule, Ende der 70er, Anfang der 80er Jahre. Die Musik, die zu diesem Namen geh\u00f6rte, was nicht ganz leicht zug\u00e4nglich. Am ehesten ging es noch \u00fcber einer Schallplattenreihe der\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10630,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/01\/schnell-alternde-nichtinformationen-streuen-im-musikjournalismus\/","url_meta":{"origin":8606,"position":4},"title":"Schnell alternde Nichtinformationen streuen im \u201eMusikjournalismus\u201c","author":"der huflaikhan","date":"19. Januar 2025","format":false,"excerpt":"Musikjournalismus am Limit. Manuel Brug ist auch schnell gealtert, w\u00e4hrend Andreas Schmidt als Autor von Klassik begeistert noch gar nicht so recht zur Welt gekommen zu sein scheint. Drei Veranstaltungstipps: Holocaust-Gedenken in Darmstadt, \u201eDas wird man ja noch sagen d\u00fcrfen?! Zukunft des Musikjournalismus\u201c und ein Hackbrett-Festival in M\u00fcnchen","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"mann im meer. foto: hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/mann-im-meer.jpg?fit=1200%2C963&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/mann-im-meer.jpg?fit=1200%2C963&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/mann-im-meer.jpg?fit=1200%2C963&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/mann-im-meer.jpg?fit=1200%2C963&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/mann-im-meer.jpg?fit=1200%2C963&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8356,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/12\/eine-kleine-stockhausen-geschichte-2\/","url_meta":{"origin":8606,"position":5},"title":"Eine kleine Stockhausen-Geschichte","author":"der huflaikhan","date":"9. Dezember 2007","format":false,"excerpt":"Ich kann nicht genau sagen, wann ich das erste mal den Namen Stockhausen geh\u00f6rt habe. Sicher war es noch in der Schule, Ende der 70er, Anfang der 80er Jahre. Die Musik, die zu diesem Namen geh\u00f6rte, was nicht ganz leicht zug\u00e4nglich. Am ehesten ging es noch \u00fcber einer Schallplattenreihe der\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8606"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8606\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}